Author: Emily Henry

In recent years, the romance genre has become known for primarily two types of romance stories: one that is full of romcom fun hijinks and one that is a steamy, passionate “will they won’t they”. Emily Henry’s Great Big Beautiful Life doesn’t follow either formula and in many ways goes in an entirely different direction from most recent trending booktok/influencer. Readers expecting a one on one, passionate and sexy romance drama focusing on its lead characters Alice and Hayden are going to be caught off-guard or disappointed; just look at some of the top-rated Goodreads and book influencer reviews and you’ll know what I mean. However different is certainly not bad and for more veteran or mature readers that have been reading romance novels for a while, Great Big Beautiful Life feels like a callback to an earlier time where the genre had more of a drama and women/contemporary fiction element beyond the heat. While this novel follows Henry’s signature style and tone at a surface level, Great Big Beautiful Life’s theme of “love” goes far beyond Alice and Hayden’s expected meet-cute and instead thoughtfully reflects on the power of love and the things people will do and sacrifice for…

There’s a reason that opposites attract is not only a common trope in media but also one that happens all the time in real life. Emily Henry’s People We Meet On Vacation runs with that theme and successfully pulls off the the deceptively difficult friends to lovers trope effectively. Of all of Emily Henry’s adult romance novel pairings, Poppy and Alex’s chemistry and dynamics might be my personal favorite that feels so natural, effortless, but most importantly, relatable. While People We Meet On Vacation‘s premise is more straightforward and less narratively ambitious compared to her other novels, the tone and vibe of the story is excellent, feeling warm and comforting throughout. Although the pacing and past vacation flashbacks occasionally dragged for me in places and this novel doesn’t hit the same dramatic highs as some of her other works, it’s still a well-rounded and solid read that has a lot going for it. Of the common romance genres meet-cute/progression scenarios, I personally believe that friends to lovers is one of the most difficult scenarios to pull off well due to character growth and tricky chemistry needed to make the shift feel believable. Narratively speaking, there needs to either be a…

My history with Emily Henry’s books has been a bit all over the place so I was hesitantly optimistic picking up Funny Story. For context, my scale varies from loving Beach Read, frustrated and almost insulted by Happy Place, and finding Book Lovers competently solid in-between. Fortunately for me, Funny Story ended up on Beach Read’s side of the spectrum, even covering a few of Happy Place’s themes executed with more finesse (the fake dating trope + adult friendships). In many ways Funny Place feels like Henry’s most polished and cohesive novel yet that’s an easy read with mass appeal. I really enjoyed the story, although the title may be a bit deceiving as this novel definitely isn’t Henry’s funniest and is a much slower yet rewarding read compared to her past books (minus People We Meet On Vacation, the only one I haven’t read yet). Henry’s books are always well-written works laced with clever modern humor, but my enjoyment of her novels tend to hinge heavily on each book’s protagonist and the central themes introduced; separate from the romance and core couple which I would imagine is often the draw for many of her other readers. Besides the obvious…

I’m stuck trying to figure out if I’m getting fatigue from reading three Emily Henry novels in just over a month or if it’s the novel’s character drama that wasn’t for me, but this one didn’t grab my interest and continued to stumble the further it progressed. Focusing a core trio of gal pals consisting of Harriet, Cleo and Sabrina with their plus one’s added over the years, Happy Place takes the fake dating trope and meshes it with a second chance at love at a small town, summer vacation retreat. I suspect it has to do with the plot and concept of the novel, but I found myself inherently less invested in this tight-nit friend group compared to Emily Henry’s other novels that I read which are Book Lovers and Beach Read. Maybe it’s the lack of literary book elements that I loved or the girl-group friends for life theme that doesn’t appeal to me, but I felt like I was quite far from the target demographics of this book. Fake dating is a common and tired trope but Henry is well aware of this and fully commits to putting Harriet and her ex-fiancé Wyn through the ringer which…

If a book is billed as a romance novel but the romance isn’t the most memorable part of the novel, either the romance sucks or the story is so well developed that it punches much higher than typical for its genre. For me Beach Read falls into the latter category with such strong characterization and plot development that the romance sits comfortably in the backseat for most of the ride. There’s certainly a lot of romantic beats and some spicy scenes, but I found myself far more engrossed with both characters’ narratives and how they play off and almost heal from their broken pasts together. The plot is genius pairing off two authors with polar opposite styles and reversing them both in their professional work and in their personal lives. While there’s plenty of hilarious hijinks, Emily Henry’s sarcastic and snappy character banter elevates the material while still keeping the dialogue smart and witty (which I’m learning is the norm after also reading Book Lovers last month). I also thought the leads are both well-developed with elaborate backstories and upbringing and have great chemistry. I often find romance leads to either be too emotionally volatile and dramatic or stereotypically too…