Genre: Young Adult

Like my other reviews for very popular books with numerous reviews, I’ll be skipping my editorial-style intro and go right into my general thoughts and impressions. I really liked Holly Jackson’s A Good Girl’s Guide to Murder, particularly the whodunnit mystery investigation and the way the story effortlessly shifts suspicions and new reveals across its large cast of characters. Full of excellent twists and featuring a focused narrative that doesn’t ever stray too far from its core premise and mystery, I thought it was a solid mystery thriller and fully understand why its popularity contributed to its pick-up for a Netflix adaptation (also on my to-watch list). As a YA novel, the book is very easy to read and strikes a tone that balances its YA appeal without feeling too juvenile or silly. Although the book’s language, content, and character flaws aren’t overly graphic considering its intended readership, the story doesn’t shy away from addressing material that can be considered triggering (as with most crime books, sensitive readers be sure to check your trigger warnings). While its two main characters Pip and Ravi are decidedly high school and collegiate age respectively, the novel doesn’t treat the reader like a sheltered…

The following review is based on a complimentary ARC provided by Sourcebooks Fire via Netgalley in exchange for an honest review. What if Mary, Queen of the Scots’ tumultuous reign and the surrounding scheming were influenced by the presence fae magic and other Scottish folklore? Sara Raasch and Beth Revis’s collaboration novel The Crimson Throne is an entertaining and straightforward YA romantasy novel as well as a liberally interpreted historical fiction story. Magical fae powers, cursed objects and weapons, historic grand castles and sweeping scenic landscapes, The Crimson Throne has all the right elements for a great fantasy story. Presented from dual perspectives, one a Scottish half-fae guardian of the crown and one an English spy sent to infiltrate said crown’s inner circle, the scene is set for a forbidden romance between two opponents meant to outplay each other with both the Scottish/England Kingdoms and the Fae Kingdom’s future at stake. An important note that is not clearly mentioned on early previews and listing at the time of this review for The Crimson Throne is that this is the first book in a brand new fantasy duology (the ARC received as well as Amazon’s presale store states it’s part of…

Erik J. Brown’s sophomore YA novel following his heartwarming post-apocalyptic coming of age debut All That’s Left In the World, on the surface Lose You to Find Me appears to be an entirely different kind of book considering the very different genre and relationship dynamics of its main characters. I previously reviewed and loved All That’s Left In the World and while Lose You to Find Me wasn’t originally on my to-be-read radar, I was intrigued and interested to see if Brown’s excellent character work and relatable writing in a more straight-forward (get the pun) m/m coming of age story without the survival adventure angle would be as successful. To be honest, I went in with tempered expectations due to how negative some of the reviewers for this novel were, but I was relieved to find that yes, Erik J. Brown is a fantastic YA author who is far more well-rounded than I expected. Leaning more into the comedy aspect of what Brown himself dubs “Rom-Dramedy” while still having dramatic and occasionally romantic moments, this novel certainly has a different flavor and character narration voice from his first novel, along with different themes and focus. However, do not listen to…

“If the world was ending you’d come over, right? You’d come over and you’d stay the night…” because you broke your leg in a bear trap- Never has my heart felt so warmed by a post-apocalyptic survival road trip adventure, but Erik J. Brown’s debut novel All That’s Left In the World did that and so much more. A YA survival story of two lonely teenage boys finding a home in each other after most of the world died all around them, the book’s characters, tone, pacing and plotting feels pitch-perfect and is an incredibly well-crafted novel. A lot of other reviewers had previously mentioned how wholesome and cute it is, which had me raising an eyebrow given the genre and premise (I sometimes find post-apocalyptic stories slow and repetitive), but it really is such a hopeful and heartfelt book that far surpassed all of my expectations. Providing much needed queer representation is a sub-genre of science fiction that lacked clear standouts while avoiding being too graphic, harsh or scary, All That’s Left In the World is an outstanding and well-rounded book that’s sure to satisfy a wide variety of readers, even adults as well despite its YA classification and…

Taking the reader back to the English countryside through the eyes of a seven year old boy, Neil Gaiman’s The Ocean At the End of the Lane is an intriguing short novel that I’ve heard such strong opinions and feelings about. Part pseudo Grimm fairy tale, part dark fantasy escapism, Gaiman’s story reads almost like a fictional memoir as its unnamed adult narrator recalls a dark and strained period of his childhood. Much like how time bends and distorts events based on how they’re remembered, so too does the story as the narrator is faced with magical and otherworldly beings in the quiet English countryside. Perhaps the hype set too high an expectation or my impression of the book’s direction was misguided from the get-go (the plot was not what I was expecting), but I found myself wanting to like this book a lot more than I actually did. Despite finding the ambition respectable, I often felt mildly frustrated with the plot not connecting and was left feeling like it ultimately didn’t amount to much in the end. The presentation and writing was great but the actual content felt too abstract and random to leave much of an impression for…