YA

Like my other reviews for very popular books with numerous reviews, I’ll be skipping my editorial-style intro and go right into my general thoughts and impressions. I really liked Holly Jackson’s A Good Girl’s Guide to Murder, particularly the whodunnit mystery investigation and the way the story effortlessly shifts suspicions and new reveals across its large cast of characters. Full of excellent twists and featuring a focused narrative that doesn’t ever stray too far from its core premise and mystery, I thought it was a solid mystery thriller and fully understand why its popularity contributed to its pick-up for a Netflix adaptation (also on my to-watch list). As a YA novel, the book is very easy to read and strikes a tone that balances its YA appeal without feeling too juvenile or silly. Although the book’s language, content, and character flaws aren’t overly graphic considering its intended readership, the story doesn’t shy away from addressing material that can be considered triggering (as with most crime books, sensitive readers be sure to check your trigger warnings). While its two main characters Pip and Ravi are decidedly high school and collegiate age respectively, the novel doesn’t treat the reader like a sheltered…

The following review is based on a complimentary ARC provided by Sourcebooks Fire via Netgalley in exchange for an honest review. What if Mary, Queen of the Scots’ tumultuous reign and the surrounding scheming were influenced by the presence fae magic and other Scottish folklore? Sara Raasch and Beth Revis’s collaboration novel The Crimson Throne is an entertaining and straightforward YA romantasy novel as well as a liberally interpreted historical fiction story. Magical fae powers, cursed objects and weapons, historic grand castles and sweeping scenic landscapes, The Crimson Throne has all the right elements for a great fantasy story. Presented from dual perspectives, one a Scottish half-fae guardian of the crown and one an English spy sent to infiltrate said crown’s inner circle, the scene is set for a forbidden romance between two opponents meant to outplay each other with both the Scottish/England Kingdoms and the Fae Kingdom’s future at stake. An important note that is not clearly mentioned on early previews and listing at the time of this review for The Crimson Throne is that this is the first book in a brand new fantasy duology (the ARC received as well as Amazon’s presale store states it’s part of…

Erik J. Brown’s sophomore YA novel following his heartwarming post-apocalyptic coming of age debut All That’s Left In the World, on the surface Lose You to Find Me appears to be an entirely different kind of book considering the very different genre and relationship dynamics of its main characters. I previously reviewed and loved All That’s Left In the World and while Lose You to Find Me wasn’t originally on my to-be-read radar, I was intrigued and interested to see if Brown’s excellent character work and relatable writing in a more straight-forward (get the pun) m/m coming of age story without the survival adventure angle would be as successful. To be honest, I went in with tempered expectations due to how negative some of the reviewers for this novel were, but I was relieved to find that yes, Erik J. Brown is a fantastic YA author who is far more well-rounded than I expected. Leaning more into the comedy aspect of what Brown himself dubs “Rom-Dramedy” while still having dramatic and occasionally romantic moments, this novel certainly has a different flavor and character narration voice from his first novel, along with different themes and focus. However, do not listen to…

“If the world was ending you’d come over, right? You’d come over and you’d stay the night…” because you broke your leg in a bear trap- Never has my heart felt so warmed by a post-apocalyptic survival road trip adventure, but Erik J. Brown’s debut novel All That’s Left In the World did that and so much more. A YA survival story of two lonely teenage boys finding a home in each other after most of the world died all around them, the book’s characters, tone, pacing and plotting feels pitch-perfect and is an incredibly well-crafted novel. A lot of other reviewers had previously mentioned how wholesome and cute it is, which had me raising an eyebrow given the genre and premise (I sometimes find post-apocalyptic stories slow and repetitive), but it really is such a hopeful and heartfelt book that far surpassed all of my expectations. Providing much needed queer representation is a sub-genre of science fiction that lacked clear standouts while avoiding being too graphic, harsh or scary, All That’s Left In the World is an outstanding and well-rounded book that’s sure to satisfy a wide variety of readers, even adults as well despite its YA classification and…

Note: The following original review for this book is old and does not meet current review standards. A fully rewritten review is planned. As someone who does not like romance or comedy novels, this one was already fighting an uphill battle that it somehow got over (specifically the first 50 or so pages). A feel-good and easy casual read, this is a collegiate-set coming of (young adult) age story written with the unapologetically earnest and rose-tinted glasses tone that made Heartstopper so appealing. At times it tiptoes the line of being corny and cliche, but the witty banter and Wren’s hilariously relatable internal monologues helped to keep it in the perfect sweet spot comfort read for me. The inclusion of the senior and snappy divorcee/widowed character Alice Kelly who serves dual-roles as both a central plot mechanism and as a older social mentor for Wren was refreshing and different from what I’ve read in this genre. Timothy Janovsky also nails the internal battle introverted feeling folks go through when it comes to romance and the novel is filled to the brim with Millenial/Gen Z pop culture references and slang, some of which are incredibly recent or hyper-specific to the target demographics…