Genre: Gothic

Described as an urban fantasy (or rather urban supernatural?) novel with a polyamorous setup between the main characters, I spent the entire first half of the novel baffled at what I was reading and what the book was trying to accomplish. Despite an intriguing synopsis detailing a plot with a demon contract, the occult, and a secret society, all of these seemingly interesting plot elements felt sidelined for character relationships and drama. I had to ask a friend who also read this to see if this would be considered romantasy or rather, romance-supernatural since it kept making bizarre relationship-focused choices that sacrificed time that could’ve been spent on the main plot. That’s fine if a book commits and does a deep dive into that, after all the romance crossover genres are thriving. However, despite spending almost all of its time on its poly relationships, Evocation unfortunately fails to make that focus interesting to read or care about. I will be the first to admit that I am not well-read in the dynamics or structure of polyamorous relationships (watching a few Anthony Padilla interview videos on the matter probably isn’t enough to count). However, my problems and disinterest with the content…

Immersive, atmospheric, imaginative and of course gothic, Alix E. Harrow is an amazing storyteller and it’s immediately clear to me why Starling House has its following. The estate’s vivid descriptions and Eden’s somber setting set a distinctive scene that envelopes the reader in its quiet and character-focused narrative. The book’s is also full of elements that feels specially catered towards millennial/gen z contemporary readers; excessive footnotes (this one peeved me though), heavy emphasis and themes on mental health, stigmatism and judgement against those who are different, cynicism of the American dream/working economy), and several LGBTQ+ characters (though one character’s bi/pansexuality feel randomly tossed it and has nothing to do with anything apart from checking genre/bookTok boxes). Despite the cover and synopsis heavily focusing on the title house, the story is mostly a character-driven one focused on the world and people seen through Opal’s eyes as she struggles to make ends meets for her brother Jasper’s sake. Unfortunately, this novel lives and dies by Opal’s character and both her character and the tone of the story were not for me (subjective opinions, objectively this book is well-written). The majority of the book heavily hinges on Opal’s feeling of being judged, neglected,…

My novella of choice for the obligatory spooky horror read for Halloween, this was an odd read that I have mixed feelings about. It really captures the gothic horror fairytale genre well and feels like a modern reimagining of Edgar Allen Poe’s literary style (in concept only unfortunately). The narrative themes of humanity and what constitutes being alive is interesting, if only the writing quality matched it. The writing is typically quite readable with great visuals but then Khaw forces complex and obscure vocabulary in randomly that derails the literary flow. It’s as if Khaw flipped open a thesaurus and actively tried to find the most obtuse and unheard of word to give the writing a more classical or educated flair (it doesn’t). You can deduce what the random words mean by using context clues and analyzing the sentence structure of the passage, but the fact that you’re able to do that just shows how out of the place the vocabulary is when the rest of the writing is straightforward and simplistic. Not only that, the writing itself suddenly drops the vague attempt at old English about 30-40 pages in which is also a welcome relief since it wasn’t ever…