Genre: Contemporary Fiction

Tom Hazard has been alive for four hundred and thirty nine years and over the course of history has spent many of them caught up in the past, protecting himself and loved ones from potential harm in the future, all while rarely truly living in the present. How to Stop Time is a unique read that presents the reader vignettes across Tom’s life (sometimes in and out of chronological order) loosely divided between five arcs that each focus on a particular theme and state of his life. While there are a lot of fun cameo appearances by famous historical figures that pop-up in the narrative (my personal favorite is William Shakespeare, I wish I was more cultured to have appreciated other cameos more), most of the bulk content involves Tom in a state of existential crisis. The overall story reminded me a lot of the 2015 movie Age of Adeline in concept while executed in a more introspective manner. While Age of Adeline was firmly focused on a romance drama, How to Stop Time’s romance serves more as a foundation and event pushes Tom to be the person that he is… hundreds of years later. This is first and foremost…

Full disclosure, I decided to read The Glass Hotel purely because I had purchased a copy of the Sea of Tranquility not realizing there’s a bit of overlap and a cameo appearance by the character of Mirella who has a supporting role in The Glass Hotel and a main arc in Tranquility (they’re both standalone but I wanted to read them in order regardless). I had little expectation based on the vague and convoluted synopsis for the Glass Hotel, but perhaps having no expectations enhanced the reading experience as I was blow away by the back half and ending of this book. This was an absolute page-turner for me from the half-way mark but not in a traditional sense or one that most readers will agree with. It’s difficult to describe and summarize, but the gist of The Glass Hotel involved the reveal and collapse of a large-scale Ponzi scheme involving investments and the impact it has on a giant cast of characters (money and wealth is a constant theme throughout but that’s not the only fallout involved). Reading the Glass Hotel feels like watching Mandel play a game of chess with herself. The novel includes no less than at…

Note: The following original review for this book is old and does not meet current review standards. A fully rewritten review is planned. A Holiday TV-movie taken straight off ABC family given a queer spin with harder hits and surprisingly solid pacing, in Boy Meets Boy #2 Janovsky takes everything that was good in #1 and refines it. While I enjoyed the first book in the series, I sometimes felt like I was over-scoring it because of how cute and breezy it felt vs directly looking at its objective qualities. This one beefs up all of the weaker elements with better execution. The pacing is better, characters (especially the side characters) are more developed and complex, the overarching plot being more compelling and involved, I was pleasantly surprised given how predictable most holiday fairs can be. There are still the usual tropes of a Grinch warming to the holiday cheer but the plot twists and it’s conclusion help elevate the material beyond simply being cute. It also helps that the comedy is cranked up to an 11 thanks to the protag’s overdramatic spoiled rich boy persona. The first 50 pages of diva material can be off-putting but we love a good…

Note: The following original review for this book is old and does not meet current review standards. A fully rewritten review is planned. I had a hard time trying to figure out why I couldn’t really get into this one despite the novel having all the elements to be a compelling and romantic read and I think the biggest problem I had was finding the protagonist August and her love interest Jane to be bland and uninspiring. There’s quite a colorful variety of characters of various ethnic backgrounds and sexualities that provide fun group dynamics and banter which help pad out the novel (the side characters are frankly more interesting than the leads), but I felt like the actual core story and romance was thin and lacking development. To their credit McQuiston tries to pull some creative scenes to break up the monotony of repetitive constant scenes all taking place in a subway train car, but I often found myself applauding the effort that went into the book rather than actually enjoying the book. I also felt like there was very little plot progression in the first 250 pages other than establishing that August is out of place in a big…

I am obviously far from the target reader demographics this book is intended for but I still found it to be an pleasant, if not predictable read. It’s a comforting feel-good romance novel ironically focusing on a protag who believes love is dead after being betrayed and taken advantage of by a insensitive ex/aspiring author. I’m not a typical fan of the romance novel genre so take my opinions with a grain of salt, but I picked this up based on intriguing synopsis and the extended pun on “romance is dead.” Also the concept of a ghostwriter having to write a novel while in the presence of a ghost of her editor, genius. Despite my initial excitement for the book’s concept and plot, majority of the time I wished the novel dug a little deeper (get it-) into the themes of coping with loss, healing from betrayal (both romantically and socially) and returning to one’s roots. I acknowledge the primary purpose of this book is the romance, but during some of the quieter moments it often showed signs of being something more profound and touching making it all the more frustrating when it settles for skimming the surface of these…