Frances White’s debut novel Voyage of the Damned is an ambitiously plotted story that smoothly crosses over across a variety of different genres outside of its main fantasy classification. While definitively a fantasy novel due to its fantastical scale, magical powers and traditional fantasy-realm setting, the story is just as much a whodunit mystery thriller investigation tale (debatably even more than its fantasy-wrapping) as well as a lightly inspired queer romantasy (with asterisks around the romance). Comments summarizing Voyage of the Damned as an Agatha Christie novel dressed up in fantasy outfit is a decent comparison as it definitely gave me faint Murder on the Orient Express vibes, if the Orient Express was a grand and luxurious sailing vessel ala Death on the Nile. However, Voyage of the Damned’s ill-fated events also have compelling political ramifications to the growing body count and a wild last minute plot twist that can either make or break the reading experience depending on the reader’s suspension of disbelief. For me personally, it worked very well, and its ending managed to course-correct and explain nearly every potential plot hole or point of criticism I had while reading the novel. While White’s flavor of character narration…
Fantasy
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Falling somewhere in the area between being creatively genius vs a festivity-induced fever dream, The Nightmare Before Kissmas is light-hearted and cute dramedy that hits all the right beats one would expect for a holiday romance novel. Personifying popular holidays as magically inclined individuals reminiscent of Rise of the Guardians paired with the familial expectations and burdens of royalty akin to Casy McQuiston’s Red White and Royal Blue, the Nightmare Before Kissmas is constantly a lot of fun and a feel-good escapism read. And while it’s frequently cheesy and often tap dances on the line between being endearing and cringy, the plot is solid, featuring surprisingly ambitious commentary on the materialism and purpose of holidays as well as holiday politics in this fantasy-leaning version of the world. Despite initially being a bit of a box office bomb, the 2012 animated film Rise of the Guardians and its source material The Guardians of Childhood series by William Joyce have since become sleeper hits thanks to the creative and charming way they personified popular holidays as magical beings and culture associated with said holidays. The Nightmare Before Kissmas features a lot of similar concepts but utilizes them for an adult romantic dramedy…
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Necromancers, cavaliers, copious amounts of magic and challenges, oh my! Tamsyn Muir’s debut novel and the start of her Locked Tomb series, on paper Gideon has everything going for it. While featuring many hallmark elements of fantasy epics such as an emperor with numerical houses/factions, pseudo magician + knight pairings, and an unknown challenge for representatives to ascend to the “Lyctor” status, Gideon the Ninth separates itself from the rest of its genre firstly by setting the series not in the traditional fantasy-realm past, but instead in an interstellar futuristic expanse. Secondly, this novel’s reputation featuring “lesbian necromancers” proceeds itself and has that instant hook for booktok and social media recognition (though important to note, while having a wandering queer eye, this is not a romantasy novel). While technically being classified as fantasy and sci-fi, Gideon’s second half functions more as a whodunnit survival thriller meshed with dark academia elements and is very compelling when Muir gets it just right. Unfortunately, despite the ambitious plotting and creative ideas found throughout the story, Gideon the Ninth is held back by a few but very notable flaws with its approach to storytelling as well as its confusingly vague and messy world-building. Additionally,…
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The following review is based on a complimentary ARC provided by Amazon Original Stories via Netgalley in exchange for an honest review. The Knight and the Butcherbird is an intriguing dark fantasy short story that tells a brief, yet compelling tale in a modern world where shapeshifting monsters or “demons” roam the forests and wastelands. Narrated by Shrike, the rural community’s seventeen year old historian, the short story follows the arrival of legendary Knight who is summoned to the community to kill a demon that had been seen in the area. The only problem is the demon he’s been summoned to kill is Shrike’s wife May, a fellow villager who slowly transformed into a monster. Skillfully invoking a folklore/grimm fairytale vibe and incorporating dystopian and caste elements, The Knight and the Butcherbird is condensed yet imaginative and makes full use of its limited page counts to tell its satisfying and self-contained story. Featuring the Knight’s story within the overall story, I found the focal plot twist involving the Knight’s secret to be well done, with crucial clues subtlety presented within Shrike’s stories. I previously read Harrow’s full-length novel Starling House and while I had some reservations with its plot and…
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Taking the reader back to the English countryside through the eyes of a seven year old boy, Neil Gaiman’s The Ocean At the End of the Lane is an intriguing short novel that I’ve heard such strong opinions and feelings about. Part pseudo Grimm fairy tale, part dark fantasy escapism, Gaiman’s story reads almost like a fictional memoir as its unnamed adult narrator recalls a dark and strained period of his childhood. Much like how time bends and distorts events based on how they’re remembered, so too does the story as the narrator is faced with magical and otherworldly beings in the quiet English countryside. Perhaps the hype set too high an expectation or my impression of the book’s direction was misguided from the get-go (the plot was not what I was expecting), but I found myself wanting to like this book a lot more than I actually did. Despite finding the ambition respectable, I often felt mildly frustrated with the plot not connecting and was left feeling like it ultimately didn’t amount to much in the end. The presentation and writing was great but the actual content felt too abstract and random to leave much of an impression for…