Genre: Magic

This review is based on a complimentary Advanced Reader Copy provided by Wednesday Books, an imprint of St. Martin’s Press via Netgalley. Magically captivating while simultaneously dark and harsh, Julia Alexandra’s debut novel Midnight on the Celestial is a well-paced and solid YA fantasy story that effortlessly walks the line between the fantasy and thriller genres. Prominently featured on both the book’s cover and in its blurb, the focal luxury cruise line enchanted with opulent and imaginative magic immediately catches attention but there’s a lot more to this story than what meets the eye. A dark fantasy thriller featuring a likable group of found family friends paired with a great plot and excellent age-appropriate character writing, Midnight on the Celestial is a great all-rounder book that tells a compelling standalone story with dazzling visuals. The land of Tamarynth is overseen by the elected Council and system that regulates those with magical powers. Referred to as morphia, this substance possessed by certain individuals grants them a variety of powers, in Roe Damarcus’s case the power of resurrecting spirits from the afterlife. As the famed daughter of one of the councilmen and only member with magical powers, her powers are largely used…

Part 1 of June C.L Tan’s planned urban fantasy paranormal duology, Darker by Four is pure YA anime/manghwa/donghua inspired goodness. An elite exorcist training academy, flashy magical spells and talismans, dangerous revenant spirits, plus visits with the local reapers and the Ten Gods of the underworld, this book is pure, unadulterated fantasy goodness. High on action, mysterious intrigue, and teenage/young adult angst, where this book may be a little lacking in emotional depth or nuance it more than makes up with consistent entertainment value. As a long-time anime fan, Darker by Four was right up my alley! Apart from its strong anime feel and presentation which I’ll get into shortly, Darker by Four’s most notable element is its incorporation of traditional Chinese folklore. In Tan’s world, qi serves as the base for one’s magical core, providing the ability to cast spells and wield spiritual weapons in addition to being able to see paranormal entities. Besides general Asian cultural references such as food and family traditions, the book’s story also heavily revolves around the Taoist mythology of the Ten Kings of Hell along with grim reapers who strongly resemble and follow the roles of the Heibai Wuchang. That said, this book…

A heist set for a mysterious magical book, a power struggle between state and church, a tense reunion between ex-partners, and legendary beings trapped and abandoned by the God of Thieves, Ruth Frances Long’s The Book of Gold has a lot of interesting concepts to say the least. The start of the Feral Gods trilogy, this book has a lot of narrative content fitted into a sub three-hundred-and-fifty-page book that is part fantasy, part 16th century historical fiction adventure. Though the story has a variety of plotlines that lay the groundwork for the series to expand on, at its core it’s a tense and strained second-chance romance between individuals standing on different sides of the law and state, all in pursuit of otherworldly power. Action and relationship oriented, the Book of Gold is a competently crafted book that despite a sense of mismanaged focus, is still a fun and light entertaining fantasy read. At first glance, the Book of Gold appears to be a simplistic rogue x knight trope applied to a fantasy heist storyline. The book has all the elements one would expect such as an unorthodox assembled ragtag heist team, economic disparity between the nobility and the common…

Ethereal poetry paired with a simple yet elegant fantasy story, Amal El-Mohtar’s novella The River Has Roots is an enchantingly read akin to a modern fairytale. Beautifully written with an air of sophistication, what this novella lacks in world-building detail given the book’s length it makes up with in poetic metaphors that are both dreamy as well as intelligent; notably a long-running comparison of the rules of grammar compared to the powers of magic being both creative and effective. (On Goodreads, a 4.5 star rating rounded down) Presented in a hybrid second- and third-person perspective, the tone of the narration paired with the reflective and introspective nature of El-Mohtar’s tale makes this a noteworthy book unlike anything I’ve read in quite some time. The strategic shifts to second person tense and the whimsical sense of wonder really pulls you into the story as if it’s being told by a bard or philosopher. Besides the well-balanced and beautiful prose, the book is filled with poetic stanzas and clever wordplay riddles that would make an English literature or grammar student thrilled; this novella has brains behind its beauty. As far as the story is concerned, it’s one that is appropriately detailed in…

Part Grimm fairytale retelling, part historical fiction, and finally part original fantasy story revolving around witchcraft, Kell Woods’s debut novel After the Forest is an expansive dark fantasy book with an ambitious narrative to tell. Rather than directly retelling its source material, After the Forest instead follows the difficult life of Greta following her and her brother’s experiences trapped by a witch and her gingerbread house. A tense story filled with distrust and suspicions in a rural village, contrary to its classification as a retelling, Woods’s story is largely an original one that merely uses Hansel and Gretel’s fairytale for contextual framework. Creatively constructed with fitting prose, this book was a case of expecting one thing and getting something entirely different that wasn’t for me but was nonetheless an intriguing read outside of its frequent issues of pacing and unfocused plot. Books classified as retellings tend to follow one of two different scenarios that largely determine how the story will be read. The traditional form of retelling is one that mostly retells the original story with a unique spin, modernization, genre-swap, or similar. The other form uses the base story as a launching point for framework purposes only and uses…