Genre: Horror

Foreboding and just slightly unsettling, T. Kingfisher’s What Moves The Dead is an atmospheric modern retelling of Edgar Allen Poe’s famous short story The Fall of the House of Usher. If one is familiar with the literary classic source material, you can roughly follow and know what to expect in this short novella. However, unlike the original short story, T. Kingfisher expands the classic tale with some clever ideas and twists that help this interpretation successfully stand out on its own. Additionally, added character motives, speculative fiction elements, and a bit of fringe science importantly attempt to address the source materials formulaic shortcomings and common criticisms, resulting in a solidly accomplished read that is accessible and not too spooky/disturbing for most readers. Clocking in at around 160 pages, What Moves the Dead is an easy to read novella that’s self-contained and straightforward. However unlike the original story that leaves a lot open to interpretation, T. Kingfisher attempts to fill-in and answer a lot of the unknown factors that Poe never explicitly addressed. A common point of criticism about most horror mansion/estate tales is questioning why the narrator doesn’t leave once they begin to encounter unsettling experiences. She addresses this by…

Freida McFadden’s Never Lie is a thriller / psychological crime thriller that has a great plot, some wild (and polarizing) twists, and a premise involving found evidence that never gets old (in this case, tape recordings from therapy sessions). On paper, this should be a standout but unfortunately the execution with the details and the prose left a lot to be desired for me. The biggest twist near the conclusion is a great idea that simply conflicts with the rest of the narrative and makes the entire book’s plot unbelievable. Starting off with the good, Never Lie’s setting at a remote manor that also served as a home office for a mysterious psychiatrist was a great setup. The premise involving found audio tapes recorded by Dr. Adrienne Hale and her clients is a narrative concept I love and the snowed-in setup was a great narrative choice to not only trap Tricia and Ethan in the manor, but to also serve as a plausible source for the odd noises due to snowfall. The core crime mystery involving Adrienne’s sudden disappearance a few years ago and reliving her last known days through the tapes and a split narrative was a page-turner; I…

Unsettling, disturbing, and brilliant in a twisted way, The Possession of Mr. Cave by Matt Haig is an intense read that fully commits to its narrative. Whether most readers are prepared for what that entails is an entirely different discussion (definitely check trigger warnings before hand). The “horror” moniker gets tossed around quite loosely these days, ranging from slashers to psychological insanity to anything that is vaguely related to the supernatural. This book however taps into the quiet, heavy, foreboding type of horror that occurs when someone is witnessing something horrific but can’t look away or stop it; it’s conceptualized like a modern Shakespearean tragedy. The character narration and story is made all the more uncomfortable by Haig’s very effective use of the 2nd person perspective that pulls you into the story and traps you in Bryony’s shoes. The way the novel constantly refers to Bryony as “you” hits home the perspective of the characters and the horrors of what a parent is capable of doing. Complemented by excellent writing and Haig’s now distinctive heavily introspective style, I found this novel to be unlike anything I’ve read in a long time, one that I didn’t necessarily enjoy reading but one…

Bury Your Gays’ title alone is one way to get someone’s attention followed by an earnest bit of social commentary on media culture wrapped up in a comedically ridiculous premise. Sub 300 pages complimented by a casual and functional prose, Chuck Tingle’s Bury Your Gays is a light campy horror novel that is easy to like and has a lot of things going on. With bits of body violence/gore, homophobia, and child neglect, it’s not always a rosy read, but it’s still quick and generally light-hearted. Despite appreciating its aspirations and blend of different elements, I personally found it to be a bit dry to read and disjointed in content. It’s certainly ambitious with its themes and plot, but it feels like it was trying to do too much without excelling at any one area. An established screenwriter known for campy horror movies/tv-shows with underlying queer elements, the narrative switches back and forth between the present day in LA vs Misha’s memories of his upbringing. Without giving away too many spoilers, these flashbacks are told out of chronological order and are meant to give the reader insight into how Misha’s interest in storytelling was shaped by a tumultuous childhood where…

Cute, cozy, hints of the supernatural, and a habitual schemer, Happy Medium had a genius premise and all the elements of an amazing romantic dramedy. I had previously read Mrs. Nash’s Ashes so I had an idea of what I was getting into, and I had hoped that Sarah Adler’s sophomore novel would be able to improve on Nash’s disappointing and contrived climax/conclusion. Despite being paced more evenly and feeling more refined page to page, overall I found Happy Medium to suffer from similar issues of dumb character logic (2nd half only), melodrama that doesn’t have sufficient build-up (again 2nd half only), and a concluding plot twist that ruins most of its intriguing plot potential. On the plus side, I quite enjoyed FMC Gretchen’s spiky personality and devious wit. Constantly trying to plan out her moves, both to convince Charlie that his farm is haunted and to safeguard her investment with her spirit medium client, I thought the first half of the book worked quite well; albeit feeling a bit slow for my taste. Although her sparring and enemies to friends to lovers arc with Charlie was good, her enemies to friends banter with the ghost Everett was the real…