Genre: Adventure

Invoking a wonderfully foreboding air of mystery paired with a classic fairytale-like presentation, Kathryn Purdie’s The Forest Grimm is an interesting take on Grimms’ Fairy Tales. Attempting to give bigger context to a few classic fairy tales within an overarching original fantasy story, the novel is a creatively ambitious narrative full of great ideas and inspirations. While not all the ideas are executed to their full potential and I had some notable qualms with certain storytelling elements, The Forest Grimm is a distinctive and imaginative story, albeit one that’s far from perfect. With a premise centered around a dark fantasy forest with a recurring fanged creature imagery, the story is required to have the right tone for the whole book to work. Fortunately, the ambiance and dark fantasy feel is easily one of the book’s strongest elements. Forbidden forests are nothing new but from the get-go, The Forest Grimm sets the tone perfectly with its decaying village fittingly named Grimm’s Hollow. The folklore-flavored storytelling suits the story wonderfully and once Clara ventures into the Forest Grimm, the general feel of the narrative is great. Obviously inspired by Little Red Riding Hood’s red cape and journey into the woods, the atmosphere…

Imagine taking loose elements of Jurassic Park, bioengineer some crazy science fiction dinosaurs crossed with nuclear reactors, multiverse the research center onto an alien planet, and finally infuse the story with geeky pop culture references and endless popcorn entertainment. If that sounds wild, I’ve done a great job at recreating the feel of John Scalzi’s refreshingly fun The Kaiju Preservation Society. Light-hearted, comically giddy, and always unapologetically nerdy, for fans of the pop-cultured inspired side of science fiction, this novel is an absolute romp! Acknowledged by Scalzi himself as not being the most nuanced or mature novel of his works, The Kaiju Preservation Society is a fast-paced joyride and a breath of fresh air in a genre that can often take itself too seriously. This novel sees certified geek Jamie Gray, a recently fired marketing member whose master’s thesis was on the bioengineering in science fiction culture, recruited into a secretive international research program following an uber eats-style delivery gig at the height of the Covid19 pandemic. Yes, that intro alone should give you a good idea of how gleefully prodding and casually self-aware the story is shooting to be. Many prototype vaccines, hrs on the plane, and a crash…

Entry #4 in Martha Well’s Murderbot Diaries series, by this point you’re likely a devoted fan of the series and should have a pretty good idea of what to expect; Murderbot’s sarcastically dry and witty humor, a healthy balance of thriller and political scheming plot, and good ol’ high sci-fi goodness. While the abbreviated novella format continues to limit the amount of worldbuilding and concurrent storylines Wells can run with simultaneously, Exit Strategy is by far the most serialized story yet and one of the most cohesive. Referencing and tying together all of the first three novella’s narratives, Exit Strategy is easily the most balanced entry that finds a happy medium between Artificial Condition’s undercover stealth movements and Rogue Protocol’s more action thriller flavor. Additionally, this novella also utilizes every narrative plot thread featured in the past three stories, filling in the previous gaps and question marks Murderbot and the reader experiences as the scope of the series and bigger picture takes to shape. Exit Strategy’s story feels like a direct sequel to the first novella All Systems Red while the other two novella’s stories add context and larger ramifications for Dr. Mensah and Murderbot’s ongoing survival. However, with only…

Necromancers, cavaliers, copious amounts of magic and challenges, oh my! Tamsyn Muir’s debut novel and the start of her Locked Tomb series, on paper Gideon has everything going for it. While featuring many hallmark elements of fantasy epics such as an emperor with numerical houses/factions, pseudo magician + knight pairings, and an unknown challenge for representatives to ascend to the “Lyctor” status, Gideon the Ninth separates itself from the rest of its genre firstly by setting the series not in the traditional fantasy-realm past, but instead in an interstellar futuristic expanse. Secondly, this novel’s reputation featuring “lesbian necromancers” proceeds itself and has that instant hook for booktok and social media recognition (though important to note, while having a wandering queer eye, this is not a romantasy novel). While technically being classified as fantasy and sci-fi, Gideon’s second half functions more as a whodunnit survival thriller meshed with dark academia elements and is very compelling when Muir gets it just right. Unfortunately, despite the ambitious plotting and creative ideas found throughout the story, Gideon the Ninth is held back by a few but very notable flaws with its approach to storytelling as well as its confusingly vague and messy world-building. Additionally,…

“If the world was ending you’d come over, right? You’d come over and you’d stay the night…” because you broke your leg in a bear trap- Never has my heart felt so warmed by a post-apocalyptic survival road trip adventure, but Erik J. Brown’s debut novel All That’s Left In the World did that and so much more. A YA survival story of two lonely teenage boys finding a home in each other after most of the world died all around them, the book’s characters, tone, pacing and plotting feels pitch-perfect and is an incredibly well-crafted novel. A lot of other reviewers had previously mentioned how wholesome and cute it is, which had me raising an eyebrow given the genre and premise (I sometimes find post-apocalyptic stories slow and repetitive), but it really is such a hopeful and heartfelt book that far surpassed all of my expectations. Providing much needed queer representation is a sub-genre of science fiction that lacked clear standouts while avoiding being too graphic, harsh or scary, All That’s Left In the World is an outstanding and well-rounded book that’s sure to satisfy a wide variety of readers, even adults as well despite its YA classification and…