Note: The following original review for this book is old and does not meet current review standards. A fully rewritten review is planned. A Holiday TV-movie taken straight off ABC family given a queer spin with harder hits and surprisingly solid pacing, in Boy Meets Boy #2 Janovsky takes everything that was good in #1 and refines it. While I enjoyed the first book in the series, I sometimes felt like I was over-scoring it because of how cute and breezy it felt vs directly looking at its objective qualities. This one beefs up all of the weaker elements with better execution. The pacing is better, characters (especially the side characters) are more developed and complex, the overarching plot being more compelling and involved, I was pleasantly surprised given how predictable most holiday fairs can be. There are still the usual tropes of a Grinch warming to the holiday cheer but the plot twists and it’s conclusion help elevate the material beyond simply being cute. It also helps that the comedy is cranked up to an 11 thanks to the protag’s overdramatic spoiled rich boy persona. The first 50 pages of diva material can be off-putting but we love a good…
review out of date
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Note: The following original review for this book is old and does not meet current review standards. A fully rewritten review is planned. I had a hard time trying to figure out why I couldn’t really get into this one despite the novel having all the elements to be a compelling and romantic read and I think the biggest problem I had was finding the protagonist August and her love interest Jane to be bland and uninspiring. There’s quite a colorful variety of characters of various ethnic backgrounds and sexualities that provide fun group dynamics and banter which help pad out the novel (the side characters are frankly more interesting than the leads), but I felt like the actual core story and romance was thin and lacking development. To their credit McQuiston tries to pull some creative scenes to break up the monotony of repetitive constant scenes all taking place in a subway train car, but I often found myself applauding the effort that went into the book rather than actually enjoying the book. I also felt like there was very little plot progression in the first 250 pages other than establishing that August is out of place in a big…
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Note: The following original review for this book is old and does not meet current review standards. A fully rewritten review is planned. A classic I never got around to reading during school, as others have praised the concepts and themes hold up remarkably well. Some aspects such as the controlling history and the narrative can even be seen today in the form of “Fake News” or social media trends and hypes. I found the first 2/3 of the book to be a dry and uninteresting read where I was speed-reading to get through it (the tone and characters were not to my taste) and there’s some questionable takes on how women are portrayed (though again, this is written in the 1950’s which is to be expected to a certain degree) but thinks got a bit more interesting at a particular tuning point near the end of the book. It’s portrayal of Stockholm syndrome was interesting and complex (which is even more impressive considering the term and definition of Stockholm syndrome wouldn’t be discovered for another 20 yrs) and you never know where things will go as is the norm for George Orwell novels (apart from leaving a rather pointed statement…
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Note: The following original review for this book is old and does not meet current review standards. A fully rewritten review is planned. As someone who does not like romance or comedy novels, this one was already fighting an uphill battle that it somehow got over (specifically the first 50 or so pages). A feel-good and easy casual read, this is a collegiate-set coming of (young adult) age story written with the unapologetically earnest and rose-tinted glasses tone that made Heartstopper so appealing. At times it tiptoes the line of being corny and cliche, but the witty banter and Wren’s hilariously relatable internal monologues helped to keep it in the perfect sweet spot comfort read for me. The inclusion of the senior and snappy divorcee/widowed character Alice Kelly who serves dual-roles as both a central plot mechanism and as a older social mentor for Wren was refreshing and different from what I’ve read in this genre. Timothy Janovsky also nails the internal battle introverted feeling folks go through when it comes to romance and the novel is filled to the brim with Millenial/Gen Z pop culture references and slang, some of which are incredibly recent or hyper-specific to the target demographics…
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Note: The following original review for this book is old and does not meet current review standards. A fully rewritten review is planned. An incredibly ambitious novel with wonderful writing that is also incredibly niche. Erin Morgenstern certainly has a set style as I found this novel shares many of the same strengths and drawbacks as The Night Circus amplified. Beautiful and otherworldly visuals combined with a multiple layers of symbolisms, unfortunately the novel’s plot is slow, complex and vague. Are you interested in a passionate queer romance story? How about multiple factions with cult-like tendencies? Multiverse-style dimensions or dreams within dreams with a clear resolution? A fantasy adventure across land and sea to reach a final goal? An engrossing page turner? If you answered yes to any of the above, the Starless Sea is not for you. There are so many compelling elements that have mass appeal, but the delivery will likely alienate all but the most patient readers who appreciate the essence of literature. The chapters are also broken up jumping between the primary narrative focusing on several main characters and short fables, stories or exerts that seemingly have no connection to the main story or each other. Each…
