Publisher: Berkley

Light-hearted, good-natured, and comfortably predictable, Kristy Greenwood’s The Love of My Afterlife is a perfect example of understanding the assignment and hitting all the bullet points to get the job done, nothing more nothing less. This book is a casual read that’s catered directly to fans of cozy chick lit rom-com novels looking for an easy and pleasant time. Devoid of anything that could be remotely triggering or controversial and full of the genre’s expected hijinks and romance tropes, it’s a competently written book that doesn’t really have any glaring weaknesses. On the flip side, it also takes zero risks and feels complacently good but not great. For me personally, I found The Love Of My Afterlife to be a bit underwhelming although I thought its overall tone and plot were great. I picked this book up purely based on the intriguing premise (before it started trending on booktok I might add) fully knowing it probably wasn’t going to be to my taste, but I was surprised by how pleasant and quick it was to read. Unlike other romance novels with magical realism elements that skirt or cheapen their gimmick, The Love of My Afterlife sticks pretty close to its…

Cute, cozy, hints of the supernatural, and a habitual schemer, Happy Medium had a genius premise and all the elements of an amazing romantic dramedy. I had previously read Mrs. Nash’s Ashes so I had an idea of what I was getting into, and I had hoped that Sarah Adler’s sophomore novel would be able to improve on Nash’s disappointing and contrived climax/conclusion. Despite being paced more evenly and feeling more refined page to page, overall I found Happy Medium to suffer from similar issues of dumb character logic (2nd half only), melodrama that doesn’t have sufficient build-up (again 2nd half only), and a concluding plot twist that ruins most of its intriguing plot potential. On the plus side, I quite enjoyed FMC Gretchen’s spiky personality and devious wit. Constantly trying to plan out her moves, both to convince Charlie that his farm is haunted and to safeguard her investment with her spirit medium client, I thought the first half of the book worked quite well; albeit feeling a bit slow for my taste. Although her sparring and enemies to friends to lovers arc with Charlie was good, her enemies to friends banter with the ghost Everett was the real…

Charming, cozy, and exceedingly clever, I thoroughly enjoyed Ashley Poston’s A Novel Love Story that delivers on its creative premise. Beyond Eloraton’s warm vibe, this book is filled to the brim with numerous book references and has a lot going on beyond the focal romance plot thread. I generally liked The Dead Romantics and thought The Seven Year Slip was great, however A Novel Love Story is easily my favorite and has solidified Ashley Poston’s work for me. Well-written and lovingly crafted, this is an easy recommendation for anyone who like romance (particularly high-concept ones), cozy/easy reads, or even light touches of magical realism (a genre I typically do not care for). When this book was announced, I automatically added it to my reading list purely based on the premise which is one of my favorite tropes if done well. From the start, the story reminded me a lot of the BBC’s miniseries Lost in Austen which also features the main character being transported into their favorite literary world, in that case being Pride and Prejudice. A Novel Love Story doesn’t have the luxury of working off a popular established piece and has to work a lot harder with its…

My history with Emily Henry’s books has been a bit all over the place so I was hesitantly optimistic picking up Funny Story. For context, my scale varies from loving Beach Read, frustrated and almost insulted by Happy Place, and finding Book Lovers competently solid in-between. Fortunately for me, Funny Story ended up on Beach Read’s side of the spectrum, even covering a few of Happy Place’s themes executed with more finesse (the fake dating trope + adult friendships). In many ways Funny Place feels like Henry’s most polished and cohesive novel yet that’s an easy read with mass appeal. I really enjoyed the story, although the title may be a bit deceiving as this novel definitely isn’t Henry’s funniest and is a much slower yet rewarding read compared to her past books (minus People We Meet On Vacation, the only one I haven’t read yet). Henry’s books are always well-written works laced with clever modern humor, but my enjoyment of her novels tend to hinge heavily on each book’s protagonist and the central themes introduced; separate from the romance and core couple which I would imagine is often the draw for many of her other readers. Besides the obvious…

Before you even consider picking up any Grady Hendrix novel, you need to ask yourself if off-the-wall zany hijinks and ironic pulp fiction is for you. If you’re not prepared to have an open mind for this type of experience, this should be a hard pass without looking back. I was somewhat familiar with Hendrix’s distinctive style of hysterical horror but even I found myself surprised and amused by how silly it can be all while delivering the plot with a straight face. We’re talking about a FUNeral service hosted by the Fellowship of Christian Puppeteers, a rousing rendition of The Saints Go Marching On played on kazoos only, protesting the 9/11 war by making paper mâché missiles shaped like penises, and countless pop culture references from the Shining to Freddy Krueger. And yet due to the commitment and execution, it somehow coherently works. The “Haunting” or supernatural elements in this book are also entirely of the possessed dolls (or more specifically, puppets) variety. While certainly creepy on its own and surprisingly quite violent at times (potential mild triggers of bodily harm and impairment), this can be a light-hearted haunting compared to other more sinister flavors. This style and content…