Horror

Combining internet creepypasta x reddit culture with conspiracy theory discussions invoking the Mandela effect, while wrapped up with a premise involving former child stars reuniting under devious circumstances, Mister Magic’s ideas and concepts are nothing short of ingenious. A unique, suspenseful thriller with dashes of horror and paranormal activity, Mister Magic is wildly creative while simultaneously feeling like a personal literary work. Heavily hinged around the theme of lost childhood and the misdirection of parental guidance, there are moments where Kiersten White hits hard with relatable and edgy personal jabs at adulthood that are impressive. Unfortunately for me, those sporadic bursts of genius and excitement are surrounded by a slow and messy narrative that is never quite able to deliver on its hook and ideas on paper. Its ending also devolves into a rushed and convoluted mess. Working at a camping retreat with no cell phone and largely removed from society for the last 30 yrs, former child star Val is unexpectedly reunited with her former co-stars following the death of her father who once grounded and rescued her from a traumatic childhood she cannot remember. Encompassing elements of many popular kids tv shows, Mister Magic’s concept and mysterious disappearance…

A mysterious parasitic ailment, a medical institute that isn’t what it seems, and the occupants of an isolated, frost-covered chateau sets the scene for an incredibly unique, ambitious, yet often confusing and disjointed read. I wholeheartedly agree with many other reviews of Hiron Ennes’s debut novel Leech that describe it as being positively weird (that’s a good thing) and unlike anything else within the horror and science fiction genres. With strong initial horror elements that vary from body, medical, and psychological horror (nothing too graphic, at least by my desensitized standards) to light elements of supernatural and monster horror, there are a lot of conceptually great ideas that make Leech a riveting read, at times. Unfortunately more often than not, the execution of these ideas and the narrative presentation severely drags down the enjoyment and cohesion of the story, resulting in a puzzling reading experience and a feeling of missed opportunity. The success of any parasite is proportional to its harmlessness. Some are intelligent; they avoid detection, allowing their carriers to lead healthy lives until obsolescence. Fewer, in brilliant acts of symbiosis, foster dependence in the host. But too many are loudmouths and fools… most parasites cannot think far enough…

The second entry in T. Kingfisher’s Sworn Soldier series, What Feasts At Night is another atmospheric novella that prioritizes its foreboding tone paired with its vaguely historic 19th century setting. Unlike What Moves the Dead which was a modern retelling of the classic short poem the Fall of the House of Usher, What Feasts At Night is an original story set in the overgrown woods of the fictional country of Gallacia involving a local superstition in the area affecting Alex Easton’s inherited hunting lodge. While the general tone is carried over from the first novella, the actual plot felt considerably slower paced and lacked the tense buildup that I previously reviewed and appreciated. The “horror” elements were also quite brief and left me a bit underwhelmed despite the appropriately balanced prose and Easton’s signature sarcastic soldier humor. Carrying over majority of Kingfisher’s original cast characters outside of Edgar Allen Poe’s (with the exception of Dr. Denton who is apparently featured as a main character in the upcoming 3rd novella due to be published next year), What Feasts At Night benefits from all of the exposition and Gallacia world-building that was previously introduced in the first book. I had previously critiqued how the first book’s start felt too slow due…

Foreboding and just slightly unsettling, T. Kingfisher’s What Moves The Dead is an atmospheric modern retelling of Edgar Allen Poe’s famous short story The Fall of the House of Usher. If one is familiar with the literary classic source material, you can roughly follow and know what to expect in this short novella. However, unlike the original short story, T. Kingfisher expands the classic tale with some clever ideas and twists that help this interpretation successfully stand out on its own. Additionally, added character motives, speculative fiction elements, and a bit of fringe science importantly attempt to address the source materials formulaic shortcomings and common criticisms, resulting in a solidly accomplished read that is accessible and not too spooky/disturbing for most readers. Clocking in at around 160 pages, What Moves the Dead is an easy to read novella that’s self-contained and straightforward. However unlike the original story that leaves a lot open to interpretation, T. Kingfisher attempts to fill-in and answer a lot of the unknown factors that Poe never explicitly addressed. A common point of criticism about most horror mansion/estate tales is questioning why the narrator doesn’t leave once they begin to encounter unsettling experiences. She addresses this by…

Unsettling, disturbing, and brilliant in a twisted way, The Possession of Mr. Cave by Matt Haig is an intense read that fully commits to its narrative. Whether most readers are prepared for what that entails is an entirely different discussion (definitely check trigger warnings before hand). The “horror” moniker gets tossed around quite loosely these days, ranging from slashers to psychological insanity to anything that is vaguely related to the supernatural. This book however taps into the quiet, heavy, foreboding type of horror that occurs when someone is witnessing something horrific but can’t look away or stop it; it’s conceptualized like a modern Shakespearean tragedy. The character narration and story is made all the more uncomfortable by Haig’s very effective use of the 2nd person perspective that pulls you into the story and traps you in Bryony’s shoes. The way the novel constantly refers to Bryony as “you” hits home the perspective of the characters and the horrors of what a parent is capable of doing. Complemented by excellent writing and Haig’s now distinctive heavily introspective style, I found this novel to be unlike anything I’ve read in a long time, one that I didn’t necessarily enjoy reading but one…