Genre: Fiction

Book #2 in the Before the Coffee Gets Cold series, I picked this up with the hope that it would be a more refined and improved version of the stellar premise introduced in book #1 of the anthology series that I felt was hindered by lackluster execution. While I did find that it introduced more creative and ambitious stories, ultimately it largely feels like the same misguided experience which I’m unfortunately not a fan of. Much like Before the Coffee Gets Cold, Tales From the Cafe feels like a slow and thoughtful reflection on one’s regrets and “what if’s”. Similar to book #1, the cafe Funiculi Funicula’s timeless setting is still quite an aesthetic location that lends itself perfectly to the premise of time travel. Based on context clues and the presence (or lack of) of certain characters, Tales From the Cafe takes place roughly seven years after the events of Before the Coffee Gets Cold. I found that the four short stories were at their best when it connected the four focal time-travelers to characters featured in previous stories, particularly when it involved guests seeking to speak with characters who are no longer alive. On the flipside, stories that…

Part rom-com part dramedy, Mrs. Nash’s Ashes has a stellar premise on paper that convinced me to pick it up blindly despite this type of romance genre being hit or miss for me. With an opposites attract setup, a long-lost LGBT love from the 1940’s, and a road trip featuring classic rock tunes, Sarah Adler’s Mrs. Nash’s Ashes has a winning combo that grabbed my attention from the get-go. The comedic elements and dialogue are stellar and the back and forth between the emotional and romantic Millie vs the detached and logical Hollis are easily the strongest bits of the novel. Unfortunately, I found the this book was full of missed opportunities to do more with its narrative and the conclusion veering off in an unexpected and disappointing direction. The Miss. Sunshine and Mr. Overcast Grouch is a classic trope for a reason and Mrs. Nash’s Ashes is no exception. I found the witty banter and comedic timing to be spot-on with the best moments involving Millie doing something random or poorly thought out and Hollis reacting in stony disbelief. I liked the chemistry between the two leads, and I enjoyed the story the most when it was just the…

The Seven Year Slip has already been well-received with a following but admittedly it took me a while to get into it (as usual contemporary romance fiction without witty comedy is not my go-to genre). While the listed romance genre is prevalent right from the get-go, about a third of the way into the book, the plot and character development ramps up substantially and crosses over into straight contemporary fiction drama. While the romance and chemistry are good, the Seven Year Slip’s synopsis doesn’t include the more nuanced topics covered in the back half of the book involving grief and loss, one’s goals, “happiness”, losing yourself and understanding that constant changes that are inevitable over time. Our main character Clementine is an ambitious, workaholic publicist working at a small yet successful publishing company who is personally tasked by one of the co-owners to sign an up-and-coming chef James Ashton for a cookbook publishing deal after one of their biggest clients jumps ship to a rival publisher. She throws herself fully into her work 24/7 so there’s no time to have to worry about her recent breakup or the loss of her aunt who she was close to. Just as she’s…

I feel like the synopsis for Kristen Perrin’s How to Solve Your Own Murder does it no favors by comparing itself to Knives Out, Thursday Murder Club, or selling the murder mystery concept in general due to the murder mystery investigation being one of the weakest aspects of the novel for me (more flair and quality is needed to make such a bold claim). As a fan of true crime documentaries and the murder mystery genre, I was excited to read this based on the stellar premise of a character spending their life trying to solve their own murder before it occurs. I was also encouraged to pick this up as it was voted 2nd place for Jimmy Fallon’s upcoming bookclub. Unfortunately the actual execution, attention to details, and pacing left a lot to be desired (1.5 rounded down). From the get-go I was unimpressed with the characterization and dialogue as well as the story’s details. Following an excellently foreboding prologue where Frances receives her grave fortune that kickstarts the titular concept, the book’s pacing and interest lost me. Despite being 366 pages, I felt like I was reading empty pages with little value or importance to either storylines revolving…

This might be the earliest I’ve ever read a newly published book as I ninja-ed it the day my library got a digital copy and I was very excited based on the synopsis and listed genres. For me, the Book of Doors was a solid comfort read (note, NOT the actual Comfy read genre) that felt nostalgic in the first half, invoking the wide-eyed magical feel of many YA fantasy books I read growing up yet clearly intended for adult readers. This book is also fully targeted towards book lovers with countless descriptions and settings based on book collections, stores, or libraries (to be expected for a story involving magical books). What I did not expect was the surprisingly ambitious and well-executed time-traveling/manipulating second half that manages to recover and tie-up the narrative successfully after a disjointed mid-section. Despite the obviously heavy fantasy elements provided by the magical books (I assume it’s not mentioned in the synopsis as not to show it’s trump card early), the Book of Doors should first and foremost be considered a soft time-travel drama. A young women in her 20’s living day to day in New York, Cassie is at the pivotal stage in her…