This review is based on a complimentary Advanced Reader Copy provided by Poisoned Pen Press. A creature feature novel set in the tube, Jonathan Sims’s The Burn Line is a well‑crafted horror story that’s a quick read and something a bit different from the norms of the genre. Blending underground eldritch tension with English commentary on wealth disparity and social stigmatization, it features a multi‑POV presentation and a diverse set of characters with good representation. While some may have mild issues with the uneven pacing and the book’s slower middle section, it’s an otherwise polished and solid debut and a perfect sweltering summer read, unless cooler‑weather escapism is preferred. This book is set in the summer of 2022 during the UK’s unprecedented heatwaves that were not only historic by climate‑tracking records but also deadly. In addition to the record‑breaking weather, 2022 was still part of the Covid pandemic as well as a particular royal‑family‑related event that is included in this novel. Underground tunnels and subway systems have been used as the basis for horror novels before, but what makes The Burn Line unique is the heatwave element that gives the story a distinctive feel. Where many other books mention chilling realizations…
Jefferz
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Mixing together politically motivated corporate strategizing, samurai code of conduct, rigid society resource management, all set on a frozen and desolate planet, The Last Contract of Isako is a complex and mature story. One of the most anticipated SFF titles of the year as well as Fonda Lee’s scifi debut, this book is incredibly ambitious, featuring themes, character writing, progression, and an ending that is understated and restrained. This is not a book for those looking for heavy samurai action, futuristic cyberpunk visuals, or flashy space opera elements. But for readers that appreciate slow-burn investigative political thrillers and thoughtful reflections on aging and one’s mortality, The Last Contract of Isako does not disappoint. In many ways beyond the age of its protagonist Isako, The Last Contract of Isako is the kind of mature book conceptualized and written by an established author confident and settled to take bigger and unexpected narrative swings. Although it is described as scifi space opera with a battle-worn samurai on a last mission where she may face death at every turn, this almost feels like an attempt by the publisher to market the book and make it appear far more mainstream than it really is, hence…
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This review is based on a complimentary Advanced Reader Copy provided by Requited. A thief, a swordswoman, a magic caster, and a weapons forger walk into a pub only to be thwarted by an immortal being in need of their oddly specific skillset. That more or less sums up Taylor J. LaRue’s debut novel Steelborn, the first entry in a planned trilogy titled the Steelborn Saga. This book’s fantasy elements are as widespread as its main character Reya’s talents, which can make it an exciting read or a narratively muddy one based on the reader’s taste. Featuring noteworthy action and high fantasy elements coupled with typical romantasy tropes and some messy world-building, I found this book to be a decent read, though one that I personally wasn’t very invested in (on Goodreads, 2.5‑star rating rounded up). A fantasy‑romance/romantasy book with prominent fantasy‑adventure storylines, Steelborn feels like a book specifically crafted for veteran romantasy readers who want a bit more flashy swordfighting than the genre norm. A skilled thief who doubles as a mercenary for hire, the story follows Reya Connery, a scrappy young woman known as the Crimson Dagger. As expected based on its premise, the book’s best moments are when…
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The following review is based on a complimentary ARC provided by Forever, an imprint of Grand Central Publishing. Marketed as a new standalone story, V.L. Bovalino’s The Thief and the Traitor Bride is a fascinating book conceptually that has multiple identities just like Nore and Caspian. Featuring new main characters, a different romance trope, new magical system rules, and more, this book is a brand‑new story in a familiar world that is expanding in scale and complexity. Despite its new tale and characters with different careers in the high fantasy setting, this book is very much spinoff sequel to The Second Death of Locke, or at least a narrative epilogue after the previous book’s open‑ended conclusion. Expertly crafted, beautifully written, and featuring perhaps even better character development compared to the previous entry, The Thief and the Traitor Bride is an ambitious slow‑burn fantasy romance epic. Before getting into the review of the book itself, I know quite a few people are desperate to know if this book gives any closure to Grey and Kier, as the first book ends on a dramatic and rather open‑ended note. I can happily report that The Thief and the Traitor Bride definitely follows up…
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Set point, forty‑love to Austin Hardy’s intrusive thoughts. The Open Era by Edward Schmit is a wonderfully written queer lit novel that doubles as a sports romance book. Covering difficult topics such as mental health and anxiety, grief and familial loss, and finding one’s confidence beneath stadium spotlights and public judgment, Schmit serves and delivers an ace of a debut novel (I know these puns are bad, just let me roll with it). Humorous, relatable, and romantic when it wants to be, this book is incredibly wholesome and warm in all the right ways. A sports romance with actual sports content and a book of queer joy without feeling contrived or sanitized, The Open Era is a brilliantly written novel that I picked up and wouldn’t put down until I finished it. “Anxiety wrecks me almost daily. It makes me question everything. It makes me believe things that aren’t true. It makes me spiral. It knocks me out. Falling in love does all those things too. At this point it’s all the same.” Sporting one of the most beautiful and striking covers of the year, The Open Era was one of my most anticipated queer titles. While I don’t consider…
