Publisher: Tor

Don’t let the page count and novella length fool you, Martha Wells is a literary wizard for packing so much action and content into All Systems Red’s 150 pages. I kept seeing The Murderbot Diaries popping up in book lists and booktuber recommendations, and winning a Hugo Award certainly helps give it some critical street cred. Despite its short length, I thoroughly enjoyed this and breezed right through in one day. This is a pretty short read so I’ll try and keep this review appropriate short. While many sci-fi works get bogged down with heavy exposition and detailed world-building, All Systems Red doesn’t have the luxury of length and immediately takes off running from the get-go. This novella is pure plot, though surprisingly a bit light in terms of fighting/gunfire action. Despite being called Murderbot, Murderbot isn’t a killing machine (at least on paper) and acts as a defensive security unit for hire. And they’re a weaponized tool that could care less about what happens to their human clients, at least initially. The premise of an indifferent narrator is clever in concept, allowing the book to get away with skirting heavy world-building with an effective mechanism of “I never bothered…

The House in the Cerulean Sea has a plot, genre and tone that ordinarily isn’t quite my taste, but T.J. Klune’s execution and lowkey sarcastic humor kept me going. Hopefully optimistic, sweet, and a very comfortable easy read, this is not my typical read but it’s still a novel I don’t regret picking up. The plot is predictable and some extended metaphors and social commentary are a bit on the nose (this has a tone and approach better suited for YA, apart from a few rare adult-natured jokes), but it’s unapologetically warm and has so much mass-appeal. Other reviews describing The House in the Cerulean Sea as a modern fairy tale are quite appropriate. The style of narration told from the perspective of the main character Linus Baker evokes that nostalgic fairy tale feel that’s felt through Klune’s descriptive visuals and dialogue (the house for example screams fantasy fairy tale aesthetic, including the gorgeous interpretation on the cover). While reading this, I could instantly see this being adapted as either an animated or live-action miniseries. Linus Baker is a refreshing, atypical main character aged 40, overweight, uptight, queer, no frills government worker who serves as the perfect foil to the…

Picked up on a blind Goodreads algorithm suggestion (dangerous choice, I know), I had no expectations or experience going into Robert Charles Wilson’s Spin. Obviously I assumed it would be at least competently plotted with a high-concept as the coveted 2006 Hugo Award winner for best novel. What I did not expect and was pleasantly surprised by was the highly restrained, nuanced, yet incredibly character work that carried me all through Spin. This is notable particularly when some of the science-fiction elements, pardon the bad pun, occasionally spun a bit out of control. A 4.5 rounded up, this rating is not necessarily a rating for a fun or entertaining time, but for a rating that respects the quality of the writing and the execution of the story. Some of my 5-star reads are entertaining or a thrill ride to read; Spin is slower and smart one that I know will stick with me for a while. The main plot of Spin asks the age-old question, what happens when a potentially catastrophic, maybe even apocalyptic event occurs? When faced with possibility that the end of the world is ending, how do people react and grapple with their impending death? (a possibility…

Immersive, atmospheric, imaginative and of course gothic, Alix E. Harrow is an amazing storyteller and it’s immediately clear to me why Starling House has its following. The estate’s vivid descriptions and Eden’s somber setting set a distinctive scene that envelopes the reader in its quiet and character-focused narrative. The book’s is also full of elements that feels specially catered towards millennial/gen z contemporary readers; excessive footnotes (this one peeved me though), heavy emphasis and themes on mental health, stigmatism and judgement against those who are different, cynicism of the American dream/working economy), and several LGBTQ+ characters (though one character’s bi/pansexuality feel randomly tossed it and has nothing to do with anything apart from checking genre/bookTok boxes). Despite the cover and synopsis heavily focusing on the title house, the story is mostly a character-driven one focused on the world and people seen through Opal’s eyes as she struggles to make ends meets for her brother Jasper’s sake. Unfortunately, this novel lives and dies by Opal’s character and both her character and the tone of the story were not for me (subjective opinions, objectively this book is well-written). The majority of the book heavily hinges on Opal’s feeling of being judged, neglected,…