Taking the reader back to the English countryside through the eyes of a seven year old boy, Neil Gaiman’s The Ocean At the End of the Lane is an intriguing short novel that I’ve heard such strong opinions and feelings about. Part pseudo Grimm fairy tale, part dark fantasy escapism, Gaiman’s story reads almost like a fictional memoir as its unnamed adult narrator recalls a dark and strained period of his childhood. Much like how time bends and distorts events based on how they’re remembered, so too does the story as the narrator is faced with magical and otherworldly beings in the quiet English countryside. Perhaps the hype set too high an expectation or my impression of the book’s direction was misguided from the get-go (the plot was not what I was expecting), but I found myself wanting to like this book a lot more than I actually did. Despite finding the ambition respectable, I often felt mildly frustrated with the plot not connecting and was left feeling like it ultimately didn’t amount to much in the end. The presentation and writing was great but the actual content felt too abstract and random to leave much of an impression for…
Jefferz
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The following review is based on a complimentary copy for review purposes provided by Melville House Publishing via Netgalley, thanks for the reviewing opportunity. Part speculative fiction, part Asian American character drama, Jinwoo Chong’s debut novel Flux is an incredibly complex story filled to the brim with incredible character work details. Despite being billed as a science fiction/time-travel associated story, the sci-fi elements largely take a back seat to Chong’s frank and startlingly good exploration of topics including biracial cultural identity, queer labels, the power of image, Asian portrayals in media, and the ever present theme of guilt. A unique blend of genres, this is easily one of the most ambitiously written novels I’ve read this year while simultaneously being one of the most difficult novels to recommend to others due to how tricky and alienating its presentation can be. While I found it to be an amazing and fascinating read, I acknowledge I’m also the exact match for the type of reader this book is clearly suited for; one that is a critical reader fully immersed in the story, reading between lines. One of the primary reasons why I believe Flux has such polarizing reviews is due to the…
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The following review is based on a complimentary ARC provided by Sourcebooks Landmark via Netgalley in exchange for an honest review. Part unsolved crime journalism, part familial teenage drama, Julie Clark’s The Ghostwriter is a split perspective thriller featuring storytelling within storytelling. Slow and meticulously paced, this novel follows author Olivia Dumont who is forced to confront her past and her family’s dark history when she accepts a ghostwriting job for her own father Vincent Taylor, a popular and famous author whose life is haunted by accusations that he murdered his two siblings fifty years ago. Featuring a well planned out (and at times tragic) story full of twists and surprises, The Ghostwriter is an engrossing read that transports the reader back to the 1970’s. While subjectively some of the familial drama and teenage sibling quarreling wasn’t my preferred genre or content, I still found Clark’s novel to be well-constructed, complex, and an interesting read. Alternating back and forth between Olivia’s interviews with Vincent retelling events from his youth and the first-person perspective experiences of several characters in the 1970’s, The Ghostwriter has a lot of different plot elements carefully woven together. Despite being recapped out of chronological order and…
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The second entry in T. Kingfisher’s Sworn Soldier series, What Feasts At Night is another atmospheric novella that prioritizes its foreboding tone paired with its vaguely historic 19th century setting. Unlike What Moves the Dead which was a modern retelling of the classic short poem the Fall of the House of Usher, What Feasts At Night is an original story set in the overgrown woods of the fictional country of Gallacia involving a local superstition in the area affecting Alex Easton’s inherited hunting lodge. While the general tone is carried over from the first novella, the actual plot felt considerably slower paced and lacked the tense buildup that I previously reviewed and appreciated. The “horror” elements were also quite brief and left me a bit underwhelmed despite the appropriately balanced prose and Easton’s signature sarcastic soldier humor. Carrying over majority of Kingfisher’s original cast characters outside of Edgar Allen Poe’s (with the exception of Dr. Denton who is apparently featured as a main character in the upcoming 3rd novella due to be published next year), What Feasts At Night benefits from all of the exposition and Gallacia world-building that was previously introduced in the first book. I had previously critiqued how the first book’s start felt too slow due…
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Entry #3 in Martha Wells’ Murderbot series, Rogue Protocol continues the series’ perfect formula of a great action adventure with snappy and sarcastic humor. While I found the previous entry Artificial Condition to be a bit slow and a tad heavy with its setup, Rogue Protocol felt like a welcome return to All Systems Red’s more ideal balance with a more extensively developed plot that connected back to the series’ loose overall narrative. At this point it goes without saying that the tone and humor of the series is pitched perfect for me and something I don’t really need to spend much time on (I would assume if you’re reading this review you must be familiar with the series or my past reviews unless you’re one of those chaotic and unhinged mid-series readers). Murderbot’s character voice and narration is always a joy, yet somehow Wells manages to one-up herself yet again: There needs to be an error code that means “I received your request but decided to ignore you.” Then there was Asshole Research Transport. ART’s official designation was deep space research vessel. At various points in our relationship, ART had threatened to kill me, watched my favorite shows with…