Genre: New Adult

With beautiful rose-tinted postcard snapshots of various European locals, an endless array of food porn-worthy food and beverages, and two attractive horny bisexual ex’s (technically leaning more towards pansexual but I digress) stuck on a dream vacation itinerary, Casey McQuiston’s The Pairing has a stellar recipe on paper. And if I were to compare this novel to pastry on display, it certainly looks exquisite and intricately decorated in presentation (please bear with me and let me run with this bit). Unfortunately, once you cut the cake and start tasting it, it quickly becomes evident that there was too much literal (Theo) salt in the batter and maybe the cake was a bit burnt in places. My experience with reading The Pairing was similar to this poor hypothetical and metaphorical pastry in that the elements were good but a few crucial elements made this book difficult to enjoy. My biggest gripe was despite McQuiston pushing really hard to sell this as a past ex’s enemies to second chance loves trope, the enemies arc leaves a lot to be desired and the relationship dynamic between Theo and Kit has a dry and acidic aftertaste. I feel like this story would’ve worked considerably…

I had read quite a few critically-written books lately and was in the mood for a more casual comfort read and had added Alexis Hall’s Boyfriend Material to my reading list last year during my post-Red White and Royal Blue movie watch (yes, I still have not read the book itself, working on fixing that soon). While Boyfriend Material is indeed comfortably casual at the surface, I was pleasantly surprised at how relatable and earnest it was. Beyond the expected laughs and genZ pop culture references, I found the story itself to be consistently-paced, well-executed, and quite solid all-around. I was skeptical (as I usually am for all top-rated books here) that it ranked so high on Goodreads’ best romance category in 2020, especially since queer romance novels are usually ranked much lower than heterosexual romance books, but I now understand and agree with the hype. Side note, although it has nothing to do with the book’s content, I love the graphic design for the book’s cover design that’s simultaneously English-looking and also very classy and appealing. Beyond being British, I would be lying if I said the book’s cover didn’t have any influence over me choosing this to read…

Full disclosure, I shockingly had neither read nor watched (apart from a few short clips) Kevin Kwan’s Crazy Rich Asians, so went in completely blind to Lies and Weddings. TLDR, I found Lies and Weddings to be solidly written, well-researched, tightly plotted, and at times, genius in its satire and social commentary. Following (from what I’ve been told) similar themes and commentary as his previous works, Lies and Weddings was a great book that wasn’t quite for me. I was stuck between a 3 or 4, objectively it’s good but my enjoyment was much lower. However, my reservations and disinterest with the novel’s content are all subjective reading preferences and despite not personally enjoying the read, I have to commend it on its story’s strengths and accomplishments. It took me a long time to grow interested in the main plot and I think most of that could potentially be attributed to the book’s synopsis and description. While the printed description does an excellent job at highlighting the zany and drama-filled moments, I found it to be a surprisingly inaccurate summary of Lies and Weddings. Yes, there are lots of lies and several weddings and yes, Rufus Gresham is put into…

I knew full well going into it that Ocean Vuong’s On Earth We’re Briefly Gorgeous was not going to play to my preferred tastes and interests at all, but I still wanted to give it a try anyway to expand my reading experiences. Unfortunately my initial impression was right. Despite how much I wanted to like the novel for its earnest, ambitious aspirations and to connect with the powerful content and memories, this was a complete stylistic miss for me. On Earth there were briefly moments that were impactful where I thought I would experience what so many others have loved in Ocean Vuong’s debut novel, but the presentation constantly disappointed me and ruined each moving moment rather than enhancing it. Ordinarily I would and should’ve DNF’d this, but I stuck it out with hopes that it would get better since I was recommended this from a friend; it did slightly to an extent. Divided into three parts loosely based around Little Dog’s childhood, adolescence, and young adult/reflective years, I found the 3rd part to be the most impactful and moving. Focusing on themes of death, mortality, addiction, and familial caregiving, these themes were ones that I could understand and…

The Seven Year Slip has already been well-received with a following but admittedly it took me a while to get into it (as usual contemporary romance fiction without witty comedy is not my go-to genre). While the listed romance genre is prevalent right from the get-go, about a third of the way into the book, the plot and character development ramps up substantially and crosses over into straight contemporary fiction drama. While the romance and chemistry are good, the Seven Year Slip’s synopsis doesn’t include the more nuanced topics covered in the back half of the book involving grief and loss, one’s goals, “happiness”, losing yourself and understanding that constant changes that are inevitable over time. Our main character Clementine is an ambitious, workaholic publicist working at a small yet successful publishing company who is personally tasked by one of the co-owners to sign an up-and-coming chef James Ashton for a cookbook publishing deal after one of their biggest clients jumps ship to a rival publisher. She throws herself fully into her work 24/7 so there’s no time to have to worry about her recent breakup or the loss of her aunt who she was close to. Just as she’s…