Supernatural

Sometimes sweet, sometimes sour, but most often bitter-sweet and remorseful, Daria Lavelle’s debut novel Aftertaste is a heartfelt and unique speculative fiction novel featuring an amazing premise. Haunted by the aftertaste flavors of strangers’ loved ones and their associated memories, Kostya’s lasting grief and its close association with food is a concept that’s not only relatable but also a genius with endless potential. While primarily a speculative fiction and magical realism fantasy novel on paper, Aftertaste’s ambitious story crossovers into a variety of other genres such as a romance story, literary fiction with the Soviet immigration experience, and surprisingly a supernatural thriller; there’s something for everyone. But as expected for a novel focusing on the dearly departed and their loved one’s memories, Aftertaste is at its best during the quiet, poignant moments heightened by wonderful and touching introspective reflections. “Food could do that. It could tell stories. Not just cuisines or component parts, but histories-of the people who’d prepared the dishes, the way they evolved them over time, the way they made them theirs. Leaving behind a recipe was a way to be remembered and savored and loved even after you were gone. A way to live forever.” Emotions and…

Before you even consider picking up any Grady Hendrix novel, you need to ask yourself if off-the-wall zany hijinks and ironic pulp fiction is for you. If you’re not prepared to have an open mind for this type of experience, this should be a hard pass without looking back. I was somewhat familiar with Hendrix’s distinctive style of hysterical horror but even I found myself surprised and amused by how silly it can be all while delivering the plot with a straight face. We’re talking about a FUNeral service hosted by the Fellowship of Christian Puppeteers, a rousing rendition of The Saints Go Marching On played on kazoos only, protesting the 9/11 war by making paper mâché missiles shaped like penises, and countless pop culture references from the Shining to Freddy Krueger. And yet due to the commitment and execution, it somehow coherently works. The “Haunting” or supernatural elements in this book are also entirely of the possessed dolls (or more specifically, puppets) variety. While certainly creepy on its own and surprisingly quite violent at times (potential mild triggers of bodily harm and impairment), this can be a light-hearted haunting compared to other more sinister flavors. This style and content…

At long last I’ve finally read a mystery novel in 2023 with an actually compelling mystery full of surprises, who knew that the bar would be so low after so many contemporary novels in the genre fail to deliver on their basic premise. Home Before Dark is a quality mystery horror novel that follows a similar premise of the Haunting of Hill House refreshed through it’s unique split presentation told from Maggie’s Holt perspective in the present and her father Ewan Holt from 25 years ago via his published nonfiction book House of Horrors. It’s this split perspective narrative that helps separate Home Before Dark from the countless other “family moves into a house with history, bad things happen” storyline as you’re never quite sure how much authenticity House of Horror portrays as an unpredictable unreliable narrator. The two perspectives also contrast each other by their distinctive tones and beliefs with House of Horrors firmly portraying a haunted house with malevolent spirits vs Maggie’s perspective as a skeptic who just wants to know what actually happened in the house 25 years ago. The two split perspectives are done well and not only drop clues relevant to each other, but focus on…

I am obviously far from the target reader demographics this book is intended for but I still found it to be an pleasant, if not predictable read. It’s a comforting feel-good romance novel ironically focusing on a protag who believes love is dead after being betrayed and taken advantage of by a insensitive ex/aspiring author. I’m not a typical fan of the romance novel genre so take my opinions with a grain of salt, but I picked this up based on intriguing synopsis and the extended pun on “romance is dead.” Also the concept of a ghostwriter having to write a novel while in the presence of a ghost of her editor, genius. Despite my initial excitement for the book’s concept and plot, majority of the time I wished the novel dug a little deeper (get it-) into the themes of coping with loss, healing from betrayal (both romantically and socially) and returning to one’s roots. I acknowledge the primary purpose of this book is the romance, but during some of the quieter moments it often showed signs of being something more profound and touching making it all the more frustrating when it settles for skimming the surface of these…

Note: The following original review for this book is old and does not meet current review standards. A fully rewritten review is planned. On paper this book wasn’t going to be my cup of tea as I am generally uninterested and detached from stories focusing on familial drama. While I struggled to stay invested for majority of the first 2/3 of the book, my patience was rewarded by the last 70 or so pages that surprisingly connect all the loose threads in such an explosive and exciting manner (rewarding endings seem to be a trend for me and Matt Haig novels). I was almost taken aback at how much action happens in such a short number of pages vs the rest of the novel that spent so much time setting the characters and pieces into place. As other reviews that covered, the vampire elements and lore take a back seat to the drama and relationships between the Radley family members and suspicious neighbors in the quiet village of Bisthopthorpe, though they do have key moments that are integral to the plot. Would’ve rated the first 2/3 of the book 2 stars and the last 1/3 4 stars so we’ll go with…