Genre: Dystopian

Yoko Ogawa’s The Memory Police is a poignant and thought-provoking exploration of loss masquerading under a dystopian premise. With the concept of an unexplained totalitarian regime and the premise of police taking objects and people at random intervals, many would expect this novel to be a psychological thriller or mystery. That is not the case at all as Ogawa merely uses the plot elements as framework to discuss and reflect on how people process loss and memories over time in an abstract manner. While subjectively The Memory Police wasn’t quite for me, I still appreciated the beautiful prose and can easily see why this book is critically well respected and worthy of literary analysis. Despite having some similarities initially to other established dystopian works (a lot of people compare it to 1984), at its core I would not consider The Memory Police to technically be a dystopian novel. While there is a plot to the book, it’s quite abstract and not the focus. The female narrator is a writer who enlists the help of an elderly unnamed old man to hide away her editor referred to as “R” from the Memory Police who mandate things and memories associated with them…

The Last Murder at the End of the World feels like it should’ve been something directly catered to my taste which is a murder mystery investigation wrapped up in a post-apocalyptic, science fiction (borderline dystopian) dressing. This one is hard to talk without giving away crucial spoilers that would heavily affect the reading experience. The novel had all the right elements and pieces to work with and Stuart Turton had a lot of creative and intriguing concepts included. In an alternate universe with some tweaking, this could’ve been a knockout hit. Unfortunately for me, the novel’s science fiction flavor gets a bit out of hand and is frankly a mess. Numerous unexplained apocalyptic elements weaken what should’ve been a well-done murder investigation story. Set on a protected island where the last survivors of an apocalyptic fog inhabit, the setup for the plot was good. There’s a clear timeline of events dictated by a countdown to extinction that separates each section of the book. The first 40% of the story focused on introducing various villagers on the island, their relationship with three revered scientists, and the dynamics of the island. The book has a long-running metaphor of equating the villagers to…

One part dystopian speculative science fiction, one part social commentary on systemic racism and the flawed American prison system, Nana Kwame Adjei-Brenyah’s Chain-Gang All-Stars is an ambitious narrative that attempts to cover a lot of ground in <400 pages. Despite the book’s summary focusing on Loretta Thurwar and her survival with her partner and fellow chain member Hamara Staxxx, Chain-Gang All-Star reads more like a collection of short stories. Loretta and Hamara’s narrative only make up about 1/3 of the book’s content, the rest is devoted to over a dozen different characters and various perspectives covering the CAPE program. These perspectives include those of program participants, show producers, host and commentators, prison staff, abolitionist protestors, viewers, etc. The large scope of these various characters and the ambition behind Adjei-Brenyah’s commentary is ambitious and is well-designed to spark open conversations about topics in the book. Despite the great intention and ambition behind its pages, unfortunately I found the actual novel/story portion of the book to be disjointed and difficult to get into. For me, Chain-Gang All-Stars is at its best when it focused on Thurwar and Staxxx’s experiences which are compelling and interesting. The character psyche and gray morality of various…

I was very close to dropping this in the first part but stuck with it as I heard the story picks up quickly. Furthermore many fans often consider Red Rising to be one of the weaker books in the series and thematically different due to its culling game-focus. I’m glad I stuck with it though as I thought Red Rising was ultimately great (with a few reservations), a 3 that progressed to a 4.5 rounded up. A mesh of different genres and styles, Pierce Brown is a certified fantasy sci-fi action nerd irl and it shows in his work. The writing style is no-nonsense laced with some advance vocabulary while the plot is fast-paced and furious. The book often takes pleasure in going where the reader wants/or doesn’t want it to go. Case and point if someone commits a terrible act, the book will gleefully and gruesomely execute some sort of twisted judgement on them. But if there’s a character who you are getting attached to and seems to be thriving, you know they’re going to meet an unfortunate end. There are elements in the narrative that are familiar and comfortable to fans of the genre such as the focal…

For two hundred pages I questioned why I was reading Klara and the Sun which for the most part, is a introspective and quiet story of an AF (artificial friend, think of M3gan without the horror malfunctioning) observing and learning from human activity around in her adopted household. An artificial friend resembling a doll of sorts, Klara spends an awful lot of time thinking about the sun (yes there’s reasons for that) and watching over a young but weak girl named Josie and her childhood life. However, there are signs and a slow foreboding sense that nothing’s is quite right but it takes a close look to notice it under Klara’s well-meaning yet unreliable narration. (On an unrelated note this book was an absolute pain to get and read for me locally, I had to wait 6 months on a library hardcopy waitlist and the ebook copy I had a hold for still currently has a 20+ week wait). To say anymore would potentially give away the surprises and dark developments left in the last 100 pages, but needless to say things go dystopian really really fast. I’m accustomed to the more stereotypical takes on the dystopian genres such as…