Book Reviews

The following review is based on a complimentary ARC provided by Smith Publicity / Amble Press via Netgalley in exchange for an honest review. For all the glitz, glamour, power and fortune the film and greater entertainment industry of Hollywood offered in the 1950’s, it also served far more instances of lies, betrayals, pain, and in Mark B. Perry’s historical fiction novel, heartbreak. Arriving with naturally good looks and big dreams of stardom, And Introducing Dexter Gaines chronicles Dan Root’s life-changing meeting with Hollywood power couple Milford “Milly” Langen and Lillian Sinclair, his persona transformation into future leading man Dexter Gaines, and the harsh consequences that come with a life in the entertainment industry. Historically accurate (at least to my very limited knowledge of the Golden Age of Hollywood), dramatically narrated, and full of fun celebrity appearances, Perry’s novel is a solid historical fiction entry paired with a heartbreaking and moving LGBTQ+/Queer storyline. Well plotted and paced, thematically strong, and executed in an entirely tasteful and classy manner (more on that shortly), I thoroughly enjoyed Perry’s novel and found it to be a very well-rounded and satisfying read. Before getting into the actual review for And Introducing Dexter Gaines, there are…

I will openly admit that I picked this up to read not because of the fantasy-flavored monster romance story, but out of gross curiosity as an env. science reader that enjoys reading about cryptozoology. While I do read romance novels, this is my first monster-themed romance novel and my first read by Lana Ferguson. Part spicy Scottish themed romance part magical realism fantasy tale, Under Loch and Key is an unusual novel that attempts to be a contemporary romance but also a more complex fantasy story involving curses, magic, Scottish folklore, and family secrets. I was pleasantly surprised at the amount of detail and effort put towards the latter elements, going far beyond what I was expecting and required for a straightforward monster romance. When I read Ferguson’s opening dedication “for granting me forgiveness for giving Nessie a penis”, I wasn’t expecting much given her past novels sat comfortably in standard romcom territory. Though I originally thought the Nessie premise would be a simple one-trick pony gimmick with light Scottish flourishes, I was pleasantly surprised by how far Ferguson took the concept and expanded it with proper detailed and compelling lore. Rather than simply giving Nessie Lachlan all the exciting…

Continuing my reading journey through Riley Sager’s novels (completely out of order I may add), Final Girls is Sager’s first published thriller though technically not his first written novel as Sager is a nom de plume for Todd Ritter who had previously written a trilogy series and standalone book. The final girl is a common trope in various forms of slasher/horror media but Sager’s novel is an uncommon story that focuses on what happens to that said final girl after they experience one of the most traumatic moments of their life. Final Girls answers that question with Quincy Carpenter, a baking blogger who has put that traumatic event behind her until another mass slaying survivor Sam arrives at her apartment building’s front door. This is my fourth Sager thriller novel that I’ve read and despite it being published years before the other Sager novels, it showcases very similar hallmarks to what people have come to expect from his stories. Unfortunately this novel also has the same drawback as his other works, namely a slow beginning and a well-written, albeit uneventful first half. However like his other works, the strong and intelligent female main characters, twists on familiar narratives and scenarios,…

There’s a reason that opposites attract is not only a common trope in media but also one that happens all the time in real life. Emily Henry’s People We Meet On Vacation runs with that theme and successfully pulls off the the deceptively difficult friends to lovers trope effectively. Of all of Emily Henry’s adult romance novel pairings, Poppy and Alex’s chemistry and dynamics might be my personal favorite that feels so natural, effortless, but most importantly, relatable. While People We Meet On Vacation‘s premise is more straightforward and less narratively ambitious compared to her other novels, the tone and vibe of the story is excellent, feeling warm and comforting throughout. Although the pacing and past vacation flashbacks occasionally dragged for me in places and this novel doesn’t hit the same dramatic highs as some of her other works, it’s still a well-rounded and solid read that has a lot going for it. Of the common romance genres meet-cute/progression scenarios, I personally believe that friends to lovers is one of the most difficult scenarios to pull off well due to character growth and tricky chemistry needed to make the shift feel believable. Narratively speaking, there needs to either be a…

Taking the reader back to the English countryside through the eyes of a seven year old boy, Neil Gaiman’s The Ocean At the End of the Lane is an intriguing short novel that I’ve heard such strong opinions and feelings about. Part pseudo Grimm fairy tale, part dark fantasy escapism, Gaiman’s story reads almost like a fictional memoir as its unnamed adult narrator recalls a dark and strained period of his childhood. Much like how time bends and distorts events based on how they’re remembered, so too does the story as the narrator is faced with magical and otherworldly beings in the quiet English countryside. Perhaps the hype set too high an expectation or my impression of the book’s direction was misguided from the get-go (the plot was not what I was expecting), but I found myself wanting to like this book a lot more than I actually did. Despite finding the ambition respectable, I often felt mildly frustrated with the plot not connecting and was left feeling like it ultimately didn’t amount to much in the end. The presentation and writing was great but the actual content felt too abstract and random to leave much of an impression for…