Genre: Holiday

Falling somewhere in the area between being creatively genius vs a festivity-induced fever dream, The Nightmare Before Kissmas is light-hearted and cute dramedy that hits all the right beats one would expect for a holiday romance novel. Personifying popular holidays as magically inclined individuals reminiscent of Rise of the Guardians paired with the familial expectations and burdens of royalty akin to Casy McQuiston’s Red White and Royal Blue, the Nightmare Before Kissmas is constantly a lot of fun and a feel-good escapism read. And while it’s frequently cheesy and often tap dances on the line between being endearing and cringy, the plot is solid, featuring surprisingly ambitious commentary on the materialism and purpose of holidays as well as holiday politics in this fantasy-leaning version of the world. Despite initially being a bit of a box office bomb, the 2012 animated film Rise of the Guardians and its source material The Guardians of Childhood series by William Joyce have since become sleeper hits thanks to the creative and charming way they personified popular holidays as magical beings and culture associated with said holidays. The Nightmare Before Kissmas features a lot of similar concepts but utilizes them for an adult romantic dramedy…

Note: The following original review for this book is old and does not meet current review standards. A fully rewritten review is planned. A Holiday TV-movie taken straight off ABC family given a queer spin with harder hits and surprisingly solid pacing, in Boy Meets Boy #2 Janovsky takes everything that was good in #1 and refines it. While I enjoyed the first book in the series, I sometimes felt like I was over-scoring it because of how cute and breezy it felt vs directly looking at its objective qualities. This one beefs up all of the weaker elements with better execution. The pacing is better, characters (especially the side characters) are more developed and complex, the overarching plot being more compelling and involved, I was pleasantly surprised given how predictable most holiday fairs can be. There are still the usual tropes of a Grinch warming to the holiday cheer but the plot twists and it’s conclusion help elevate the material beyond simply being cute. It also helps that the comedy is cranked up to an 11 thanks to the protag’s overdramatic spoiled rich boy persona. The first 50 pages of diva material can be off-putting but we love a good…