Imagine taking loose elements of Jurassic Park, bioengineer some crazy science fiction dinosaurs crossed with nuclear reactors, multiverse the research center onto an alien planet, and finally infuse the story with geeky pop culture references and endless popcorn entertainment. If that sounds wild, I’ve done a great job at recreating the feel of John Scalzi’s refreshingly fun The Kaiju Preservation Society. Light-hearted, comically giddy, and always unapologetically nerdy, for fans of the pop-cultured inspired side of science fiction, this novel is an absolute romp! Acknowledged by Scalzi himself as not being the most nuanced or mature novel of his works, The Kaiju Preservation Society is a fast-paced joyride and a breath of fresh air in a genre that can often take itself too seriously. This novel sees certified geek Jamie Gray, a recently fired marketing member whose master’s thesis was on the bioengineering in science fiction culture, recruited into a secretive international research program following an uber eats-style delivery gig at the height of the Covid19 pandemic. Yes, that intro alone should give you a good idea of how gleefully prodding and casually self-aware the story is shooting to be. Many prototype vaccines, hrs on the plane, and a crash…
Genre: Science Fiction
-
-
Entry #4 in Martha Well’s Murderbot Diaries series, by this point you’re likely a devoted fan of the series and should have a pretty good idea of what to expect; Murderbot’s sarcastically dry and witty humor, a healthy balance of thriller and political scheming plot, and good ol’ high sci-fi goodness. While the abbreviated novella format continues to limit the amount of worldbuilding and concurrent storylines Wells can run with simultaneously, Exit Strategy is by far the most serialized story yet and one of the most cohesive. Referencing and tying together all of the first three novella’s narratives, Exit Strategy is easily the most balanced entry that finds a happy medium between Artificial Condition’s undercover stealth movements and Rogue Protocol’s more action thriller flavor. Additionally, this novella also utilizes every narrative plot thread featured in the past three stories, filling in the previous gaps and question marks Murderbot and the reader experiences as the scope of the series and bigger picture takes to shape. Exit Strategy’s story feels like a direct sequel to the first novella All Systems Red while the other two novella’s stories add context and larger ramifications for Dr. Mensah and Murderbot’s ongoing survival. However, with only…
-
An appropriate title for a unique and colorful twist on the familiar Ocean’s Eleven formula, Makana Yamamoto’s Hammajang Luck is a futuristic, high-tech, Hawaii-inspired queer romp that I never thought to want yet quite enjoyed. A scrappy breaking-and-entering story at its core featuring an entirely queer roster, Yamamoto’s debut is full of social and cultural representation. Incorporating very strong community and family values, local Pidgin English, and a familiar blend of cultures that can only be found in Hawaii, this unorthodox pairing with a cyberpunk space station aesthetic is unlike anything I’ve read before. Growing up and living most of my life in the islands, Hammajang Luck has that hidden element that only long-time locals can tap into and has my full Hawaii-resident stamp of approval. Yet underneath all the science fiction elements, queer reworking, and Hawaii cultural flavor, Hammajang Luck’s story is surprisingly simple, predictable, yet comforting. However, from a narrative perspective I often found myself wishing Hammajang’s story and cool concepts went further or more time was spent exploring the Kepler station’s intriguing world. That said, the flavors and decorative details around the story are so fun, they can almost sell the premise on their own. When I…
-
“If the world was ending you’d come over, right? You’d come over and you’d stay the night…” because you broke your leg in a bear trap- Never has my heart felt so warmed by a post-apocalyptic survival road trip adventure, but Erik J. Brown’s debut novel All That’s Left In the World did that and so much more. A YA survival story of two lonely teenage boys finding a home in each other after most of the world died all around them, the book’s characters, tone, pacing and plotting feels pitch-perfect and is an incredibly well-crafted novel. A lot of other reviewers had previously mentioned how wholesome and cute it is, which had me raising an eyebrow given the genre and premise (I sometimes find post-apocalyptic stories slow and repetitive), but it really is such a hopeful and heartfelt book that far surpassed all of my expectations. Providing much needed queer representation is a sub-genre of science fiction that lacked clear standouts while avoiding being too graphic, harsh or scary, All That’s Left In the World is an outstanding and well-rounded book that’s sure to satisfy a wide variety of readers, even adults as well despite its YA classification and…
-
A mysterious parasitic ailment, a medical institute that isn’t what it seems, and the occupants of an isolated, frost-covered chateau sets the scene for an incredibly unique, ambitious, yet often confusing and disjointed read. I wholeheartedly agree with many other reviews of Hiron Ennes’s debut novel Leech that describe it as being positively weird (that’s a good thing) and unlike anything else within the horror and science fiction genres. With strong initial horror elements that vary from body, medical, and psychological horror (nothing too graphic, at least by my desensitized standards) to light elements of supernatural and monster horror, there are a lot of conceptually great ideas that make Leech a riveting read, at times. Unfortunately more often than not, the execution of these ideas and the narrative presentation severely drags down the enjoyment and cohesion of the story, resulting in a puzzling reading experience and a feeling of missed opportunity. The success of any parasite is proportional to its harmlessness. Some are intelligent; they avoid detection, allowing their carriers to lead healthy lives until obsolescence. Fewer, in brilliant acts of symbiosis, foster dependence in the host. But too many are loudmouths and fools… most parasites cannot think far enough…