Japanese Literature

This review is based on a complimentary Advanced Reader Copy provided by Saga Press, an imprint of Simon & Schuster. An intriguing blend of fantasy and science fiction elements, Naomi Ishiguro’s The Rainshadow Orphans is a unique crossover novel full of Japanese cultural and folklore inspirations. Mixing a variety of concepts across the SFF genre umbrella, this book is an appealing and accessible read that feels like a throwback to YA fantasy novels of the mid 2000’s modernized for current tastes. The start of a planned high fantasy trilogy, though the Rainshadow Orphans is quite lengthy and occasionally drags in places, it’s an appealing start to a series full of great potential. Set in a fictional island archipelago and primarily taking place in the affluent Rainshadow City and the impoverished Keeper’s Crescent, the Rainshadow Orphans tells the story of young adult characters (plus Haru) caught amid the Royal Emperor Asayo’s revisioning of the island and the illegal gang activities of the Lucky Crows. Presented through multiple POV’s, the story is one that is part fantasy magical object and creature-based, and part futuristic technology-based with light hints of dystopian turmoil. The book covers the events of 48 hours that put the futures…

A reserved young woman whose future and purpose in life is already written and decided meets an inquisitive young man named whose life lacks direction and purpose. One lives in a world of mystical wonder while the other seeks to understand theirs through science and knowledge. Brought together by fate through a door masquerading as an entrance to a ramen shop, Hana and Kei set off into an ethereal world where choices, regrets, memories, and desires hold far greater purpose and influence. Dreamy, whimsical, and full of gorgeously crafted literary metaphors, Samantha Sotto Yambao’s Water Moon is a magical crossover fantasy and speculative fiction novel that is a unique and dreamy experience. Trained all her life to take over her father’s magical pawnshop, Hana Ishikawa’s world is one far different from the one we know of. Puddles are used as portals to other locations, visitors ride the wind on the melodies of songs, markets are perched high in the sky, and the Ishikawa pawnshop’s customers exchange not money, but past life choices. Each customer that finds themselves transported into the pawnshop finds themselves unconsciously drawn to the shop and is relieved of the burden, regret, and feelings associated with a…

Yoko Ogawa’s The Memory Police is a poignant and thought-provoking exploration of loss masquerading under a dystopian premise. With the concept of an unexplained totalitarian regime and the premise of police taking objects and people at random intervals, many would expect this novel to be a psychological thriller or mystery. That is not the case at all as Ogawa merely uses the plot elements as framework to discuss and reflect on how people process loss and memories over time in an abstract manner. While subjectively The Memory Police wasn’t quite for me, I still appreciated the beautiful prose and can easily see why this book is critically well respected and worthy of literary analysis. Despite having some similarities initially to other established dystopian works (a lot of people compare it to 1984), at its core I would not consider The Memory Police to technically be a dystopian novel. While there is a plot to the book, it’s quite abstract and not the focus. The female narrator is a writer who enlists the help of an elderly unnamed old man to hide away her editor referred to as “R” from the Memory Police who mandate things and memories associated with them…

Told in a simplistic and understated tone, What You Are Looking For Is in the Library is a collection of short stories that focus on self-reflection, perceived happiness, and purpose. Consisting of five largely self-contained stories that average around 60-70 pages each, each story focuses on characters of a variety of ages and backgrounds whose only commonality are feeling unfulfilled with their current life. There’s a young retail worker fresh out of university, an office worker with a dream to open an antique shop, a young mother torn between her editorial work and her child, a NEET unable to find where he belongs, and a recent retiree left without a purpose. Each story follows the focal character through their usually monotonous days, finding the local library, and receiving an unusual book recommendation from the librarian Ms. Komachi. Through this seemingly random book recommendation and a few open-ended questions from Ms. Komachi, each character goes on a quiet journey of self-discovery as they seek what they’re subconsciously looking for; happiness and fulfillment. “For fans of The Midnight Library and Before the Coffee gets cold”, I curiously picked this up as I loved The Midnight Library and largely disliked Before the Coffee…

Book #2 in the Before the Coffee Gets Cold series, I picked this up with the hope that it would be a more refined and improved version of the stellar premise introduced in book #1 of the anthology series that I felt was hindered by lackluster execution. While I did find that it introduced more creative and ambitious stories, ultimately it largely feels like the same misguided experience which I’m unfortunately not a fan of. Much like Before the Coffee Gets Cold, Tales From the Cafe feels like a slow and thoughtful reflection on one’s regrets and “what if’s”. Similar to book #1, the cafe Funiculi Funicula’s timeless setting is still quite an aesthetic location that lends itself perfectly to the premise of time travel. Based on context clues and the presence (or lack of) of certain characters, Tales From the Cafe takes place roughly seven years after the events of Before the Coffee Gets Cold. I found that the four short stories were at their best when it connected the four focal time-travelers to characters featured in previous stories, particularly when it involved guests seeking to speak with characters who are no longer alive. On the flipside, stories that…