Genre: Young Adult

Taking the reader back to the English countryside through the eyes of a seven year old boy, Neil Gaiman’s The Ocean At the End of the Lane is an intriguing short novel that I’ve heard such strong opinions and feelings about. Part pseudo Grimm fairy tale, part dark fantasy escapism, Gaiman’s story reads almost like a fictional memoir as its unnamed adult narrator recalls a dark and strained period of his childhood. Much like how time bends and distorts events based on how they’re remembered, so too does the story as the narrator is faced with magical and otherworldly beings in the quiet English countryside. Perhaps the hype set too high an expectation or my impression of the book’s direction was misguided from the get-go (the plot was not what I was expecting), but I found myself wanting to like this book a lot more than I actually did. Despite finding the ambition respectable, I often felt mildly frustrated with the plot not connecting and was left feeling like it ultimately didn’t amount to much in the end. The presentation and writing was great but the actual content felt too abstract and random to leave much of an impression for…

Side note, it’s hilarious to me how the most liked reviews for this book on Goodreads are in all caps, filled with frenetic energy or absolute distaste for elements that are really quite minor in my opinion. And that’s frankly so amusing to me considering this is possibly one of the least offensive, sickening sweet, and comfy books I’ve read perhaps this year. Falling firmly into the romcom area of the romance/chick lit genres, I thought the Love Hypothesis was a quick read that has a pitch-perfect tone for the story it’s telling. Clearly not intending to change the world nor blow you away with deep and nuanced romance, it’s a fun and light-hearted book decorated with light STEM and academic science references. I previously read Ali Hazelwood’s YA novel Check & Mate based on a friend’s recommendation but had some personal preference issues with some of the teenage angst, so I was encouraged to try her adult novels instead. Interestingly although The Love Hypothesis has a collegiate post-grad setting and two chapters of spice, in many ways it still felt like a YA type of read in that the characters felt quite standard and the plot entirely predictable and…

Check & Mate is a great YA novel that has a lot to like. Despite her works usually being classified as contemporary romance or chick lit, Check & Mate felt like it skewed more towards a coming of age (coming of adult age that is) contemporary fiction story rather than romance. It’s certainly there and shapes a lot of the plot’s overall narrative, but the majority of the book is focused on Mallory’s internal dilemmas and confrontations with her past guilt and perceived responsibilities. Despite finding it well done and solid across the board, as a grown man probably twice the age of the intended readers, unfortunately this was not a very enjoyable read for me (romance was nice, all of Mallory’s drama, not so nice). However this is very much a “it’s not the book, it’s me” scenario. What I found to appreciate in Check & Mate is how well-written and developed the FMC Mallory is, and how relatable she likely can be. I was actually recommended this book to read from a friend who Mallory reminded me quite a lot of, minus some of her questionable emotional thought-processes. The way she thinks and acts, including character flaws that…

The House in the Cerulean Sea has a plot, genre and tone that ordinarily isn’t quite my taste, but T.J. Klune’s execution and lowkey sarcastic humor kept me going. Hopefully optimistic, sweet, and a very comfortable easy read, this is not my typical read but it’s still a novel I don’t regret picking up. The plot is predictable and some extended metaphors and social commentary are a bit on the nose (this has a tone and approach better suited for YA, apart from a few rare adult-natured jokes), but it’s unapologetically warm and has so much mass-appeal. Other reviews describing The House in the Cerulean Sea as a modern fairy tale are quite appropriate. The style of narration told from the perspective of the main character Linus Baker evokes that nostalgic fairy tale feel that’s felt through Klune’s descriptive visuals and dialogue (the house for example screams fantasy fairy tale aesthetic, including the gorgeous interpretation on the cover). While reading this, I could instantly see this being adapted as either an animated or live-action miniseries. Linus Baker is a refreshing, atypical main character aged 40, overweight, uptight, queer, no frills government worker who serves as the perfect foil to the…

Immersive, atmospheric, imaginative and of course gothic, Alix E. Harrow is an amazing storyteller and it’s immediately clear to me why Starling House has its following. The estate’s vivid descriptions and Eden’s somber setting set a distinctive scene that envelopes the reader in its quiet and character-focused narrative. The book’s is also full of elements that feels specially catered towards millennial/gen z contemporary readers; excessive footnotes (this one peeved me though), heavy emphasis and themes on mental health, stigmatism and judgement against those who are different, cynicism of the American dream/working economy), and several LGBTQ+ characters (though one character’s bi/pansexuality feel randomly tossed it and has nothing to do with anything apart from checking genre/bookTok boxes). Despite the cover and synopsis heavily focusing on the title house, the story is mostly a character-driven one focused on the world and people seen through Opal’s eyes as she struggles to make ends meets for her brother Jasper’s sake. Unfortunately, this novel lives and dies by Opal’s character and both her character and the tone of the story were not for me (subjective opinions, objectively this book is well-written). The majority of the book heavily hinges on Opal’s feeling of being judged, neglected,…