Publisher: Knopf Doubleday Publishing Group

Full disclosure, I decided to read The Glass Hotel purely because I had purchased a copy of the Sea of Tranquility not realizing there’s a bit of overlap and a cameo appearance by the character of Mirella who has a supporting role in The Glass Hotel and a main arc in Tranquility (they’re both standalone but I wanted to read them in order regardless). I had little expectation based on the vague and convoluted synopsis for the Glass Hotel, but perhaps having no expectations enhanced the reading experience as I was blow away by the back half and ending of this book. This was an absolute page-turner for me from the half-way mark but not in a traditional sense or one that most readers will agree with. It’s difficult to describe and summarize, but the gist of The Glass Hotel involved the reveal and collapse of a large-scale Ponzi scheme involving investments and the impact it has on a giant cast of characters (money and wealth is a constant theme throughout but that’s not the only fallout involved). Reading the Glass Hotel feels like watching Mandel play a game of chess with herself. The novel includes no less than at…

Note: The following original review for this book is old and does not meet current review standards. A fully rewritten review is planned. An incredibly ambitious novel with wonderful writing that is also incredibly niche. Erin Morgenstern certainly has a set style as I found this novel shares many of the same strengths and drawbacks as The Night Circus amplified. Beautiful and otherworldly visuals combined with a multiple layers of symbolisms, unfortunately the novel’s plot is slow, complex and vague. Are you interested in a passionate queer romance story? How about multiple factions with cult-like tendencies? Multiverse-style dimensions or dreams within dreams with a clear resolution? A fantasy adventure across land and sea to reach a final goal? An engrossing page turner? If you answered yes to any of the above, the Starless Sea is not for you. There are so many compelling elements that have mass appeal, but the delivery will likely alienate all but the most patient readers who appreciate the essence of literature. The chapters are also broken up jumping between the primary narrative focusing on several main characters and short fables, stories or exerts that seemingly have no connection to the main story or each other. Each…

Note: The following original review for this book is old and does not meet current review standards. A fully rewritten review is planned. There are those who believe Murakami is a genius and artist vs those who think he is a hack. After reading two of his novels I align with the latter. While I liked The Wind-Up Bird Chronicle more than 1Q84, that’s a very low bar to pass and Wind-Up has the advantages of being 300 pages shorter and possessing a more focused collection of plot threads vs 1Q84’s introduced and completely dropped elements. My biggest criticism of this novel and Murakami’s works in general is the excessive amount of detail and word length that’s added for no particular reason. The amount of tedious daily activities and movement by that main character adds nothing to the experience, story or characters included which is exacerbated by how repetitive and monotonous they’re written. Worse is how sporadic characters are added in, only to immediately segue into seemingly unrelated stories with no rhyme or reason. Yes there are connections between each story introduced but the execution is so lackluster, you’re just left questioning why it was done this way and what was…

Note: The following original review for this book is old and does not meet current review standards. A fully rewritten review is planned. For a book titled the Plotters, I found the plot of this one ironically to be one of the weakest aspects of the novel that left me disappointed. I love the character dialogue and the protagonist Reseng is quite the relatable anti-hero who was cast into and doesn’t know what life is like outside the dark world of assassins. This is very much a book where the journey is deemed more important than the destination as The Plotters sets up a fascinating scene and takes a good stab at the world of political corruption, underhanded deals, and what money can buy (pun intended). Reseng gets tangled up with a plot to overthrow the status quo of the hitman industry but the book never resolves the plotlines it sets up. He goes through a period of self-reflection and discovery as things go from bad to worse and ends with a moment of grandeur for Reseng similar to the climax of a movie where an epilogue would normally kick in showing the aftermath of the events. Except there isn’t one…

Note: My original review for this book is old and does not meet current review standards. A fully rewritten review is planned.