Genre: Paranormal

It took me longer than it should’ve to learn that Rivers of London was released in the US as “Midnight Riot” hence why it took me so long to read this despite it being high on my to-read list. In hindsight the rename makes perfect sense as Midnight Riot is a much more appropriate title for the better of two core plot/cases covered in book (not to mention that the series this book ended up starting is also called Rivers of London). Confusion on its dual-title release aside, I wanted to like Midnight Riot a lot more than I did as it has such an exciting premise. Peter Grant is a probationary constable/loose police officer who is assigned as an apprentice to Detective Chief Inspector Thomas Nightingale after having a run-in with a ghost while on surveillance duty following a grisly beheading murder at Covent Garden (as in the actual real Covent Garden, all locations are either real-life places or are heavily inspired fictional interpretations on boroughs of London). In training as both a supernatural investigative officer and a magic user, Peter Grant and Thomas Nightingale team-up to unravel the truth behind a series of seemingly random murders who’s only…

At long last I’ve finally read a mystery novel in 2023 with an actually compelling mystery full of surprises, who knew that the bar would be so low after so many contemporary novels in the genre fail to deliver on their basic premise. Home Before Dark is a quality mystery horror novel that follows a similar premise of the Haunting of Hill House refreshed through it’s unique split presentation told from Maggie’s Holt perspective in the present and her father Ewan Holt from 25 years ago via his published nonfiction book House of Horrors. It’s this split perspective narrative that helps separate Home Before Dark from the countless other “family moves into a house with history, bad things happen” storyline as you’re never quite sure how much authenticity House of Horror portrays as an unpredictable unreliable narrator. The two perspectives also contrast each other by their distinctive tones and beliefs with House of Horrors firmly portraying a haunted house with malevolent spirits vs Maggie’s perspective as a skeptic who just wants to know what actually happened in the house 25 years ago. The two split perspectives are done well and not only drop clues relevant to each other, but focus on…

It would’ve been nice to end 2023 on a high note with my last read for 2023, but unfortunately it was not meant to be with The Sun Down Motel. At a first glance and for the majority of the book, there was nothing inherently wrong with the story. A murder mystery told via a split narrative perspective switching between Viv Delaney in 1982 and her niece Carley Kirk in 2017. Feeling listless after the recent death of her mother, she goes on a spur of the moment trip to Fell, New York. Looking into the great family mystery, Carley retraces Viv’s movements 35 years later in an effort to uncover what led to Viv’s sudden disappearance. Carley finds herself eventually working the night shift at the rundown and empty Sun Down Motel, the same job Viv occupied and happens upon some rather unusual and supernatural entities. Sounds interesting right? Unfortunately, the execution and contents are better suited and were probably written for a Book Club type of genre read. On the plus side, the Sun Down Motel itself (as in the actual building) is described well and is a great setting. I don’t know why the book cover design…

I am obviously far from the target reader demographics this book is intended for but I still found it to be an pleasant, if not predictable read. It’s a comforting feel-good romance novel ironically focusing on a protag who believes love is dead after being betrayed and taken advantage of by a insensitive ex/aspiring author. I’m not a typical fan of the romance novel genre so take my opinions with a grain of salt, but I picked this up based on intriguing synopsis and the extended pun on “romance is dead.” Also the concept of a ghostwriter having to write a novel while in the presence of a ghost of her editor, genius. Despite my initial excitement for the book’s concept and plot, majority of the time I wished the novel dug a little deeper (get it-) into the themes of coping with loss, healing from betrayal (both romantically and socially) and returning to one’s roots. I acknowledge the primary purpose of this book is the romance, but during some of the quieter moments it often showed signs of being something more profound and touching making it all the more frustrating when it settles for skimming the surface of these…

Note: The following original review for this book is old and does not meet current review standards. A fully rewritten review is planned. On paper this book wasn’t going to be my cup of tea as I am generally uninterested and detached from stories focusing on familial drama. While I struggled to stay invested for majority of the first 2/3 of the book, my patience was rewarded by the last 70 or so pages that surprisingly connect all the loose threads in such an explosive and exciting manner (rewarding endings seem to be a trend for me and Matt Haig novels). I was almost taken aback at how much action happens in such a short number of pages vs the rest of the novel that spent so much time setting the characters and pieces into place. As other reviews that covered, the vampire elements and lore take a back seat to the drama and relationships between the Radley family members and suspicious neighbors in the quiet village of Bisthopthorpe, though they do have key moments that are integral to the plot. Would’ve rated the first 2/3 of the book 2 stars and the last 1/3 4 stars so we’ll go with…