Genre: Contemporary Fiction

A solid 4.5 that I’m tentatively rounding up as a nod to how well crafted this novel is. The dialogue between the various characters is snappy and the back and forth snark between Nora and Charlie is amazing (while also giving me uncanny valley to how I talk and respond at times). What I love about Book Lovers is it’s realist satirical tone poking fun at the common romance book tropes delivered via Nora’s first-hand expertise as a literary book agent; it’s so refreshing to read how it throws in a common trope and then runs with it as a self-aware joke. While it’s not categorized as a comedy per say, I often found myself chuckling thanks to the witty dialogue and smart humor (+some purposefully cringy business pun names). The last plot sequence in the last 70 pages or so is where the narrative started to stray from my personal taste. I was fully sold for majority of the story but I found Nora’s perspective and character to be a little off-putting. This is entirely a me thing; her character development and internal growth is excellent and relatable for many but is not something I connect or empathize with…

Am I going soft or slowly becoming a romcom fan? We’ll revisit this another day but here today I loved the The Bodyguard. Right out of the gate Hannah Brooks is a stellar protag that’s hilarious to read. I tend to be critical of romance novels as I often have problems with tone and the internal character voice being gratingly overdramatic, but The Bodyguard had me constantly chuckling and smiling. Hannah is still overdramatic but her self-awareness of how dumb she’s acting coupled with snappy humor keeps things fresh and engaging. The first half reminded me of a hypothetical modern cross between Miss Congeniality and the Proposal (the fish out of water tale of competent and professional woman and the fake dating for family tropes). And that alone would make it a fun yet cliched read. What really sold me on this book is the perfect balance between the focal romance between Hannah and Jack and the overarching plot of the personal protection service and threats made against Jack’s life. I often find romance novels have an uneven emphasis between the two parts or ping pong back and forth abruptly, however this one effortlessly incorporates both. The personal protection bodyguard…

Tom Hazard has been alive for four hundred and thirty nine years and over the course of history has spent many of them caught up in the past, protecting himself and loved ones from potential harm in the future, all while rarely truly living in the present. How to Stop Time is a unique read that presents the reader vignettes across Tom’s life (sometimes in and out of chronological order) loosely divided between five arcs that each focus on a particular theme and state of his life. While there are a lot of fun cameo appearances by famous historical figures that pop-up in the narrative (my personal favorite is William Shakespeare, I wish I was more cultured to have appreciated other cameos more), most of the bulk content involves Tom in a state of existential crisis. The overall story reminded me a lot of the 2015 movie Age of Adeline in concept while executed in a more introspective manner. While Age of Adeline was firmly focused on a romance drama, How to Stop Time’s romance serves more as a foundation and event pushes Tom to be the person that he is… hundreds of years later. This is first and foremost…

Full disclosure, I decided to read The Glass Hotel purely because I had purchased a copy of the Sea of Tranquility not realizing there’s a bit of overlap and a cameo appearance by the character of Mirella who has a supporting role in The Glass Hotel and a main arc in Tranquility (they’re both standalone but I wanted to read them in order regardless). I had little expectation based on the vague and convoluted synopsis for the Glass Hotel, but perhaps having no expectations enhanced the reading experience as I was blow away by the back half and ending of this book. This was an absolute page-turner for me from the half-way mark but not in a traditional sense or one that most readers will agree with. It’s difficult to describe and summarize, but the gist of The Glass Hotel involved the reveal and collapse of a large-scale Ponzi scheme involving investments and the impact it has on a giant cast of characters (money and wealth is a constant theme throughout but that’s not the only fallout involved). Reading the Glass Hotel feels like watching Mandel play a game of chess with herself. The novel includes no less than at…

Note: The following original review for this book is old and does not meet current review standards. A fully rewritten review is planned. I had a hard time trying to figure out why I couldn’t really get into this one despite the novel having all the elements to be a compelling and romantic read and I think the biggest problem I had was finding the protagonist August and her love interest Jane to be bland and uninspiring. There’s quite a colorful variety of characters of various ethnic backgrounds and sexualities that provide fun group dynamics and banter which help pad out the novel (the side characters are frankly more interesting than the leads), but I felt like the actual core story and romance was thin and lacking development. To their credit McQuiston tries to pull some creative scenes to break up the monotony of repetitive constant scenes all taking place in a subway train car, but I often found myself applauding the effort that went into the book rather than actually enjoying the book. I also felt like there was very little plot progression in the first 250 pages other than establishing that August is out of place in a big…