Reading Ben Aaronovitch’s Rivers of London series is usually a good, but often mildly frustrating time for me as they’re decently fun reads that are so close to being excellent. Book number three, Whispers Under Ground, is unquestionably the most tonally consistent and focused story so far that improves upon all my biggest criticisms of the previous installments. While Midnight Riot/Rivers of London (I’ll be referring to book 1 as Midnight Riot for consistency) and Moon Over Soho suffered from overly loose, meandering plots that attempted to weave together two separate cases, Whispers Under Ground smartly focuses on just one case and allows its dry, tongue-in-cheek British style to be front and center. Despite the improvements across the board, unfortunately I found the core mystery investigation to suffer from inconsistent pacing yet again and the culprit/reveal to be rather random which holds this back from a higher rating. Each novel in the series so far has had an underlying theme that’s tied to the magical crime case and some type of fantasy element/being; Midnight Riot was themed to the theatre while Moon Over Soho was heavily Jazz-focused. Whispers Under London’s thematic flair is the visual fine arts (though one could…
Genre: Mystery
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I feel like the synopsis for Kristen Perrin’s How to Solve Your Own Murder does it no favors by comparing itself to Knives Out, Thursday Murder Club, or selling the murder mystery concept in general due to the murder mystery investigation being one of the weakest aspects of the novel for me (more flair and quality is needed to make such a bold claim). As a fan of true crime documentaries and the murder mystery genre, I was excited to read this based on the stellar premise of a character spending their life trying to solve their own murder before it occurs. I was also encouraged to pick this up as it was voted 2nd place for Jimmy Fallon’s upcoming bookclub. Unfortunately the actual execution, attention to details, and pacing left a lot to be desired (1.5 rounded down). From the get-go I was unimpressed with the characterization and dialogue as well as the story’s details. Following an excellently foreboding prologue where Frances receives her grave fortune that kickstarts the titular concept, the book’s pacing and interest lost me. Despite being 366 pages, I felt like I was reading empty pages with little value or importance to either storylines revolving…
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After a string of disappointing and underwhelming mystery crime thriller reads picked off of Goodread’s best mystery lists, I picked up Charlie Donlea’s The Girl Who Was Taken on a blind Kindle app recommendation via Amazon’s Prime Reading hoping for something different. And different is what I got. The Girl Who Was Taken reads like a crime documentary reenactment that is colder, calculated, and more developed than many contemporary disappearance novels. The story primarily focuses on two women who work together to solve who is kidnapping young teenage girls across various stateliness and why. Livia Cutty is a forensic pathology student finishing up her fellowship performing daily autopsies whose career choice was inspired by the disappearance and of her younger sister Nicole Cutty. Megan McDonald is an overnight sensation after she miraculously escapes after being held captive in a basement for two weeks and publishes a book summarizing her experience. The twist is that Megan was kidnapped on the same night Nicole went missing, however only Megan was found two weeks later while Nicole is mia. What got my attention from the get-go was how well-researched and meticulous the book is with the details of the investigation and forensic pathology.…
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Gillian McAllister’s Wrong Place Wrong Time is a perfectly fine book that was also unfortunately the Wrong book for me for a few reasons. A friend suggested this as a blind recommendation based on reviews and the synopsis involving reverse “time travel” where Jen Brotherhood gradually progresses backwards in time hoping to stop her song from murdering a seemingly random man named Joseph Jones. I was expecting a time traveling murder investigation that touched on familial drama but what I actually got was nearly all familial drama. That in itself is not necessarily a bad thing, however the delivery was not to my taste as I like both my mystery and drama genres to be more intense and complex than what I read. A middle-aged mother who’s overly concerned about how family is viewed is far from a character experience I empathize with, but moments when Jen reflects on how her past actions affected her family are thoughts that anyone can relate to. What Wrong Place Wrong Time does well is using the gradual reverse time-travel plot element as way for Jen to rediscover overlooked moments in her life while also providing a grounds hogs day setup where none of…
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Two good signs that you’ve read a great mystery novel; the full reveal is a “wow” instead of a “well that just happened” and you feel the need to instantly re-read it with a notepad to jot down clues missed on a first read. I found Riley Sager’s The Only One Left to be a solid murder mystery novel that’s well-rounded and smartly constructed. As per my read of Home Before Dark, The Only One Left was a slow burn with an explosive yet still comprehensible whodunnit reveal. This is a book that rewards slow and attentive readers that enjoy piecing clues and evidence together. If you speed through mindlessly the reveal and ending may feel random with its endless plot twists (they’re not random if you pay attention). What I particularly liked about The Only One Left is the use of common mystery plot devices implemented in creative ways. Although the story is primarily told from home caregiver Kit McDeere’s perspective in the present real-time (that is, in 1983 when this story takes place), Sager also somewhat incorporates a 2nd split (abeit limited) perspective of Lenora Hope. Literally written in the past tense (via a typewriter as Lenora is…