Immersive, atmospheric, imaginative and of course gothic, Alix E. Harrow is an amazing storyteller and it’s immediately clear to me why Starling House has its following. The estate’s vivid descriptions and Eden’s somber setting set a distinctive scene that envelopes the reader in its quiet and character-focused narrative. The book’s is also full of elements that feels specially catered towards millennial/gen z contemporary readers; excessive footnotes (this one peeved me though), heavy emphasis and themes on mental health, stigmatism and judgement against those who are different, cynicism of the American dream/working economy), and several LGBTQ+ characters (though one character’s bi/pansexuality feel randomly tossed it and has nothing to do with anything apart from checking genre/bookTok boxes). Despite the cover and synopsis heavily focusing on the title house, the story is mostly a character-driven one focused on the world and people seen through Opal’s eyes as she struggles to make ends meets for her brother Jasper’s sake. Unfortunately, this novel lives and dies by Opal’s character and both her character and the tone of the story were not for me (subjective opinions, objectively this book is well-written). The majority of the book heavily hinges on Opal’s feeling of being judged, neglected,…
Jefferz
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Before you even consider picking up any Grady Hendrix novel, you need to ask yourself if off-the-wall zany hijinks and ironic pulp fiction is for you. If you’re not prepared to have an open mind for this type of experience, this should be a hard pass without looking back. I was somewhat familiar with Hendrix’s distinctive style of hysterical horror but even I found myself surprised and amused by how silly it can be all while delivering the plot with a straight face. We’re talking about a FUNeral service hosted by the Fellowship of Christian Puppeteers, a rousing rendition of The Saints Go Marching On played on kazoos only, protesting the 9/11 war by making paper mâché missiles shaped like penises, and countless pop culture references from the Shining to Freddy Krueger. And yet due to the commitment and execution, it somehow coherently works. The “Haunting” or supernatural elements in this book are also entirely of the possessed dolls (or more specifically, puppets) variety. While certainly creepy on its own and surprisingly quite violent at times (potential mild triggers of bodily harm and impairment), this can be a light-hearted haunting compared to other more sinister flavors. This style and content…
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Despite having a lot of wonderful elements on paper, I thought book #1 Midnight Riot/Rivers of London was messy and unable to seamlessly mix its two story arcs, lore and world-building, and an urban noir investigation together coherently. The ambiance, setting, brief history lessons and Peter’s character voice helped cover up a weakly constructed plot and investigation. Thankfully I trusted other reviewers that wrote the series gets better as it progresses which I can see now. Akin to enjoying a glass of fine wine in a jazz bar hindered by an amateur musician (or what I would imagine it would be like, I’m not a drinker personally), I found Moon Over Soho to be a cool and low-key entertaining experience provided I not look too closely at some of the finer details of its plot. Across the board, Moon Over Soho felt like a true sophomore sequel work that was more confident and focused compared to Rivers of London. There’s a bit less action here than the obvious riot plot, but just about everything else is stronger across the board. Similar to Rivers of London, Moon Over Soho features two separate story arcs. The first involved multiple oddly timed deaths…
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Book ReviewsContemporary FictionJapanese Literature
Michiko Aoyama: What You Are Looking For Is in the Library
by JefferzTold in a simplistic and understated tone, What You Are Looking For Is in the Library is a collection of short stories that focus on self-reflection, perceived happiness, and purpose. Consisting of five largely self-contained stories that average around 60-70 pages each, each story focuses on characters of a variety of ages and backgrounds whose only commonality are feeling unfulfilled with their current life. There’s a young retail worker fresh out of university, an office worker with a dream to open an antique shop, a young mother torn between her editorial work and her child, a NEET unable to find where he belongs, and a recent retiree left without a purpose. Each story follows the focal character through their usually monotonous days, finding the local library, and receiving an unusual book recommendation from the librarian Ms. Komachi. Through this seemingly random book recommendation and a few open-ended questions from Ms. Komachi, each character goes on a quiet journey of self-discovery as they seek what they’re subconsciously looking for; happiness and fulfillment. “For fans of The Midnight Library and Before the Coffee gets cold”, I curiously picked this up as I loved The Midnight Library and largely disliked Before the Coffee…
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Book #2 in the Before the Coffee Gets Cold series, I picked this up with the hope that it would be a more refined and improved version of the stellar premise introduced in book #1 of the anthology series that I felt was hindered by lackluster execution. While I did find that it introduced more creative and ambitious stories, ultimately it largely feels like the same misguided experience which I’m unfortunately not a fan of. Much like Before the Coffee Gets Cold, Tales From the Cafe feels like a slow and thoughtful reflection on one’s regrets and “what if’s”. Similar to book #1, the cafe Funiculi Funicula’s timeless setting is still quite an aesthetic location that lends itself perfectly to the premise of time travel. Based on context clues and the presence (or lack of) of certain characters, Tales From the Cafe takes place roughly seven years after the events of Before the Coffee Gets Cold. I found that the four short stories were at their best when it connected the four focal time-travelers to characters featured in previous stories, particularly when it involved guests seeking to speak with characters who are no longer alive. On the flipside, stories that…