Book Reviews

The answer arc and part two of Ibañez’s Secrets of the Nile duology, Where the Library Hides is a sequel that many fans of the first book likely didn’t sign up for. While continuing its 19th‑century Egyptian premise on paper, in many ways this book feels like a product of misguided and unfortunate creative and narrative choices. Focusing heavily on familial conflict, betrayals, and character drama rather than its compelling historical fantasy elements, it may not be every reader’s cup of tea. This book picks up right after Where the River Knows ends, following the dramatic events in the backstreets of Cairo. While the first book posed a lot of interesting and mysterious questions about Cleopatra and Whit’s traumatic history in the armed forces, most of those storylines were left unresolved, compelling material for Where the Library Hides to answer. Where book one covered exploration and discovery on the island of Philae, this book sees Inez and Whit drawn to the ancient and war‑torn city of Alexandria with all of its famed history and lore. Starting with the positive points, Ibañez’s casual yet polished prose continues to be well‑suited for YA readership, as does Inez’s character narration, which is fitting…

18th century Egyptian history layered with myths surrounding Cleopatra, Isabel Ibañez’s What the River Knows is part one of her YA historical fantasy duology Secrets of the Nile. Featuring a great balance of mystery storylines, familial relations, romantic banter, and light fantasy elements based on magical objects, this book hits all the right marks and is a well‑crafted YA read. With a solid start and appealing main characters, this book is really fun despite some pacing issues in its back half and a sequel that ultimately does this book no favors. Intended to be a historical fiction book with a fantasy romance story, easily the strongest element of the book for me is the way it successfully captures the sense of adventure reminiscent of stories like Indiana Jones despite having little action. From the moment Inez receives the unfortunate letter in Argentina, the story maintains this great motif of exploration. Whether Inez is exploring cities in Egypt, hiding as a stowaway on a river barge, visiting historic sites, or simply on the run while evading the peeved and exasperated Whitford Hayes, the story has a genuine adventurous spark that makes the book so fun to read. The tone also benefits…

What do you get when you take the concept of Buffy the Vampire Slayer, add in the family business and fatherly mysteries of Supernatural, and wrap it up with the warded magical academy from Fate: The Winx Saga? Besides a whole lot of CW-esque teen drama nostalgia, you end up with a rough synopsis of Half City by Kate Golden. An urban paranormal romantasy about eldritch slaying wrapped up in modern BookTok tropes, it’s an entertaining read that features solid action, interesting mystery elements, and new adult/adult academy storylines. It’s not the type of book that’s going to win a literary award or break the romantasy mold with its fairly generic elements, but it’s a fun and casual brain-off kind of read provided one can overlook its inconsistent writing and its weak early chapters. Usually when writing my reviews, I follow a rough template that roughly covers the book’s story, then notable positive highlights, followed by possible drawbacks or weak elements. However, when reviewing Half City, it makes more sense to flip it around as the majority of the book’s weaknesses are most notable and evident early on. Pitched as an urban paranormal romantasy book with demon slaying and a…

This review is based on a complimentary Advanced Reader Copy provided by Poisoned Pen Press. A creature feature novel set in the tube, Jonathan Sims’s The Burn Line is a well‑crafted horror story that’s a quick read and something a bit different from the norms of the genre. Blending underground eldritch tension with English commentary on wealth disparity and social stigmatization, it features a multi‑POV presentation and a diverse set of characters with good representation. While some may have mild issues with the uneven pacing and the book’s slower middle section, it’s an otherwise polished and solid debut and a perfect sweltering summer read, unless cooler‑weather escapism is preferred. This book is set in the summer of 2022 during the UK’s unprecedented heatwaves that were not only historic by climate‑tracking records but also deadly. In addition to the record‑breaking weather, 2022 was still part of the Covid pandemic as well as a particular royal‑family‑related event that is included in this novel. Underground tunnels and subway systems have been used as the basis for horror novels before, but what makes The Burn Line unique is the heatwave element that gives the story a distinctive feel. Where many other books mention chilling realizations…

Mixing together politically motivated corporate strategizing, samurai code of conduct, rigid society resource management, all set on a frozen and desolate planet, The Last Contract of Isako is a complex and mature story. One of the most anticipated SFF titles of the year as well as Fonda Lee’s scifi debut, this book is incredibly ambitious, featuring themes, character writing, progression, and an ending that is understated and restrained. This is not a book for those looking for heavy samurai action, futuristic cyberpunk visuals, or flashy space opera elements. But for readers that appreciate slow-burn investigative political thrillers and thoughtful reflections on aging and one’s mortality, The Last Contract of Isako does not disappoint. In many ways beyond the age of its protagonist Isako, The Last Contract of Isako is the kind of mature book conceptualized and written by an established author confident and settled to take bigger and unexpected narrative swings. Although it is described as scifi space opera with a battle-worn samurai on a last mission where she may face death at every turn, this almost feels like an attempt by the publisher to market the book and make it appear far more mainstream than it really is, hence…