Genre: Crime

Like my other reviews for very popular books with numerous reviews, I’ll be skipping my editorial-style intro and go right into my general thoughts and impressions. I really liked Holly Jackson’s A Good Girl’s Guide to Murder, particularly the whodunnit mystery investigation and the way the story effortlessly shifts suspicions and new reveals across its large cast of characters. Full of excellent twists and featuring a focused narrative that doesn’t ever stray too far from its core premise and mystery, I thought it was a solid mystery thriller and fully understand why its popularity contributed to its pick-up for a Netflix adaptation (also on my to-watch list). As a YA novel, the book is very easy to read and strikes a tone that balances its YA appeal without feeling too juvenile or silly. Although the book’s language, content, and character flaws aren’t overly graphic considering its intended readership, the story doesn’t shy away from addressing material that can be considered triggering (as with most crime books, sensitive readers be sure to check your trigger warnings). While its two main characters Pip and Ravi are decidedly high school and collegiate age respectively, the novel doesn’t treat the reader like a sheltered…

Well known for his long-running series The Thursday Murder Club, We Solve Murders is the first entry in a new series featuring completely new characters, stories and themes. Despite the fresh start, in many ways We Solve Murders is quite similar in tone and style to The Thursday Murder Club as a light-hearted cozy murder mystery novel filled with subtle cheeky humor. I haven’t read the subsequent books in The Thursday Murder Club series to compare to, but We Solve Murders feels like a more polished, refined, and focused novel that has a clearer direction for the kind of reading experience its trying to do. Unlike his past novels that were firmly in the cozy mystery territory, We Solve Murders crosses over into the thriller genre (on paper anyway) with elements of spies, mobs, hitmen, fraud, etc. That being said, I personally found We Solve Murders to be a bit overwritten and slow at times, and the characters/focal mystery felt a little underwhelming and too cozy for my personal taste. I previously commented in my review for The Thursday Murder Club that I enjoyed Osman’s writing style and tone but felt the plotting and story was trying to do too…

Richard Osman’s series has already been heavily read and reviewed so I won’t be quite as detailed as I usually do since the major points of discussion have already been covered. Despite what the genre and synopsis of the book may imply, The Thursday Murder is as much of a senior citizen themed character drama as it is a murder mystery novel and therefore one must adjust their expectations to its crossover intentions. If reading and reviewing this novel purely as a murder mystery investigation procedural story, The Thursday Murder Club is generally an above average, light-hearted affair that’s quite cozy and easy to pick up (although also just as easy to put down and leave down as it’s a bit slow in places). Taken at face value, the murders reveals and movements are mostly functional, albeit slightly convoluted with certain plot developments coming a bit out of left field. I found it to be fine personally, but too ambitious and twisty for its conclusion to pull the whole case back together. However, The Thursday Murder Club’s strongest element in my opinion is the moments where Osman focuses on the lowkey laughs and allows its senior characters to reflect on…

Freida McFadden’s Never Lie is a thriller / psychological crime thriller that has a great plot, some wild (and polarizing) twists, and a premise involving found evidence that never gets old (in this case, tape recordings from therapy sessions). On paper, this should be a standout but unfortunately the execution with the details and the prose left a lot to be desired for me. The biggest twist near the conclusion is a great idea that simply conflicts with the rest of the narrative and makes the entire book’s plot unbelievable. Starting off with the good, Never Lie’s setting at a remote manor that also served as a home office for a mysterious psychiatrist was a great setup. The premise involving found audio tapes recorded by Dr. Adrienne Hale and her clients is a narrative concept I love and the snowed-in setup was a great narrative choice to not only trap Tricia and Ethan in the manor, but to also serve as a plausible source for the odd noises due to snowfall. The core crime mystery involving Adrienne’s sudden disappearance a few years ago and reliving her last known days through the tapes and a split narrative was a page-turner; I…

I’m starting to detest the genre and book descriptor “thriller” or “horror” as it sets an unfair expectation for a twisty, fast-paced, intense reading experience which doesn’t fit many books classified under it. And to be frank, Riley Sager’s Middle of the Night is NOT fast-paced nor intense (by my standards anyway), and even calling it slow burn might be a stretch at times. However, despite the slow pacing for almost 60% of the book (slow even by Riley Sager standards), I still found it to be a rewarding and surprisingly sophisticated read! This is my 3rd Riley Sager novel that I’ve had the pleasure of reading and it’s definitely not one that I would recommend if someone has never read any of his other books before. The pacing is deliberately slow and there’s a decently large ensemble cast of characters to keep track of. Constantly jumping between two time perspectives, the bulk of the story is told from the present day perspective of Ethan Marsh as a grown 40yr old, thirty years after the disappearance of his friend and neighbor Billy. Despite much of the past perspective taking place over the course of a few days and the present…