Publisher: Tor

Necromancers, cavaliers, copious amounts of magic and challenges, oh my! Tamsyn Muir’s debut novel and the start of her Locked Tomb series, on paper Gideon has everything going for it. While featuring many hallmark elements of fantasy epics such as an emperor with numerical houses/factions, pseudo magician + knight pairings, and an unknown challenge for representatives to ascend to the “Lyctor” status, Gideon the Ninth separates itself from the rest of its genre firstly by setting the series not in the traditional fantasy-realm past, but instead in an interstellar futuristic expanse. Secondly, this novel’s reputation featuring “lesbian necromancers” proceeds itself and has that instant hook for booktok and social media recognition (though important to note, while having a wandering queer eye, this is not a romantasy novel). While technically being classified as fantasy and sci-fi, Gideon’s second half functions more as a whodunnit survival thriller meshed with dark academia elements and is very compelling when Muir gets it just right. Unfortunately, despite the ambitious plotting and creative ideas found throughout the story, Gideon the Ninth is held back by a few but very notable flaws with its approach to storytelling as well as its confusingly vague and messy world-building. Additionally,…

A mysterious parasitic ailment, a medical institute that isn’t what it seems, and the occupants of an isolated, frost-covered chateau sets the scene for an incredibly unique, ambitious, yet often confusing and disjointed read. I wholeheartedly agree with many other reviews of Hiron Ennes’s debut novel Leech that describe it as being positively weird (that’s a good thing) and unlike anything else within the horror and science fiction genres. With strong initial horror elements that vary from body, medical, and psychological horror (nothing too graphic, at least by my desensitized standards) to light elements of supernatural and monster horror, there are a lot of conceptually great ideas that make Leech a riveting read, at times. Unfortunately more often than not, the execution of these ideas and the narrative presentation severely drags down the enjoyment and cohesion of the story, resulting in a puzzling reading experience and a feeling of missed opportunity. The success of any parasite is proportional to its harmlessness. Some are intelligent; they avoid detection, allowing their carriers to lead healthy lives until obsolescence. Fewer, in brilliant acts of symbiosis, foster dependence in the host. But too many are loudmouths and fools… most parasites cannot think far enough…

Entry #3 in Martha Wells’ Murderbot series, Rogue Protocol continues the series’ perfect formula of a great action adventure with snappy and sarcastic humor. While I found the previous entry Artificial Condition to be a bit slow and a tad heavy with its setup, Rogue Protocol felt like a welcome return to All Systems Red’s more ideal balance with a more extensively developed plot that connected back to the series’ loose overall narrative. At this point it goes without saying that the tone and humor of the series is pitched perfect for me and something I don’t really need to spend much time on (I would assume if you’re reading this review you must be familiar with the series or my past reviews unless you’re one of those chaotic and unhinged mid-series readers). Murderbot’s character voice and narration is always a joy, yet somehow Wells manages to one-up herself yet again: There needs to be an error code that means “I received your request but decided to ignore you.” Then there was Asshole Research Transport. ART’s official designation was deep space research vessel. At various points in our relationship, ART had threatened to kill me, watched my favorite shows with…

Foreboding and just slightly unsettling, T. Kingfisher’s What Moves The Dead is an atmospheric modern retelling of Edgar Allen Poe’s famous short story The Fall of the House of Usher. If one is familiar with the literary classic source material, you can roughly follow and know what to expect in this short novella. However, unlike the original short story, T. Kingfisher expands the classic tale with some clever ideas and twists that help this interpretation successfully stand out on its own. Additionally, added character motives, speculative fiction elements, and a bit of fringe science importantly attempt to address the source materials formulaic shortcomings and common criticisms, resulting in a solidly accomplished read that is accessible and not too spooky/disturbing for most readers. Clocking in at around 160 pages, What Moves the Dead is an easy to read novella that’s self-contained and straightforward. However unlike the original story that leaves a lot open to interpretation, T. Kingfisher attempts to fill-in and answer a lot of the unknown factors that Poe never explicitly addressed. A common point of criticism about most horror mansion/estate tales is questioning why the narrator doesn’t leave once they begin to encounter unsettling experiences. She addresses this by…

After the largely self-contained All Systems Red, the second novella in Martha Well’s Murderbot Diaries series Artificial Condition had a lot to cover within <160 pages. As the sequel in a now extended series, this novella needed to function both as a standalone story as well as a transitional piece for the rest of the series. While it ultimately accomplished both tasks, I personally found Artificial Condition to be slower and less exciting to read compared to All Systems Red (still a great overall read however). While All Systems Red featured functional, albeit limited world-building that was just enough to be functional for its story, Artificial Condition greatly expands on the Murderbot universe and spends most of its first half setting the scene for what’s to come later in the series. This story introduces several new types of bots, expands the scope of the series to other stations and moons, and introduces new characters for the hilariously dry and sarcastic Murderbot to interact with. One of my favorite elements of All Systems Red was Martha Well’s great sense of humor and witty dialogue. Artificial Condition continues the humor and cranks it up a notch with the introduction of ART. Murderbot…