Genre: Adult

A heist set for a mysterious magical book, a power struggle between state and church, a tense reunion between ex-partners, and legendary beings trapped and abandoned by the God of Thieves, Ruth Frances Long’s The Book of Gold has a lot of interesting concepts to say the least. The start of the Feral Gods trilogy, this book has a lot of narrative content fitted into a sub three-hundred-and-fifty-page book that is part fantasy, part 16th century historical fiction adventure. Though the story has a variety of plotlines that lay the groundwork for the series to expand on, at its core it’s a tense and strained second-chance romance between individuals standing on different sides of the law and state, all in pursuit of otherworldly power. Action and relationship oriented, the Book of Gold is a competently crafted book that despite a sense of mismanaged focus, is still a fun and light entertaining fantasy read. At first glance, the Book of Gold appears to be a simplistic rogue x knight trope applied to a fantasy heist storyline. The book has all the elements one would expect such as an unorthodox assembled ragtag heist team, economic disparity between the nobility and the common…

While historical Regency romance isn’t usually my thing, Jane Austen inspired time-traveling isekai fanfiction is a hyper-specific concept that I love. The BBC’s miniseries Lost in Austen is one of my favorite hidden gem series and when I saw the premise for The Austen Affair, I had high hopes that this book would be able to work similar magic. Fortunately, Madeline Bell’s debut novel did just that all while doing its own thing despite loose similarities and ideas. Over-the-top and laugh out loud funny, this book is an unapologetic love letter to Regency romance readers and Jane Austen fans. While the romance and character writing isn’t quite as strong as its comedic punches, this is a really fun, light-hearted guilty pleasure kind of read meant to entertain. I will openly admit that I’m not fond of Regency, or really any similar period romance novels despite understanding their popularity and appeal. However, having read Pride and Prejudice as a rare classic literature required read in high school that I didn’t hate, I have a soft spot for Jane Austen-related content. And one of my favorite Austen-related spinoff projects was BBC’s mini-series Lost in Austen that at the time, felt like an…

This review is based on a complimentary Advanced Reader Copy provided by Atria Books via Netgalley. A romance story across time mixed with traces of speculative fiction and fantasy, Amy Tordoff’s debut novel All We Have Is Time is an accessible story filled with interesting historical fiction snapshots spread over the course of four hundred years. Time-travelers and immortal beings are two common elements separately, but this book’s unorthodox cross of the two gives it a unique spin and for its characters, different repercussions from its genre’s norm. Easy to follow and generally fast-paced in nature, All We Have Is Time is a safe pick for historical romance readers, though those looking for a strong speculative fiction storyline or deeper introspective character work may find this book underwhelming and bland. Marketed for fans of The Invisible Life of Addie LaRue, at first glance All We Have Is Time appears to fly too close to the sun with what is clearly one of its inspirations and at risk of being highly derivative. Both books feature a withdrawn female protagonist cursed by a fantasy being with immortality and walking through history a shadow of a person. Both books also feature a tragic…

A beloved franchise set across various forms of media such as the recent Netflix adaptation and video-game franchise, surprisingly it’s been over a decade since Andrzej Sapkowski last touched the series himself. Crossroads of Ravens is a new novel serving as a sort of origin story for Geralt marketed as a sort-of kind-of standalone novel (more on that to come). Covering new narrative material somewhat separated from the rest of the books due to its chronological placement, Crossroads of Ravens is an excellent entry point for Witcher fans familiar with the show or video-games looking to get into the source material books which have their own style and approach to the otherwise familiar story. That said, I personally had zero experience with The Witcher in any form apart from 2nd hand exposure courtesy of my dad’s love for the Netflix show so I went into this book with zero familiarity with the IP as a true test of whether it can be enjoyed standalone. While certain aspects were very appealing, this book overall felt like a bit of a mixed bag, ironically my ignorance with the series being less of an issue compared to the novel’s written presentation. As previously…

A love child between the Disney Channel’s Descendants franchise and Universal’s Dark Universe, Susan J. Morris’s paranormal urban fantasy novel revolving around a serial murder mystery. Featuring great atmosphere, a twisty investigation and all the aesthetics of the Gaslamp fantasy sub-genre, this book has a lot of compelling concepts matched with feminist themes given women’s restricted roles of the period. Though I found the book’s story to notably lag from its middle section onward and its ending leaving much to be desired, Strange Beasts is still a fun read, popcorn entertainment read. Whether it be a coincidence of the books I’ve been finding or a burgeoning trend, fantasy and science fiction flavored murder mystery investigations have become one of my favorite sub-genres lately and Strange Beasts more than fits the bill. The book serves as the start of Morris’s Harker & Moriarty series with long-running plotlines in addition to having its own self-contained murder mystery case set in early 20th century Paris. The book juggles two different storylines, one being the mysterious beastly murders of wealthy and powerful Parisian men and the other being Sam’s volatile channeling powers adjacent to Hel’s dysfunctional relationship with her father James Moriarty. The second…