Genre: Mystery Thriller

Frances White’s debut novel Voyage of the Damned is an ambitiously plotted story that smoothly crosses over across a variety of different genres outside of its main fantasy classification. While definitively a fantasy novel due to its fantastical scale, magical powers and traditional fantasy-realm setting, the story is just as much a whodunit mystery thriller investigation tale (debatably even more than its fantasy-wrapping) as well as a lightly inspired queer romantasy (with asterisks around the romance). Comments summarizing Voyage of the Damned as an Agatha Christie novel dressed up in fantasy outfit is a decent comparison as it definitely gave me faint Murder on the Orient Express vibes, if the Orient Express was a grand and luxurious sailing vessel ala Death on the Nile. However, Voyage of the Damned’s ill-fated events also have compelling political ramifications to the growing body count and a wild last minute plot twist that can either make or break the reading experience depending on the reader’s suspension of disbelief. For me personally, it worked very well, and its ending managed to course-correct and explain nearly every potential plot hole or point of criticism I had while reading the novel. While White’s flavor of character narration…

Necromancers, cavaliers, copious amounts of magic and challenges, oh my! Tamsyn Muir’s debut novel and the start of her Locked Tomb series, on paper Gideon has everything going for it. While featuring many hallmark elements of fantasy epics such as an emperor with numerical houses/factions, pseudo magician + knight pairings, and an unknown challenge for representatives to ascend to the “Lyctor” status, Gideon the Ninth separates itself from the rest of its genre firstly by setting the series not in the traditional fantasy-realm past, but instead in an interstellar futuristic expanse. Secondly, this novel’s reputation featuring “lesbian necromancers” proceeds itself and has that instant hook for booktok and social media recognition (though important to note, while having a wandering queer eye, this is not a romantasy novel). While technically being classified as fantasy and sci-fi, Gideon’s second half functions more as a whodunnit survival thriller meshed with dark academia elements and is very compelling when Muir gets it just right. Unfortunately, despite the ambitious plotting and creative ideas found throughout the story, Gideon the Ninth is held back by a few but very notable flaws with its approach to storytelling as well as its confusingly vague and messy world-building. Additionally,…

Combining internet creepypasta x reddit culture with conspiracy theory discussions invoking the Mandela effect, while wrapped up with a premise involving former child stars reuniting under devious circumstances, Mister Magic’s ideas and concepts are nothing short of ingenious. A unique, suspenseful thriller with dashes of horror and paranormal activity, Mister Magic is wildly creative while simultaneously feeling like a personal literary work. Heavily hinged around the theme of lost childhood and the misdirection of parental guidance, there are moments where Kiersten White hits hard with relatable and edgy personal jabs at adulthood that are impressive. Unfortunately for me, those sporadic bursts of genius and excitement are surrounded by a slow and messy narrative that is never quite able to deliver on its hook and ideas on paper. Its ending also devolves into a rushed and convoluted mess. Working at a camping retreat with no cell phone and largely removed from society for the last 30 yrs, former child star Val is unexpectedly reunited with her former co-stars following the death of her father who once grounded and rescued her from a traumatic childhood she cannot remember. Encompassing elements of many popular kids tv shows, Mister Magic’s concept and mysterious disappearance…

The debut novel of A. Rae Dunlap, The Resurrectionist is a well-rounded and cleverly crafted historical fiction story revolving around the field of anatomical study and body-snatching in the early 19th century Edinburgh. Despite the story’s macabre content and its almost gothic-like visuals, The Resurrectionist is anything but depressing or grim and is surprisingly warm and animated (yeah, maybe not my best puns, I apologize). While the visual descriptions of the dead and anatomical parts may potentially be off-putting for squeamish readers, the novel doesn’t unnecessarily dwell on it for shock value and is instead the focus is its entertaining and charming coming of age story. While listed officially as a historical fiction novel, The Resurrectionist is just as much a true crime retelling featuring many very real historic people woven in and around Dunlap’s fictional ones. That being said, absolutely no knowledge of the source material is needed, I recommend not reading into it ahead of time as it may give away some spoilers to the story. In fact I was completely unaware of the novel’s true crime angle for majority of my read and was floored when I discovered the connection near the book’s conclusion and author’s acknowledgements.…

Continuing my reading journey through Riley Sager’s novels (completely out of order I may add), Final Girls is Sager’s first published thriller though technically not his first written novel as Sager is a nom de plume for Todd Ritter who had previously written a trilogy series and standalone book. The final girl is a common trope in various forms of slasher/horror media but Sager’s novel is an uncommon story that focuses on what happens to that said final girl after they experience one of the most traumatic moments of their life. Final Girls answers that question with Quincy Carpenter, a baking blogger who has put that traumatic event behind her until another mass slaying survivor Sam arrives at her apartment building’s front door. This is my fourth Sager thriller novel that I’ve read and despite it being published years before the other Sager novels, it showcases very similar hallmarks to what people have come to expect from his stories. Unfortunately this novel also has the same drawback as his other works, namely a slow beginning and a well-written, albeit uneventful first half. However like his other works, the strong and intelligent female main characters, twists on familiar narratives and scenarios,…