Format: eBook

I’m starting to detest the genre and book descriptor “thriller” or “horror” as it sets an unfair expectation for a twisty, fast-paced, intense reading experience which doesn’t fit many books classified under it. And to be frank, Riley Sager’s Middle of the Night is NOT fast-paced nor intense (by my standards anyway), and even calling it slow burn might be a stretch at times. However, despite the slow pacing for almost 60% of the book (slow even by Riley Sager standards), I still found it to be a rewarding and surprisingly sophisticated read! This is my 3rd Riley Sager novel that I’ve had the pleasure of reading and it’s definitely not one that I would recommend if someone has never read any of his other books before. The pacing is deliberately slow and there’s a decently large ensemble cast of characters to keep track of. Constantly jumping between two time perspectives, the bulk of the story is told from the present day perspective of Ethan Marsh as a grown 40yr old, thirty years after the disappearance of his friend and neighbor Billy. Despite much of the past perspective taking place over the course of a few days and the present…

Check & Mate is a great YA novel that has a lot to like. Despite her works usually being classified as contemporary romance or chick lit, Check & Mate felt like it skewed more towards a coming of age (coming of adult age that is) contemporary fiction story rather than romance. It’s certainly there and shapes a lot of the plot’s overall narrative, but the majority of the book is focused on Mallory’s internal dilemmas and confrontations with her past guilt and perceived responsibilities. Despite finding it well done and solid across the board, as a grown man probably twice the age of the intended readers, unfortunately this was not a very enjoyable read for me (romance was nice, all of Mallory’s drama, not so nice). However this is very much a “it’s not the book, it’s me” scenario. What I found to appreciate in Check & Mate is how well-written and developed the FMC Mallory is, and how relatable she likely can be. I was actually recommended this book to read from a friend who Mallory reminded me quite a lot of, minus some of her questionable emotional thought-processes. The way she thinks and acts, including character flaws that…

Charming, cozy, and exceedingly clever, I thoroughly enjoyed Ashley Poston’s A Novel Love Story that delivers on its creative premise. Beyond Eloraton’s warm vibe, this book is filled to the brim with numerous book references and has a lot going on beyond the focal romance plot thread. I generally liked The Dead Romantics and thought The Seven Year Slip was great, however A Novel Love Story is easily my favorite and has solidified Ashley Poston’s work for me. Well-written and lovingly crafted, this is an easy recommendation for anyone who like romance (particularly high-concept ones), cozy/easy reads, or even light touches of magical realism (a genre I typically do not care for). When this book was announced, I automatically added it to my reading list purely based on the premise which is one of my favorite tropes if done well. From the start, the story reminded me a lot of the BBC’s miniseries Lost in Austen which also features the main character being transported into their favorite literary world, in that case being Pride and Prejudice. A Novel Love Story doesn’t have the luxury of working off a popular established piece and has to work a lot harder with its…

Described as an urban fantasy (or rather urban supernatural?) novel with a polyamorous setup between the main characters, I spent the entire first half of the novel baffled at what I was reading and what the book was trying to accomplish. Despite an intriguing synopsis detailing a plot with a demon contract, the occult, and a secret society, all of these seemingly interesting plot elements felt sidelined for character relationships and drama. I had to ask a friend who also read this to see if this would be considered romantasy or rather, romance-supernatural since it kept making bizarre relationship-focused choices that sacrificed time that could’ve been spent on the main plot. That’s fine if a book commits and does a deep dive into that, after all the romance crossover genres are thriving. However, despite spending almost all of its time on its poly relationships, Evocation unfortunately fails to make that focus interesting to read or care about. I will be the first to admit that I am not well-read in the dynamics or structure of polyamorous relationships (watching a few Anthony Padilla interview videos on the matter probably isn’t enough to count). However, my problems and disinterest with the content…

The Last Murder at the End of the World feels like it should’ve been something directly catered to my taste which is a murder mystery investigation wrapped up in a post-apocalyptic, science fiction (borderline dystopian) dressing. This one is hard to talk without giving away crucial spoilers that would heavily affect the reading experience. The novel had all the right elements and pieces to work with and Stuart Turton had a lot of creative and intriguing concepts included. In an alternate universe with some tweaking, this could’ve been a knockout hit. Unfortunately for me, the novel’s science fiction flavor gets a bit out of hand and is frankly a mess. Numerous unexplained apocalyptic elements weaken what should’ve been a well-done murder investigation story. Set on a protected island where the last survivors of an apocalyptic fog inhabit, the setup for the plot was good. There’s a clear timeline of events dictated by a countdown to extinction that separates each section of the book. The first 40% of the story focused on introducing various villagers on the island, their relationship with three revered scientists, and the dynamics of the island. The book has a long-running metaphor of equating the villagers to…