YA

“If the world was ending you’d come over, right? You’d come over and you’d stay the night…” because you broke your leg in a bear trap- Never has my heart felt so warmed by a post-apocalyptic survival road trip adventure, but Erik J. Brown’s debut novel All That’s Left In the World did that and so much more. A YA survival story of two lonely teenage boys finding a home in each other after most of the world died all around them, the book’s characters, tone, pacing and plotting feels pitch-perfect and is an incredibly well-crafted novel. A lot of other reviewers had previously mentioned how wholesome and cute it is, which had me raising an eyebrow given the genre and premise (I sometimes find post-apocalyptic stories slow and repetitive), but it really is such a hopeful and heartfelt book that far surpassed all of my expectations. Providing much needed queer representation is a sub-genre of science fiction that lacked clear standouts while avoiding being too graphic, harsh or scary, All That’s Left In the World is an outstanding and well-rounded book that’s sure to satisfy a wide variety of readers, even adults as well despite its YA classification and…

The House in the Cerulean Sea has a plot, genre and tone that ordinarily isn’t quite my taste, but T.J. Klune’s execution and lowkey sarcastic humor kept me going. Hopefully optimistic, sweet, and a very comfortable easy read, this is not my typical read but it’s still a novel I don’t regret picking up. The plot is predictable and some extended metaphors and social commentary are a bit on the nose (this has a tone and approach better suited for YA, apart from a few rare adult-natured jokes), but it’s unapologetically warm and has so much mass-appeal. Other reviews describing The House in the Cerulean Sea as a modern fairy tale are quite appropriate. The style of narration told from the perspective of the main character Linus Baker evokes that nostalgic fairy tale feel that’s felt through Klune’s descriptive visuals and dialogue (the house for example screams fantasy fairy tale aesthetic, including the gorgeous interpretation on the cover). While reading this, I could instantly see this being adapted as either an animated or live-action miniseries. Linus Baker is a refreshing, atypical main character aged 40, overweight, uptight, queer, no frills government worker who serves as the perfect foil to the…

Note: The following original review for this book is old and does not meet current review standards. A fully rewritten review is planned. As someone who does not like romance or comedy novels, this one was already fighting an uphill battle that it somehow got over (specifically the first 50 or so pages). A feel-good and easy casual read, this is a collegiate-set coming of (young adult) age story written with the unapologetically earnest and rose-tinted glasses tone that made Heartstopper so appealing. At times it tiptoes the line of being corny and cliche, but the witty banter and Wren’s hilariously relatable internal monologues helped to keep it in the perfect sweet spot comfort read for me. The inclusion of the senior and snappy divorcee/widowed character Alice Kelly who serves dual-roles as both a central plot mechanism and as a older social mentor for Wren was refreshing and different from what I’ve read in this genre. Timothy Janovsky also nails the internal battle introverted feeling folks go through when it comes to romance and the novel is filled to the brim with Millenial/Gen Z pop culture references and slang, some of which are incredibly recent or hyper-specific to the target demographics…

Note: My original review for this book is old and does not meet current review standards. A fully rewritten review is planned.

Note: My original review for this book is old and does not meet current review standards. A fully rewritten review is planned.