Crime

Richard Osman’s series has already been heavily read and reviewed so I won’t be quite as detailed as I usually do since the major points of discussion have already been covered. Despite what the genre and synopsis of the book may imply, The Thursday Murder is as much of a senior citizen themed character drama as it is a murder mystery novel and therefore one must adjust their expectations to its crossover intentions. If reading and reviewing this novel purely as a murder mystery investigation procedural story, The Thursday Murder Club is generally an above average, light-hearted affair that’s quite cozy and easy to pick up (although also just as easy to put down and leave down as it’s a bit slow in places). Taken at face value, the murders reveals and movements are mostly functional, albeit slightly convoluted with certain plot developments coming a bit out of left field. I found it to be fine personally, but too ambitious and twisty for its conclusion to pull the whole case back together. However, The Thursday Murder Club’s strongest element in my opinion is the moments where Osman focuses on the lowkey laughs and allows its senior characters to reflect on…

Reading Ben Aaronovitch’s Rivers of London series is usually a good, but often mildly frustrating time for me as they’re decently fun reads that are so close to being excellent. Book number three, Whispers Under Ground, is unquestionably the most tonally consistent and focused story so far that improves upon all my biggest criticisms of the previous installments. While Midnight Riot/Rivers of London (I’ll be referring to book 1 as Midnight Riot for consistency) and Moon Over Soho suffered from overly loose, meandering plots that attempted to weave together two separate cases, Whispers Under Ground smartly focuses on just one case and allows its dry, tongue-in-cheek British style to be front and center. Despite the improvements across the board, unfortunately I found the core mystery investigation to suffer from inconsistent pacing yet again and the culprit/reveal to be rather random which holds this back from a higher rating. Each novel in the series so far has had an underlying theme that’s tied to the magical crime case and some type of fantasy element/being; Midnight Riot was themed to the theatre while Moon Over Soho was heavily Jazz-focused. Whispers Under London’s thematic flair is the visual fine arts (though one could…

Despite having a lot of wonderful elements on paper, I thought book #1 Midnight Riot/Rivers of London was messy and unable to seamlessly mix its two story arcs, lore and world-building, and an urban noir investigation together coherently. The ambiance, setting, brief history lessons and Peter’s character voice helped cover up a weakly constructed plot and investigation. Thankfully I trusted other reviewers that wrote the series gets better as it progresses which I can see now. Akin to enjoying a glass of fine wine in a jazz bar hindered by an amateur musician (or what I would imagine it would be like, I’m not a drinker personally), I found Moon Over Soho to be a cool and low-key entertaining experience provided I not look too closely at some of the finer details of its plot. Across the board, Moon Over Soho felt like a true sophomore sequel work that was more confident and focused compared to Rivers of London. There’s a bit less action here than the obvious riot plot, but just about everything else is stronger across the board. Similar to Rivers of London, Moon Over Soho features two separate story arcs. The first involved multiple oddly timed deaths…

After a string of disappointing and underwhelming mystery crime thriller reads picked off of Goodread’s best mystery lists, I picked up Charlie Donlea’s The Girl Who Was Taken on a blind Kindle app recommendation via Amazon’s Prime Reading hoping for something different. And different is what I got. The Girl Who Was Taken reads like a crime documentary reenactment that is colder, calculated, and more developed than many contemporary disappearance novels. The story primarily focuses on two women who work together to solve who is kidnapping young teenage girls across various stateliness and why. Livia Cutty is a forensic pathology student finishing up her fellowship performing daily autopsies whose career choice was inspired by the disappearance and of her younger sister Nicole Cutty. Megan McDonald is an overnight sensation after she miraculously escapes after being held captive in a basement for two weeks and publishes a book summarizing her experience. The twist is that Megan was kidnapped on the same night Nicole went missing, however only Megan was found two weeks later while Nicole is mia. What got my attention from the get-go was how well-researched and meticulous the book is with the details of the investigation and forensic pathology.…

It took me longer than it should’ve to learn that Rivers of London was released in the US as “Midnight Riot” hence why it took me so long to read this despite it being high on my to-read list. In hindsight the rename makes perfect sense as Midnight Riot is a much more appropriate title for the better of two core plot/cases covered in book (not to mention that the series this book ended up starting is also called Rivers of London). Confusion on its dual-title release aside, I wanted to like Midnight Riot a lot more than I did as it has such an exciting premise. Peter Grant is a probationary constable/loose police officer who is assigned as an apprentice to Detective Chief Inspector Thomas Nightingale after having a run-in with a ghost while on surveillance duty following a grisly beheading murder at Covent Garden (as in the actual real Covent Garden, all locations are either real-life places or are heavily inspired fictional interpretations on boroughs of London). In training as both a supernatural investigative officer and a magic user, Peter Grant and Thomas Nightingale team-up to unravel the truth behind a series of seemingly random murders who’s only…