Genre: Mystery

The debut novel of A. Rae Dunlap, The Resurrectionist is a well-rounded and cleverly crafted historical fiction story revolving around the field of anatomical study and body-snatching in the early 19th century Edinburgh. Despite the story’s macabre content and its almost gothic-like visuals, The Resurrectionist is anything but depressing or grim and is surprisingly warm and animated (yeah, maybe not my best puns, I apologize). While the visual descriptions of the dead and anatomical parts may potentially be off-putting for squeamish readers, the novel doesn’t unnecessarily dwell on it for shock value and is instead the focus is its entertaining and charming coming of age story. While listed officially as a historical fiction novel, The Resurrectionist is just as much a true crime retelling featuring many very real historic people woven in and around Dunlap’s fictional ones. That being said, absolutely no knowledge of the source material is needed, I recommend not reading into it ahead of time as it may give away some spoilers to the story. In fact I was completely unaware of the novel’s true crime angle for majority of my read and was floored when I discovered the connection near the book’s conclusion and author’s acknowledgements.…

Well known for his long-running series The Thursday Murder Club, We Solve Murders is the first entry in a new series featuring completely new characters, stories and themes. Despite the fresh start, in many ways We Solve Murders is quite similar in tone and style to The Thursday Murder Club as a light-hearted cozy murder mystery novel filled with subtle cheeky humor. I haven’t read the subsequent books in The Thursday Murder Club series to compare to, but We Solve Murders feels like a more polished, refined, and focused novel that has a clearer direction for the kind of reading experience its trying to do. Unlike his past novels that were firmly in the cozy mystery territory, We Solve Murders crosses over into the thriller genre (on paper anyway) with elements of spies, mobs, hitmen, fraud, etc. That being said, I personally found We Solve Murders to be a bit overwritten and slow at times, and the characters/focal mystery felt a little underwhelming and too cozy for my personal taste. I previously commented in my review for The Thursday Murder Club that I enjoyed Osman’s writing style and tone but felt the plotting and story was trying to do too…

What if you stumble across odd coincidences between seemingly unrelated incidents and your brain starts working overtime in the background to try to make sense of these odd occurrences? Random connections abound, that is the concept and world of Terry Miles’s novel Rabbits. Taking place in a realistically and authentically portrayed version of Seattle, Rabbits explores a mysterious hush hush game played in real-time that involves players following strange connections and coincidences that shape and alter the world and reality around them. A self-contained story taking place within the world of a 2017 pseudo-documentary podcast of the same name, no knowledge of the podcast is required to read and understand the novel, though it certainly enhances the read. Conceptually great and full of details and references that will make any internet junkie or video-game geek jump with glee (sorry the pun was too tempting), its actual execution is a bit of a mixed bag and one that many readers may find frustrating or disappointing to read. This is one of those novels that I appreciated the ambition and ideas while finding the actual reading experience less enjoyable. Easily the biggest highlight and strongest element of Rabbits is Terry Miles’s attention…

Continuing my reading journey through Riley Sager’s novels (completely out of order I may add), Final Girls is Sager’s first published thriller though technically not his first written novel as Sager is a nom de plume for Todd Ritter who had previously written a trilogy series and standalone book. The final girl is a common trope in various forms of slasher/horror media but Sager’s novel is an uncommon story that focuses on what happens to that said final girl after they experience one of the most traumatic moments of their life. Final Girls answers that question with Quincy Carpenter, a baking blogger who has put that traumatic event behind her until another mass slaying survivor Sam arrives at her apartment building’s front door. This is my fourth Sager thriller novel that I’ve read and despite it being published years before the other Sager novels, it showcases very similar hallmarks to what people have come to expect from his stories. Unfortunately this novel also has the same drawback as his other works, namely a slow beginning and a well-written, albeit uneventful first half. However like his other works, the strong and intelligent female main characters, twists on familiar narratives and scenarios,…

The following review is based on a complimentary ARC provided by Sourcebooks Landmark via Netgalley in exchange for an honest review. Part unsolved crime journalism, part familial teenage drama, Julie Clark’s The Ghostwriter is a split perspective thriller featuring storytelling within storytelling. Slow and meticulously paced, this novel follows author Olivia Dumont who is forced to confront her past and her family’s dark history when she accepts a ghostwriting job for her own father Vincent Taylor, a popular and famous author whose life is haunted by accusations that he murdered his two siblings fifty years ago. Featuring a well planned out (and at times tragic) story full of twists and surprises, The Ghostwriter is an engrossing read that transports the reader back to the 1970’s. While subjectively some of the familial drama and teenage sibling quarreling wasn’t my preferred genre or content, I still found Clark’s novel to be well-constructed, complex, and an interesting read. Alternating back and forth between Olivia’s interviews with Vincent retelling events from his youth and the first-person perspective experiences of several characters in the 1970’s, The Ghostwriter has a lot of different plot elements carefully woven together. Despite being recapped out of chronological order and…