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Atmospheric, imaginative, but most importantly emotionally heartfelt, Don’t Let the Forest In is a stunning book that effortlessly mixes genres to tell its tale of teenage fears, longing, and pain. Blending dark fantasy, psychological horror, and romance wrapped up with a literary fiction touch, C.G. Drews’ novel takes the best elements of each genre and connects them to a grounded, character-centric story that’s as compelling as it is nuanced. Despite being classified as a YA book due to its characters’ ages and high school academy setting, this novel is a master class example of delivering a complex and impactful story without dumbing down its content for its intended readers. Ambitiously written, well-plotted, and featuring an ending that is both devastating and open to interpretation, Don’t Let the Forest In is easily one of the most impressive books I’ve read this year. Before breaking down the book’s more technical elements, there’s a few important points worth mentioning for those that are considering reading this book. Are you a sensitive reader that finds triggers upsetting? I’m not mentioning them specifically for spoilers here but do check your triggers as there are some difficult ones included. How about mild body horror and moderate…

A cute and refreshing take on the jaded romantics premise, First-Time Caller is a near perfect contemporary romance novel that should be a required read for all sappy romance fans, end of this review, Jeff signing off. Just kidding on the review part but all joking aside, B.K. Borison’s First-Time Caller is a masterclass example of an excellent contemporary romance novel that’s solid across the board. Featuring a fun and unique premise, charming and well-developed main characters, and lowkey great comedic chops, this book seems to have everything pitched just right. However, what sets First-Time Caller apart from the rest of the crowded contemporary romance genre is its charming honesty and spot-on relatability with the feelings and doubts its romance-adverse characters experience. “It feels like every time I get my hopes up for something good, reality comes out swinging. I don’t know how to be a hopeful person anymore. It’s easier not to be.” While Borison’s prose isn’t the most lyrical or poetic style I’ve read, the biggest highlight of her work is undoubtedly the amazing dialogue and reflections presented in the story. A jaded grumpy man complimented by an honest hopeless romantic is common territory, but right from Aiden’s…