Book Reviews

Note: The following original review for this book is old and does not meet current review standards. A fully rewritten review is planned. A Holiday TV-movie taken straight off ABC family given a queer spin with harder hits and surprisingly solid pacing, in Boy Meets Boy #2 Janovsky takes everything that was good in #1 and refines it. While I enjoyed the first book in the series, I sometimes felt like I was over-scoring it because of how cute and breezy it felt vs directly looking at its objective qualities. This one beefs up all of the weaker elements with better execution. The pacing is better, characters (especially the side characters) are more developed and complex, the overarching plot being more compelling and involved, I was pleasantly surprised given how predictable most holiday fairs can be. There are still the usual tropes of a Grinch warming to the holiday cheer but the plot twists and it’s conclusion help elevate the material beyond simply being cute. It also helps that the comedy is cranked up to an 11 thanks to the protag’s overdramatic spoiled rich boy persona. The first 50 pages of diva material can be off-putting but we love a good…

Note: The following original review for this book is old and does not meet current review standards. A fully rewritten review is planned. I had a hard time trying to figure out why I couldn’t really get into this one despite the novel having all the elements to be a compelling and romantic read and I think the biggest problem I had was finding the protagonist August and her love interest Jane to be bland and uninspiring. There’s quite a colorful variety of characters of various ethnic backgrounds and sexualities that provide fun group dynamics and banter which help pad out the novel (the side characters are frankly more interesting than the leads), but I felt like the actual core story and romance was thin and lacking development. To their credit McQuiston tries to pull some creative scenes to break up the monotony of repetitive constant scenes all taking place in a subway train car, but I often found myself applauding the effort that went into the book rather than actually enjoying the book. I also felt like there was very little plot progression in the first 250 pages other than establishing that August is out of place in a big…

A Hugo award winner, this novel is classic sci-fi through and through and a fond callback to when sci-fi stories were less focused on immense world-shattering or convoluted epics and were instead more grounded while presenting various “what if’s”. While there is a plot involving the status and future of Way Station, an intergalactic stop/rest point similar in purpose to a bus transfer station, the bulk of the book is more abstract in nature. Rather than immediately delving into Enoch Wallace’s tale of an “immortal” Civil War veteran chosen as a caretaker for this Way Station, it presents various short stories of Enoch’s counters with both the extraterrestrial and (surprisingly more threatening) humans that encourage you to think about what it is that makes up the human existence and frame of mind. As an 120+ yr old veteran (returned my library copy, can’t recall exactly what yr this took place) who has had more interactions with intergalactic travelers vs humans, there’s a lot of interesting commentary layered with each story that cover topics from language, isolation, culture, bits of existential crisis, and the self-destructive nature of of human kind and war. Despite the topics, Simak’s writing style is still an…

I am obviously far from the target reader demographics this book is intended for but I still found it to be an pleasant, if not predictable read. It’s a comforting feel-good romance novel ironically focusing on a protag who believes love is dead after being betrayed and taken advantage of by a insensitive ex/aspiring author. I’m not a typical fan of the romance novel genre so take my opinions with a grain of salt, but I picked this up based on intriguing synopsis and the extended pun on “romance is dead.” Also the concept of a ghostwriter having to write a novel while in the presence of a ghost of her editor, genius. Despite my initial excitement for the book’s concept and plot, majority of the time I wished the novel dug a little deeper (get it-) into the themes of coping with loss, healing from betrayal (both romantically and socially) and returning to one’s roots. I acknowledge the primary purpose of this book is the romance, but during some of the quieter moments it often showed signs of being something more profound and touching making it all the more frustrating when it settles for skimming the surface of these…

This is a chaotic novel and not in an exciting bombastic way; rather a mess that feels made up on the fly. Described as a violent and unpredictable noir, the unpredictable part is the only aspect that hit the mark for me (and that’s not a good thing as you soon will see). Perhaps I have high standards as a crime/mystery thriller is one of my favorite genres to read, but the tone of the book didn’t work for me. It jockeys between trying to be a darker grisly man on the run story and a buddy cop/anti-hero slapstick comedy and doesn’t do a particularly good job in either direction. The plot is also nonsensical with things happening with no rhyme or reason and it has a habit of throwing in random flashbacks that derail whatever story is happening in the present instead of seamlessly transitioning back and forth with context. After the first 100 pages or so I stopped reading this as a mystery/crime investigation and as a “what ridiculous things from left field are they going to throw at the wall next”. How a soldier’s training allows a retired veteran to kill someone by impaling them with a…