Genre: Urban Fantasy

Magical everyday objects scattered across the world, a secret society that meets in the basement of a bookstore, and dangerous individuals more than willing to kill for them, the Society of Unknowable Objects is an urban fantasy story full of great elements and ideas. Similar to Gareth Brown’s debut novel the Book of Doors, this novel has a premise that feels like a throwback to classic children’s fantasy books appropriately aged up for adult readers looking for a fun and straightforward magic adventure. Brown’s second book, from the get-go the Society of Unknowable Objects has a familiar feel that recaptures the fun of many popular YA fantasy books of the early 2000s. Revolving around a group of four adults who collectively make up the Society of Unknowable Objects, these individuals possess knowledge of special everyday items that grant their holder a variety of magical powers. But with strong magical powers comes the unwanted attention of those looking to use them for their own benefit, hence why the Society was formed to keep these objects out of less desirable hands. An interesting mix of cross-country hidden treasure hunting, mysterious intrigue, and fantasy action, the novel has strong mass appeal thanks to…

Part urban paranormal fantasy, part futuristic dystopia, Samantha Shannon’s The Bone Season is a wildly ambitious novel and a unique series starter that’s full of conflicting elements that on paper should not work. Additionally, it throws the reader into the thick of it with a list of undefined terminology, chaotic world-building, and a whiplash shift in setting three chapters in. Yet despite a rough beginning, those that give the novel a chance will be rewarded with a thrilling and complex dark fantasy story that gets progressively better and better over the course of its nearly 500-page run. Despite being over a decade late to The Bone Season hype train, I was fully invested in its wild ride through Shannon’s futuristically bleak version of London and Oxford. Note, an important disclaimer is that this review is based on a first edition copy of The Bone Season as originally written and published in 2013. Fully aware of the novel’s rougher patches, Samantha Shannon and Bloomsbury released revised editions of the first four books in the series in 2023 for The Bone Season’s 10yr anniversary which bring them more in line with her current matured and more lyrical writing style and refining the…

Reading Ben Aaronovitch’s Rivers of London series is usually a good, but often mildly frustrating time for me as they’re decently fun reads that are so close to being excellent. Book number three, Whispers Under Ground, is unquestionably the most tonally consistent and focused story so far that improves upon all my biggest criticisms of the previous installments. While Midnight Riot/Rivers of London (I’ll be referring to book 1 as Midnight Riot for consistency) and Moon Over Soho suffered from overly loose, meandering plots that attempted to weave together two separate cases, Whispers Under Ground smartly focuses on just one case and allows its dry, tongue-in-cheek British style to be front and center. Despite the improvements across the board, unfortunately I found the core mystery investigation to suffer from inconsistent pacing yet again and the culprit/reveal to be rather random which holds this back from a higher rating. Each novel in the series so far has had an underlying theme that’s tied to the magical crime case and some type of fantasy element/being; Midnight Riot was themed to the theatre while Moon Over Soho was heavily Jazz-focused. Whispers Under London’s thematic flair is the visual fine arts (though one could…

Despite having a lot of wonderful elements on paper, I thought book #1 Midnight Riot/Rivers of London was messy and unable to seamlessly mix its two story arcs, lore and world-building, and an urban noir investigation together coherently. The ambiance, setting, brief history lessons and Peter’s character voice helped cover up a weakly constructed plot and investigation. Thankfully I trusted other reviewers that wrote the series gets better as it progresses which I can see now. Akin to enjoying a glass of fine wine in a jazz bar hindered by an amateur musician (or what I would imagine it would be like, I’m not a drinker personally), I found Moon Over Soho to be a cool and low-key entertaining experience provided I not look too closely at some of the finer details of its plot. Across the board, Moon Over Soho felt like a true sophomore sequel work that was more confident and focused compared to Rivers of London. There’s a bit less action here than the obvious riot plot, but just about everything else is stronger across the board. Similar to Rivers of London, Moon Over Soho features two separate story arcs. The first involved multiple oddly timed deaths…

This might be the earliest I’ve ever read a newly published book as I ninja-ed it the day my library got a digital copy and I was very excited based on the synopsis and listed genres. For me, the Book of Doors was a solid comfort read (note, NOT the actual Comfy read genre) that felt nostalgic in the first half, invoking the wide-eyed magical feel of many YA fantasy books I read growing up yet clearly intended for adult readers. This book is also fully targeted towards book lovers with countless descriptions and settings based on book collections, stores, or libraries (to be expected for a story involving magical books). What I did not expect was the surprisingly ambitious and well-executed time-traveling/manipulating second half that manages to recover and tie-up the narrative successfully after a disjointed mid-section. Despite the obviously heavy fantasy elements provided by the magical books (I assume it’s not mentioned in the synopsis as not to show it’s trump card early), the Book of Doors should first and foremost be considered a soft time-travel drama. A young women in her 20’s living day to day in New York, Cassie is at the pivotal stage in her…