Genre: Crime

Richard Osman’s series has already been heavily read and reviewed so I won’t be quite as detailed as I usually do since the major points of discussion have already been covered. Despite what the genre and synopsis of the book may imply, The Thursday Murder is as much of a senior citizen themed character drama as it is a murder mystery novel and therefore one must adjust their expectations to its crossover intentions. If reading and reviewing this novel purely as a murder mystery investigation procedural story, The Thursday Murder Club is generally an above average, light-hearted affair that’s quite cozy and easy to pick up (although also just as easy to put down and leave down as it’s a bit slow in places). Taken at face value, the murders reveals and movements are mostly functional, albeit slightly convoluted with certain plot developments coming a bit out of left field. I found it to be fine personally, but too ambitious and twisty for its conclusion to pull the whole case back together. However, The Thursday Murder Club’s strongest element in my opinion is the moments where Osman focuses on the lowkey laughs and allows its senior characters to reflect on…

Freida McFadden’s Never Lie is a thriller / psychological crime thriller that has a great plot, some wild (and polarizing) twists, and a premise involving found evidence that never gets old (in this case, tape recordings from therapy sessions). On paper, this should be a standout but unfortunately the execution with the details and the prose left a lot to be desired for me. The biggest twist near the conclusion is a great idea that simply conflicts with the rest of the narrative and makes the entire book’s plot unbelievable. Starting off with the good, Never Lie’s setting at a remote manor that also served as a home office for a mysterious psychiatrist was a great setup. The premise involving found audio tapes recorded by Dr. Adrienne Hale and her clients is a narrative concept I love and the snowed-in setup was a great narrative choice to not only trap Tricia and Ethan in the manor, but to also serve as a plausible source for the odd noises due to snowfall. The core crime mystery involving Adrienne’s sudden disappearance a few years ago and reliving her last known days through the tapes and a split narrative was a page-turner; I…

I’m starting to detest the genre and book descriptor “thriller” or “horror” as it sets an unfair expectation for a twisty, fast-paced, intense reading experience which doesn’t fit many books classified under it. And to be frank, Riley Sager’s Middle of the Night is NOT fast-paced nor intense (by my standards anyway), and even calling it slow burn might be a stretch at times. However, despite the slow pacing for almost 60% of the book (slow even by Riley Sager standards), I still found it to be a rewarding and surprisingly sophisticated read! This is my 3rd Riley Sager novel that I’ve had the pleasure of reading and it’s definitely not one that I would recommend if someone has never read any of his other books before. The pacing is deliberately slow and there’s a decently large ensemble cast of characters to keep track of. Constantly jumping between two time perspectives, the bulk of the story is told from the present day perspective of Ethan Marsh as a grown 40yr old, thirty years after the disappearance of his friend and neighbor Billy. Despite much of the past perspective taking place over the course of a few days and the present…

The Last Murder at the End of the World feels like it should’ve been something directly catered to my taste which is a murder mystery investigation wrapped up in a post-apocalyptic, science fiction (borderline dystopian) dressing. This one is hard to talk without giving away crucial spoilers that would heavily affect the reading experience. The novel had all the right elements and pieces to work with and Stuart Turton had a lot of creative and intriguing concepts included. In an alternate universe with some tweaking, this could’ve been a knockout hit. Unfortunately for me, the novel’s science fiction flavor gets a bit out of hand and is frankly a mess. Numerous unexplained apocalyptic elements weaken what should’ve been a well-done murder investigation story. Set on a protected island where the last survivors of an apocalyptic fog inhabit, the setup for the plot was good. There’s a clear timeline of events dictated by a countdown to extinction that separates each section of the book. The first 40% of the story focused on introducing various villagers on the island, their relationship with three revered scientists, and the dynamics of the island. The book has a long-running metaphor of equating the villagers to…

Reading Ben Aaronovitch’s Rivers of London series is usually a good, but often mildly frustrating time for me as they’re decently fun reads that are so close to being excellent. Book number three, Whispers Under Ground, is unquestionably the most tonally consistent and focused story so far that improves upon all my biggest criticisms of the previous installments. While Midnight Riot/Rivers of London (I’ll be referring to book 1 as Midnight Riot for consistency) and Moon Over Soho suffered from overly loose, meandering plots that attempted to weave together two separate cases, Whispers Under Ground smartly focuses on just one case and allows its dry, tongue-in-cheek British style to be front and center. Despite the improvements across the board, unfortunately I found the core mystery investigation to suffer from inconsistent pacing yet again and the culprit/reveal to be rather random which holds this back from a higher rating. Each novel in the series so far has had an underlying theme that’s tied to the magical crime case and some type of fantasy element/being; Midnight Riot was themed to the theatre while Moon Over Soho was heavily Jazz-focused. Whispers Under London’s thematic flair is the visual fine arts (though one could…