Set on the eve of a large-scale rebellion against the Citadel in power, Adrienne Young’s Fallen City is a story of political power, control, and a slow burn in every form and meaning. Part one of a planned historical fiction x fantasy duology set in the Greco-Roman stylized walled city of Isara, Fallen City is a series about rebellion, choices, and their consequences in a land blessed or cursed by the gods. Although its slow pacing and dual POV plus dual timeline presentation is not for everyone, Young’s ambition, plotting, and writing rewards patient and intellectual readers with a story that constantly builds up on itself before reaching a dramatic to-be-continued ending. (On Goodreads, a 4.5-star rating rounded up) Not sure if it’s just me, but when I think of Greco-Roman stories, the famous Roman tragedies are the first to come to mind. While Fallen City is not a tragedy per se, it features many narrative elements of the genre crossed with light fantasy elements. The book is shown from the dual perspectives of Maris and Luca, two young adults who cannot live without the other yet are cast into roles and positions of power as adversaries. The daughter and…
