Mystery

A ghostwriting challenge with a lucrative reward, a windswept and isolated island estate, and seven authors full of writing insecurities and personal baggage. A book revolving around a potential collab to finish a famed late author’s last serial entry, the Ending Writes Itself is itself a collaborative novel by veteran fantasy author V.E. Schwab and scriptwriter Cat Clarke (yes, pun intended). Pitched as a mystery thriller, this story also doubles as a literary/contemporary fiction book filled with strong commentary and discussions about the publishing industry’s flaws and authors’ struggles. As a study on character writing, this novel gets top marks and is conceptually brilliant. But as a mystery thriller for casual readers, the ending perhaps wrote itself too much with some notable narrative flaws and questionable pacing. There are quite a lot of books out there about ghostwriting in the publishing industry and ghostwriting job vetting, but has it ever been crossed with a free‑for‑all challenge turned survival story? The Ending Writes Itself is a book that blends familiar mystery‑thriller beats and connects them to the highs and lows of publishing; more often the lows. Easily the most impressive aspect of this book is its strong commentary on the publishing…

Blending together Japanese samurai culture, time-travel speculative fiction, tense horror ambiance with mystery thriller intrigue, Japanese Gothic by Kylie Lee Baker is as ambitious of a novel as it is graphic and violent. One of the most anticipated horror releases of the year, like her inspirations and goals, this book crossovers between genres, storylines, and realities, telling a compelling and gripping story in just over three hundred pages. Steeped in Japanese folklore and culture but presented in a way that’s accessible, Japanese Gothic is an excellent mystery thriller/horror novel that’s powerfully written and creatively conceptualized. There’s a lot that could be said about Japanese Gothic’s story, but this is one book that’s best experienced on its own with minimal overview given the tension, mysterious intrigue, and unexpected narrative elements benefit from the reader being left in the dark. The book features a split POV and timeline perspective that’s similar to Lee’s presentation, a meeting of the East and West. In 2026, Lee Turner escapes to his father’s house in Japan following the murder of his college roommate that he can’t remember how or why he killed. Racked with anxiety and paranoia, his chapters follow his descent into borderline psychosis as…

A love child between the Disney Channel’s Descendants franchise and Universal’s Dark Universe, Susan J. Morris’s paranormal urban fantasy novel revolving around a serial murder mystery. Featuring great atmosphere, a twisty investigation and all the aesthetics of the Gaslamp fantasy sub-genre, this book has a lot of compelling concepts matched with feminist themes given women’s restricted roles of the period. Though I found the book’s story to notably lag from its middle section onward and its ending leaving much to be desired, Strange Beasts is still a fun read, popcorn entertainment read. Whether it be a coincidence of the books I’ve been finding or a burgeoning trend, fantasy and science fiction flavored murder mystery investigations have become one of my favorite sub-genres lately and Strange Beasts more than fits the bill. The book serves as the start of Morris’s Harker & Moriarty series with long-running plotlines in addition to having its own self-contained murder mystery case set in early 20th century Paris. The book juggles two different storylines, one being the mysterious beastly murders of wealthy and powerful Parisian men and the other being Sam’s volatile channeling powers adjacent to Hel’s dysfunctional relationship with her father James Moriarty. The second…

The paranormal episodes of Scooby Doo crossed with Holly Jackson’s A Good Girl’s Guide to Murder, Susan Dennard’s The Executioners Three is a really fun and entertaining mystery thriller read that has the perfect tone. Campy in all the right places, yet surprisingly compelling and mysterious when it chooses to be, this YA novel skillfully blends its murder mystery, light paranormal spooks, and high school hijinks, all while serving as a nostalgic love letter to the late 90’s (particularly the X Files). While narratively and tonally slotting in as a YA novel, the Executioners Three is a peculiar case of mismatched references and storylines that ironically give it a lot of crossover appeal. Following the adventures of Freddie Gellar in her senior year of high school (plus occasional short chapters that cut to rival high school student Theo Porter’s perspective), the story is very much a YA book with school prank wars, classmate crushes, ditching class, elements that are very teenage-centered. However, this book has a clever asset that surprisingly isn’t really highlighted in its book blurb synopsis, that being its complete commitment to 90’s camp. From quoting the X-Files repeatedly, to featuring cutting edge Nokia cell phones, Backstreet Boys…

Round 2 in Richard Osman’s charming Thursday Murder Club series, the Man Who Died Twice is a sequel novel that should satisfy most fans of the first book. Delivering the same cozy mystery vibes and light-hearted comedic shenanigans, this novel instantly feels familiar and is incredibly easy to pick right up. In many ways this novel is a refinement of the first book’s beloved formula, the most notable highlights being an increased focus on the Thursday Murder Club members, a tidier and better executed mystery investigation, and a more consistent tone and pacing. While I personally found this second novel to be less narratively ambitious and compelling compared to the Thursday Murder Club, the Man Who Died Twice is still a solid read for those looking for a cozy mystery or snarky British humor. Taking place right after the events of the first book, the Man Who Died Twice sees the Thursday Murder Club investigating a new mystery that ironically doesn’t start with murder, at least initially. A handsome and charismatic man from Elizabeth’s past named Douglas sends her a letter requesting help involving stolen diamonds worth twenty million pounds and hiding from a mafia mobster and his shady financer.…