Genre: Suspense

Unsettling, disturbing, and brilliant in a twisted way, The Possession of Mr. Cave by Matt Haig is an intense read that fully commits to its narrative. Whether most readers are prepared for what that entails is an entirely different discussion (definitely check trigger warnings before hand). The “horror” moniker gets tossed around quite loosely these days, ranging from slashers to psychological insanity to anything that is vaguely related to the supernatural. This book however taps into the quiet, heavy, foreboding type of horror that occurs when someone is witnessing something horrific but can’t look away or stop it; it’s conceptualized like a modern Shakespearean tragedy. The character narration and story is made all the more uncomfortable by Haig’s very effective use of the 2nd person perspective that pulls you into the story and traps you in Bryony’s shoes. The way the novel constantly refers to Bryony as “you” hits home the perspective of the characters and the horrors of what a parent is capable of doing. Complemented by excellent writing and Haig’s now distinctive heavily introspective style, I found this novel to be unlike anything I’ve read in a long time, one that I didn’t necessarily enjoy reading but one…

Bury Your Gays’ title alone is one way to get someone’s attention followed by an earnest bit of social commentary on media culture wrapped up in a comedically ridiculous premise. Sub 300 pages complimented by a casual and functional prose, Chuck Tingle’s Bury Your Gays is a light campy horror novel that is easy to like and has a lot of things going on. With bits of body violence/gore, homophobia, and child neglect, it’s not always a rosy read, but it’s still quick and generally light-hearted. Despite appreciating its aspirations and blend of different elements, I personally found it to be a bit dry to read and disjointed in content. It’s certainly ambitious with its themes and plot, but it feels like it was trying to do too much without excelling at any one area. An established screenwriter known for campy horror movies/tv-shows with underlying queer elements, the narrative switches back and forth between the present day in LA vs Misha’s memories of his upbringing. Without giving away too many spoilers, these flashbacks are told out of chronological order and are meant to give the reader insight into how Misha’s interest in storytelling was shaped by a tumultuous childhood where…

I’m starting to detest the genre and book descriptor “thriller” or “horror” as it sets an unfair expectation for a twisty, fast-paced, intense reading experience which doesn’t fit many books classified under it. And to be frank, Riley Sager’s Middle of the Night is NOT fast-paced nor intense (by my standards anyway), and even calling it slow burn might be a stretch at times. However, despite the slow pacing for almost 60% of the book (slow even by Riley Sager standards), I still found it to be a rewarding and surprisingly sophisticated read! This is my 3rd Riley Sager novel that I’ve had the pleasure of reading and it’s definitely not one that I would recommend if someone has never read any of his other books before. The pacing is deliberately slow and there’s a decently large ensemble cast of characters to keep track of. Constantly jumping between two time perspectives, the bulk of the story is told from the present day perspective of Ethan Marsh as a grown 40yr old, thirty years after the disappearance of his friend and neighbor Billy. Despite much of the past perspective taking place over the course of a few days and the present…

After a string of disappointing and underwhelming mystery crime thriller reads picked off of Goodread’s best mystery lists, I picked up Charlie Donlea’s The Girl Who Was Taken on a blind Kindle app recommendation via Amazon’s Prime Reading hoping for something different. And different is what I got. The Girl Who Was Taken reads like a crime documentary reenactment that is colder, calculated, and more developed than many contemporary disappearance novels. The story primarily focuses on two women who work together to solve who is kidnapping young teenage girls across various stateliness and why. Livia Cutty is a forensic pathology student finishing up her fellowship performing daily autopsies whose career choice was inspired by the disappearance and of her younger sister Nicole Cutty. Megan McDonald is an overnight sensation after she miraculously escapes after being held captive in a basement for two weeks and publishes a book summarizing her experience. The twist is that Megan was kidnapped on the same night Nicole went missing, however only Megan was found two weeks later while Nicole is mia. What got my attention from the get-go was how well-researched and meticulous the book is with the details of the investigation and forensic pathology.…

Two good signs that you’ve read a great mystery novel; the full reveal is a “wow” instead of a “well that just happened” and you feel the need to instantly re-read it with a notepad to jot down clues missed on a first read. I found Riley Sager’s The Only One Left to be a solid murder mystery novel that’s well-rounded and smartly constructed. As per my read of Home Before Dark, The Only One Left was a slow burn with an explosive yet still comprehensible whodunnit reveal. This is a book that rewards slow and attentive readers that enjoy piecing clues and evidence together. If you speed through mindlessly the reveal and ending may feel random with its endless plot twists (they’re not random if you pay attention). What I particularly liked about The Only One Left is the use of common mystery plot devices implemented in creative ways. Although the story is primarily told from home caregiver Kit McDeere’s perspective in the present real-time (that is, in 1983 when this story takes place), Sager also somewhat incorporates a 2nd split (abeit limited) perspective of Lenora Hope. Literally written in the past tense (via a typewriter as Lenora is…