Genre: Contemporary Fiction

I’m starting to detest the genre and book descriptor “thriller” or “horror” as it sets an unfair expectation for a twisty, fast-paced, intense reading experience which doesn’t fit many books classified under it. And to be frank, Riley Sager’s Middle of the Night is NOT fast-paced nor intense (by my standards anyway), and even calling it slow burn might be a stretch at times. However, despite the slow pacing for almost 60% of the book (slow even by Riley Sager standards), I still found it to be a rewarding and surprisingly sophisticated read! This is my 3rd Riley Sager novel that I’ve had the pleasure of reading and it’s definitely not one that I would recommend if someone has never read any of his other books before. The pacing is deliberately slow and there’s a decently large ensemble cast of characters to keep track of. Constantly jumping between two time perspectives, the bulk of the story is told from the present day perspective of Ethan Marsh as a grown 40yr old, thirty years after the disappearance of his friend and neighbor Billy. Despite much of the past perspective taking place over the course of a few days and the present…

Check & Mate is a great YA novel that has a lot to like. Despite her works usually being classified as contemporary romance or chick lit, Check & Mate felt like it skewed more towards a coming of age (coming of adult age that is) contemporary fiction story rather than romance. It’s certainly there and shapes a lot of the plot’s overall narrative, but the majority of the book is focused on Mallory’s internal dilemmas and confrontations with her past guilt and perceived responsibilities. Despite finding it well done and solid across the board, as a grown man probably twice the age of the intended readers, unfortunately this was not a very enjoyable read for me (romance was nice, all of Mallory’s drama, not so nice). However this is very much a “it’s not the book, it’s me” scenario. What I found to appreciate in Check & Mate is how well-written and developed the FMC Mallory is, and how relatable she likely can be. I was actually recommended this book to read from a friend who Mallory reminded me quite a lot of, minus some of her questionable emotional thought-processes. The way she thinks and acts, including character flaws that…

Easily one of the most creative and whimsical novels I’ve read in many years. Simon Stephenson’s Set My Heart to Five is a thoughtful (and occasionally edgy) commentary on human behavior and societal culture wrapped up in a seemingly light-hearted, meandering AI bot adventure. Despite being compared to Vonnegut’s ideologies and writing, the book’s content reminded me a lot of Daniel Keye’s Flowers for Algernon (which is one of my all-time favorite novels) in which both stories feature an innocuous narrator who does not understand the complexities of human behavior and terrible people around them. Set My Heart to Five’s premise of an AI bot developing feelings admittedly isn’t new territory, but the style of delivery and humorously dry character voice puts it in an entirely new area. First and foremost, Set My Heart to Five is not going to be for everyone, nor does Stephenson make an attempt to be mass-appealing. Jared’s character voice is somehow both frank and dry, yet also entirely comical in a witty, dark humor kind of way; you know that one friend who always talks about the unspoken elephant in the room that’s not socially acceptable, yeah that’s Jared. Full of fun wordplays and…

Charming, cozy, and exceedingly clever, I thoroughly enjoyed Ashley Poston’s A Novel Love Story that delivers on its creative premise. Beyond Eloraton’s warm vibe, this book is filled to the brim with numerous book references and has a lot going on beyond the focal romance plot thread. I generally liked The Dead Romantics and thought The Seven Year Slip was great, however A Novel Love Story is easily my favorite and has solidified Ashley Poston’s work for me. Well-written and lovingly crafted, this is an easy recommendation for anyone who like romance (particularly high-concept ones), cozy/easy reads, or even light touches of magical realism (a genre I typically do not care for). When this book was announced, I automatically added it to my reading list purely based on the premise which is one of my favorite tropes if done well. From the start, the story reminded me a lot of the BBC’s miniseries Lost in Austen which also features the main character being transported into their favorite literary world, in that case being Pride and Prejudice. A Novel Love Story doesn’t have the luxury of working off a popular established piece and has to work a lot harder with its…

My history with Emily Henry’s books has been a bit all over the place so I was hesitantly optimistic picking up Funny Story. For context, my scale varies from loving Beach Read, frustrated and almost insulted by Happy Place, and finding Book Lovers competently solid in-between. Fortunately for me, Funny Story ended up on Beach Read’s side of the spectrum, even covering a few of Happy Place’s themes executed with more finesse (the fake dating trope + adult friendships). In many ways Funny Place feels like Henry’s most polished and cohesive novel yet that’s an easy read with mass appeal. I really enjoyed the story, although the title may be a bit deceiving as this novel definitely isn’t Henry’s funniest and is a much slower yet rewarding read compared to her past books (minus People We Meet On Vacation, the only one I haven’t read yet). Henry’s books are always well-written works laced with clever modern humor, but my enjoyment of her novels tend to hinge heavily on each book’s protagonist and the central themes introduced; separate from the romance and core couple which I would imagine is often the draw for many of her other readers. Besides the obvious…