Crime

After a string of disappointing and underwhelming mystery crime thriller reads picked off of Goodread’s best mystery lists, I picked up Charlie Donlea’s The Girl Who Was Taken on a blind Kindle app recommendation via Amazon’s Prime Reading hoping for something different. And different is what I got. The Girl Who Was Taken reads like a crime documentary reenactment that is colder, calculated, and more developed than many contemporary disappearance novels. The story primarily focuses on two women who work together to solve who is kidnapping young teenage girls across various stateliness and why. Livia Cutty is a forensic pathology student finishing up her fellowship performing daily autopsies whose career choice was inspired by the disappearance and of her younger sister Nicole Cutty. Megan McDonald is an overnight sensation after she miraculously escapes after being held captive in a basement for two weeks and publishes a book summarizing her experience. The twist is that Megan was kidnapped on the same night Nicole went missing, however only Megan was found two weeks later while Nicole is mia. What got my attention from the get-go was how well-researched and meticulous the book is with the details of the investigation and forensic pathology.…

It took me longer than it should’ve to learn that Rivers of London was released in the US as “Midnight Riot” hence why it took me so long to read this despite it being high on my to-read list. In hindsight the rename makes perfect sense as Midnight Riot is a much more appropriate title for the better of two core plot/cases covered in book (not to mention that the series this book ended up starting is also called Rivers of London). Confusion on its dual-title release aside, I wanted to like Midnight Riot a lot more than I did as it has such an exciting premise. Peter Grant is a probationary constable/loose police officer who is assigned as an apprentice to Detective Chief Inspector Thomas Nightingale after having a run-in with a ghost while on surveillance duty following a grisly beheading murder at Covent Garden (as in the actual real Covent Garden, all locations are either real-life places or are heavily inspired fictional interpretations on boroughs of London). In training as both a supernatural investigative officer and a magic user, Peter Grant and Thomas Nightingale team-up to unravel the truth behind a series of seemingly random murders who’s only…

A strong opening chapter followed by a lot of slow plodding around sleepy Wakarusa, Indiana, I had my doubts about All Good People Here being able to close things out and salvage itself after a very lackluster first half. Fortunately I thought it did just that once Ashley Flowers’ background in True Crime podcasting pick up in the last third of the book and lends itself to a successful and at times exciting resolution. My biggest gripe with All Good People Here lies with the main protagonist leads and the perspectives of Margot Davies in the present 2019 and Krissy Jacobs in the past beginning with her childhood and the sequence of unfortunate events in 1994. For me personally it felt like the two women were in constant competition of who was more insufferable to read about and who would make the unintelligent emotion-driven decision at any given moment (which is quite counterintuitive for a supposedly successful journalist). I realize this is to show character development and growth; for Margot it’s to show growing validation for her initially off-base preconceived assumptions on the case and for Krissy, to show a young adult trapped and spiraling in a life she never…

This is a chaotic novel and not in an exciting bombastic way; rather a mess that feels made up on the fly. Described as a violent and unpredictable noir, the unpredictable part is the only aspect that hit the mark for me (and that’s not a good thing as you soon will see). Perhaps I have high standards as a crime/mystery thriller is one of my favorite genres to read, but the tone of the book didn’t work for me. It jockeys between trying to be a darker grisly man on the run story and a buddy cop/anti-hero slapstick comedy and doesn’t do a particularly good job in either direction. The plot is also nonsensical with things happening with no rhyme or reason and it has a habit of throwing in random flashbacks that derail whatever story is happening in the present instead of seamlessly transitioning back and forth with context. After the first 100 pages or so I stopped reading this as a mystery/crime investigation and as a “what ridiculous things from left field are they going to throw at the wall next”. How a soldier’s training allows a retired veteran to kill someone by impaling them with a…

Note: The following original review for this book is old and does not meet current review standards. A fully rewritten review is planned. For a book titled the Plotters, I found the plot of this one ironically to be one of the weakest aspects of the novel that left me disappointed. I love the character dialogue and the protagonist Reseng is quite the relatable anti-hero who was cast into and doesn’t know what life is like outside the dark world of assassins. This is very much a book where the journey is deemed more important than the destination as The Plotters sets up a fascinating scene and takes a good stab at the world of political corruption, underhanded deals, and what money can buy (pun intended). Reseng gets tangled up with a plot to overthrow the status quo of the hitman industry but the book never resolves the plotlines it sets up. He goes through a period of self-reflection and discovery as things go from bad to worse and ends with a moment of grandeur for Reseng similar to the climax of a movie where an epilogue would normally kick in showing the aftermath of the events. Except there isn’t one…