Genre: Adult

For two hundred pages I questioned why I was reading Klara and the Sun which for the most part, is a introspective and quiet story of an AF (artificial friend, think of M3gan without the horror malfunctioning) observing and learning from human activity around in her adopted household. An artificial friend resembling a doll of sorts, Klara spends an awful lot of time thinking about the sun (yes there’s reasons for that) and watching over a young but weak girl named Josie and her childhood life. However, there are signs and a slow foreboding sense that nothing’s is quite right but it takes a close look to notice it under Klara’s well-meaning yet unreliable narration. (On an unrelated note this book was an absolute pain to get and read for me locally, I had to wait 6 months on a library hardcopy waitlist and the ebook copy I had a hold for still currently has a 20+ week wait). To say anymore would potentially give away the surprises and dark developments left in the last 100 pages, but needless to say things go dystopian really really fast. I’m accustomed to the more stereotypical takes on the dystopian genres such as…

This is one of my first forays into the magical realism genre compared to my past reads that are solidly fantasy adventure or straight fiction which is a group of character leading seemingly unrelated lives and stories whose only surface level connection is their shared residence at the Dellawisp Manor/condo. New to the island and fresh out of high school Zoey moves into her late mom’s condo and spends the whole novel discovering parts of herself and finding her place in life through learning about her other neighbors on Mallow Island. The magical realism contributes the presence of certain characters as ghosts who have their memories and stories in-tact but really only exist to connect with those who are actually alive. The story jumps between different characters perspectives in the present tense as well as slowly introducing their backstories which surprise, isn’t as unrelated as things appear. I found the characters backstories and arcs to be quite varied but there’s common themes of broken or flawed familial life, rough upbringings, and a sense of abandonment. The story focuses on the concept of found family and although there are dark elements of child abuse and substance abuse, Other Birds still feels…

A solid 4.5 that I’m tentatively rounding up as a nod to how well crafted this novel is. The dialogue between the various characters is snappy and the back and forth snark between Nora and Charlie is amazing (while also giving me uncanny valley to how I talk and respond at times). What I love about Book Lovers is it’s realist satirical tone poking fun at the common romance book tropes delivered via Nora’s first-hand expertise as a literary book agent; it’s so refreshing to read how it throws in a common trope and then runs with it as a self-aware joke. While it’s not categorized as a comedy per say, I often found myself chuckling thanks to the witty dialogue and smart humor (+some purposefully cringy business pun names). The last plot sequence in the last 70 pages or so is where the narrative started to stray from my personal taste. I was fully sold for majority of the story but I found Nora’s perspective and character to be a little off-putting. This is entirely a me thing; her character development and internal growth is excellent and relatable for many but is not something I connect or empathize with…

Am I going soft or slowly becoming a romcom fan? We’ll revisit this another day but here today I loved the The Bodyguard. Right out of the gate Hannah Brooks is a stellar protag that’s hilarious to read. I tend to be critical of romance novels as I often have problems with tone and the internal character voice being gratingly overdramatic, but The Bodyguard had me constantly chuckling and smiling. Hannah is still overdramatic but her self-awareness of how dumb she’s acting coupled with snappy humor keeps things fresh and engaging. The first half reminded me of a hypothetical modern cross between Miss Congeniality and the Proposal (the fish out of water tale of competent and professional woman and the fake dating for family tropes). And that alone would make it a fun yet cliched read. What really sold me on this book is the perfect balance between the focal romance between Hannah and Jack and the overarching plot of the personal protection service and threats made against Jack’s life. I often find romance novels have an uneven emphasis between the two parts or ping pong back and forth abruptly, however this one effortlessly incorporates both. The personal protection bodyguard…

My novella of choice for the obligatory spooky horror read for Halloween, this was an odd read that I have mixed feelings about. It really captures the gothic horror fairytale genre well and feels like a modern reimagining of Edgar Allen Poe’s literary style (in concept only unfortunately). The narrative themes of humanity and what constitutes being alive is interesting, if only the writing quality matched it. The writing is typically quite readable with great visuals but then Khaw forces complex and obscure vocabulary in randomly that derails the literary flow. It’s as if Khaw flipped open a thesaurus and actively tried to find the most obtuse and unheard of word to give the writing a more classical or educated flair (it doesn’t). You can deduce what the random words mean by using context clues and analyzing the sentence structure of the passage, but the fact that you’re able to do that just shows how out of the place the vocabulary is when the rest of the writing is straightforward and simplistic. Not only that, the writing itself suddenly drops the vague attempt at old English about 30-40 pages in which is also a welcome relief since it wasn’t ever…