Genre: Romance

Erik J. Brown’s sophomore YA novel following his heartwarming post-apocalyptic coming of age debut All That’s Left In the World, on the surface Lose You to Find Me appears to be an entirely different kind of book considering the very different genre and relationship dynamics of its main characters. I previously reviewed and loved All That’s Left In the World and while Lose You to Find Me wasn’t originally on my to-be-read radar, I was intrigued and interested to see if Brown’s excellent character work and relatable writing in a more straight-forward (get the pun) m/m coming of age story without the survival adventure angle would be as successful. To be honest, I went in with tempered expectations due to how negative some of the reviewers for this novel were, but I was relieved to find that yes, Erik J. Brown is a fantastic YA author who is far more well-rounded than I expected. Leaning more into the comedy aspect of what Brown himself dubs “Rom-Dramedy” while still having dramatic and occasionally romantic moments, this novel certainly has a different flavor and character narration voice from his first novel, along with different themes and focus. However, do not listen to…

An appropriate title for a unique and colorful twist on the familiar Ocean’s Eleven formula, Makana Yamamoto’s Hammajang Luck is a futuristic, high-tech, Hawaii-inspired queer romp that I never thought to want yet quite enjoyed. A scrappy breaking-and-entering story at its core featuring an entirely queer roster, Yamamoto’s debut is full of social and cultural representation. Incorporating very strong community and family values, local Pidgin English, and a familiar blend of cultures that can only be found in Hawaii, this unorthodox pairing with a cyberpunk space station aesthetic is unlike anything I’ve read before. Growing up and living most of my life in the islands, Hammajang Luck has that hidden element that only long-time locals can tap into and has my full Hawaii-resident stamp of approval. Yet underneath all the science fiction elements, queer reworking, and Hawaii cultural flavor, Hammajang Luck’s story is surprisingly simple, predictable, yet comforting. However, from a narrative perspective I often found myself wishing Hammajang’s story and cool concepts went further or more time was spent exploring the Kepler station’s intriguing world. That said, the flavors and decorative details around the story are so fun, they can almost sell the premise on their own. When I…

Like my reviews for other very well-known books and authors, I’m going to skip the usual introduction and pre-amble and get right into my impression and thoughts on Verity. Colleen Hoover is probably one of the most polarizing authors with such big-name recognition that I felt the need to try at least one of her books, picking Verity as the one that had the best match for my reading genre preference. Yet despite that, my feelings while reading Verity ranged from utter bafflement, to eye-rolling embarrassment, to irritation, and finally shock, but not in the way the novel hopes it to be. One of my earliest notes while reading this novel was “Verity reads like the literary equivalent to Stranger Danger, and I don’t like this at all.” Whether it was an early sign or not, the overall vibe of the novel just felt uncomfortably questionable which is something I very rarely experience, even extensively reading horror and serial-killer murder mystery works. I’ve read and watched a lot of dark series that explore the depths and shadows of the human mind so I had no problems with Verity‘s content on paper, but the tone and vibe felt all wrong. Paired…

“If the world was ending you’d come over, right? You’d come over and you’d stay the night…” because you broke your leg in a bear trap- Never has my heart felt so warmed by a post-apocalyptic survival road trip adventure, but Erik J. Brown’s debut novel All That’s Left In the World did that and so much more. A YA survival story of two lonely teenage boys finding a home in each other after most of the world died all around them, the book’s characters, tone, pacing and plotting feels pitch-perfect and is an incredibly well-crafted novel. A lot of other reviewers had previously mentioned how wholesome and cute it is, which had me raising an eyebrow given the genre and premise (I sometimes find post-apocalyptic stories slow and repetitive), but it really is such a hopeful and heartfelt book that far surpassed all of my expectations. Providing much needed queer representation is a sub-genre of science fiction that lacked clear standouts while avoiding being too graphic, harsh or scary, All That’s Left In the World is an outstanding and well-rounded book that’s sure to satisfy a wide variety of readers, even adults as well despite its YA classification and…

Book no.3 in Isabel Murray’s Not That series, Not That Ridiculous delivers more or less the same light-heart and fun blend of comedic romance, spicy scenes, and a nice dose of character development and drama. I don’t know why, but I was not expecting a 3rd entry in the series considering it had been almost two years since Not That Impossible was published which felt like a perfect ending and companion novel to Not That Complicated. Yet Murray is able to somehow work a 3rd romantic couple out of the past books’ already limited side characters and base this novel around one of the most prominent Cotswolds locations previously featured. While I read and reviewed both Not That Complicated and Not That Impossible, each having their own specific strengths and weaknesses, Not That Ridiculous is definitely the most balanced of the three and will certainly satisfy fans of the previous novels (especially those that preferred the first over the second). Featuring an entertaining story and narration courtesy of Chipping Fairford’s resident caffeinated “grouch” Charlie Galloway paired off with Kevin Wallis, the famed general handyman that discovered the original dead bodies in Ray’s house, Not That Ridiculous is funny, silly, spicy…