Genre: Fiction

My history with Emily Henry’s books has been a bit all over the place so I was hesitantly optimistic picking up Funny Story. For context, my scale varies from loving Beach Read, frustrated and almost insulted by Happy Place, and finding Book Lovers competently solid in-between. Fortunately for me, Funny Story ended up on Beach Read’s side of the spectrum, even covering a few of Happy Place’s themes executed with more finesse (the fake dating trope + adult friendships). In many ways Funny Place feels like Henry’s most polished and cohesive novel yet that’s an easy read with mass appeal. I really enjoyed the story, although the title may be a bit deceiving as this novel definitely isn’t Henry’s funniest and is a much slower yet rewarding read compared to her past books (minus People We Meet On Vacation, the only one I haven’t read yet). Henry’s books are always well-written works laced with clever modern humor, but my enjoyment of her novels tend to hinge heavily on each book’s protagonist and the central themes introduced; separate from the romance and core couple which I would imagine is often the draw for many of her other readers. Besides the obvious…

I wrote in my review of Morning Star that Pierce Brown had a monumental task then to conclude the staggering uprising premise introduced in his original trilogy in a decisive and satisfying manner. Perhaps an even bigger challenge is to build on the original trilogy’s work and segue the series into its next arc; rebuilding and running a society after it was torn down. As such, Iron Gold had dual purposes to transition the series to a new direction as well as recapture the page-turning intensity that made the first three novels impossible to put down. I consider Iron Gold a resounding success at the former by somehow expanding the solar system society further and using many clever strategies to jumpstart new plot threads. When it comes to the latter however, I found Iron Gold to be competently solid but a bit touch and go with its pacing and reader interest. I was initially hesitant when I started reading Iron Gold, expecting an extended lull and flood of information dumping to bridge the ten years that pass between Morning Star and Iron Gold. I also expected Darrow to experience a shift in priorities or mindset, similar to the beginning of…

The Ministry of Time is an ambitious, creative, and wonderful blend of different genres that could’ve easily ended up as a convoluted misfire if not for Kaliane Bradley’s thoughtful and carefully executed prowess with the various elements involved. Despite the obvious science fiction time-traveling elements, when you strip the story of its otherworldly themes, The Ministry of Time feels like a straight contemporary fiction drama novel that heavily explores the immigrant experience and assimilating into the Western English lifestyle. The five individuals pulled into the 21st century across time is a clear metaphor for the immigrant experience. TLDR, you do not have to be a fan of science fiction to enjoy this book. On a more basic level, The Ministry of Time was a homerun for me with a tone and sophistication I’ve been severely missing in most recent trending booktok novels (not that I would consider this one booktok’s norm). Right from its synopsis, the summary highlights its genre-bending elements well. The Ministry of Time is 100% part historical Fiction due to Commander Graham Gore being a real-life figure who was deemed lost as part of John Franklin’s Lost and tragic 1845 expedition to the arctic. Familiarity with the…

Reading and now reviewing Project Hail Mary by Andy Weir felt like one of the greatest tests of my patience as a reader and my ability to separate the book’s objective and subjective strengths/weaknesses. The writing style and presentation resulted in one of my least favorite reading experiences of the last year and would rightfully deserve a 1-star rating if not for the book’s concept and attention to probable scientific theories. I’ve since learned a lot of my distaste for Project Hail Mary is mostly due to Andy Weir’s signature (or potentially infamous) writing style, with only the following character-related items being Project Hail Mary-specific points. However, after taking some time to review the material after finishing the book, I can appreciate some of its strong technical qualities that no doubt contributed to its popularity and nomination for a 2022 Hugo Award. I was not previously familiar with Andy Weir’s past novels and had only seen short clips of the theatrical adaptation of The Martian, however what was immediately obvious is Weir’s strength for writing geeky science reactions and creative sci-fi concepts. The premise’s catastrophic phenomenon and its implications for life on Earth is not only creative, but also fascinating…

Reading Ben Aaronovitch’s Rivers of London series is usually a good, but often mildly frustrating time for me as they’re decently fun reads that are so close to being excellent. Book number three, Whispers Under Ground, is unquestionably the most tonally consistent and focused story so far that improves upon all my biggest criticisms of the previous installments. While Midnight Riot/Rivers of London (I’ll be referring to book 1 as Midnight Riot for consistency) and Moon Over Soho suffered from overly loose, meandering plots that attempted to weave together two separate cases, Whispers Under Ground smartly focuses on just one case and allows its dry, tongue-in-cheek British style to be front and center. Despite the improvements across the board, unfortunately I found the core mystery investigation to suffer from inconsistent pacing yet again and the culprit/reveal to be rather random which holds this back from a higher rating. Each novel in the series so far has had an underlying theme that’s tied to the magical crime case and some type of fantasy element/being; Midnight Riot was themed to the theatre while Moon Over Soho was heavily Jazz-focused. Whispers Under London’s thematic flair is the visual fine arts (though one could…