Fantasy

Necromancers, cavaliers, copious amounts of magic and challenges, oh my! Tamsyn Muir’s debut novel and the start of her Locked Tomb series, on paper Gideon has everything going for it. While featuring many hallmark elements of fantasy epics such as an emperor with numerical houses/factions, pseudo magician + knight pairings, and an unknown challenge for representatives to ascend to the “Lyctor” status, Gideon the Ninth separates itself from the rest of its genre firstly by setting the series not in the traditional fantasy-realm past, but instead in an interstellar futuristic expanse. Secondly, this novel’s reputation featuring “lesbian necromancers” proceeds itself and has that instant hook for booktok and social media recognition (though important to note, while having a wandering queer eye, this is not a romantasy novel). While technically being classified as fantasy and sci-fi, Gideon’s second half functions more as a whodunnit survival thriller meshed with dark academia elements and is very compelling when Muir gets it just right. Unfortunately, despite the ambitious plotting and creative ideas found throughout the story, Gideon the Ninth is held back by a few but very notable flaws with its approach to storytelling as well as its confusingly vague and messy world-building. Additionally,…

The following review is based on a complimentary ARC provided by Amazon Original Stories via Netgalley in exchange for an honest review. The Knight and the Butcherbird is an intriguing dark fantasy short story that tells a brief, yet compelling tale in a modern world where shapeshifting monsters or “demons” roam the forests and wastelands. Narrated by Shrike, the rural community’s seventeen year old historian, the short story follows the arrival of legendary Knight who is summoned to the community to kill a demon that had been seen in the area. The only problem is the demon he’s been summoned to kill is Shrike’s wife May, a fellow villager who slowly transformed into a monster. Skillfully invoking a folklore/grimm fairytale vibe and incorporating dystopian and caste elements, The Knight and the Butcherbird is condensed yet imaginative and makes full use of its limited page counts to tell its satisfying and self-contained story. Featuring the Knight’s story within the overall story, I found the focal plot twist involving the Knight’s secret to be well done, with crucial clues subtlety presented within Shrike’s stories. I previously read Harrow’s full-length novel Starling House and while I had some reservations with its plot and…

Taking the reader back to the English countryside through the eyes of a seven year old boy, Neil Gaiman’s The Ocean At the End of the Lane is an intriguing short novel that I’ve heard such strong opinions and feelings about. Part pseudo Grimm fairy tale, part dark fantasy escapism, Gaiman’s story reads almost like a fictional memoir as its unnamed adult narrator recalls a dark and strained period of his childhood. Much like how time bends and distorts events based on how they’re remembered, so too does the story as the narrator is faced with magical and otherworldly beings in the quiet English countryside. Perhaps the hype set too high an expectation or my impression of the book’s direction was misguided from the get-go (the plot was not what I was expecting), but I found myself wanting to like this book a lot more than I actually did. Despite finding the ambition respectable, I often felt mildly frustrated with the plot not connecting and was left feeling like it ultimately didn’t amount to much in the end. The presentation and writing was great but the actual content felt too abstract and random to leave much of an impression for…

Emily Wilde’s Encyclopaedia of Faeries is a curious case of a lot of great ideas implemented in a slow and laborious manner. Incorporating aspects of historical fiction, fantasy, light romance and folklore, the elements were there for what many positive reviewers have describe as a cozy and enchanting read. Unfortunately the narrative and tone was not for me and I alternated between struggling to stay interested in the story and being baffled at seemingly random lurches in unexpected directions. The main highlight for me and the area Heather Fawcett was consistently strong in was the folklore aspect layered into the story. Emily Wilde’s Encyclopaedia of Faeries is full of lengthy and detailed stories told by the villagers of Hrafnsvik, encounters with the Fair folk, and even recapped from Emily’s own research. These stories placed in self-contained chapters are often longer than non-folklore chapters given that the story is presented via Emily’s written journal, some entries being extremely short and uneventful. These stories all have some sort of theme that connects to whatever Emily is experiencing at the time, and the imaginative quality of these tales often surpasses the novel’s actual story itself (like modern Grimm fairy tales). The interest within…

Creatively whimsical, The Dallergut Dream Department Store fits nicely into the cozy magical realism/fantasy-feel genre that admittedly is normally not my thing. Lee’s debut novel follows a similar formula of other Asian-translated cozy reflective stories in a similar style of Kawaguchi’s Before the Coffee Gets Cold or Aoyama’s What You Are Looking for is in the Library. However unlike many books it’s drawn similarities to, The Dallergut Dream Department Store is presented in a far more whimsical manner that focuses on the Dream Village and the inner workings of how dreams are created, sold, and used by sleeping customers. Like those other novels, there isn’t much of an overall plot or storyline as the main character Penny serves as a surrogate for the reader experiencing and learning about the Dallergut Dream Store. While I wasn’t necessarily hooked by this book, I was impressed by its creativity and appreciative of how well it accomplished what it was trying to do with its premise. At just over 200 pages, it’s also an incredibly easy and breezy read that you can pick up and put down casually without sacrificing details or the reading experience. Cozy reads are typically not my go-to genre, and…