Genre: British Literature

For two hundred pages I questioned why I was reading Klara and the Sun which for the most part, is a introspective and quiet story of an AF (artificial friend, think of M3gan without the horror malfunctioning) observing and learning from human activity around in her adopted household. An artificial friend resembling a doll of sorts, Klara spends an awful lot of time thinking about the sun (yes there’s reasons for that) and watching over a young but weak girl named Josie and her childhood life. However, there are signs and a slow foreboding sense that nothing’s is quite right but it takes a close look to notice it under Klara’s well-meaning yet unreliable narration. (On an unrelated note this book was an absolute pain to get and read for me locally, I had to wait 6 months on a library hardcopy waitlist and the ebook copy I had a hold for still currently has a 20+ week wait). To say anymore would potentially give away the surprises and dark developments left in the last 100 pages, but needless to say things go dystopian really really fast. I’m accustomed to the more stereotypical takes on the dystopian genres such as…

Tom Hazard has been alive for four hundred and thirty nine years and over the course of history has spent many of them caught up in the past, protecting himself and loved ones from potential harm in the future, all while rarely truly living in the present. How to Stop Time is a unique read that presents the reader vignettes across Tom’s life (sometimes in and out of chronological order) loosely divided between five arcs that each focus on a particular theme and state of his life. While there are a lot of fun cameo appearances by famous historical figures that pop-up in the narrative (my personal favorite is William Shakespeare, I wish I was more cultured to have appreciated other cameos more), most of the bulk content involves Tom in a state of existential crisis. The overall story reminded me a lot of the 2015 movie Age of Adeline in concept while executed in a more introspective manner. While Age of Adeline was firmly focused on a romance drama, How to Stop Time’s romance serves more as a foundation and event pushes Tom to be the person that he is… hundreds of years later. This is first and foremost…

Note: The following original review for this book is old and does not meet current review standards. A fully rewritten review is planned. On paper this book wasn’t going to be my cup of tea as I am generally uninterested and detached from stories focusing on familial drama. While I struggled to stay invested for majority of the first 2/3 of the book, my patience was rewarded by the last 70 or so pages that surprisingly connect all the loose threads in such an explosive and exciting manner (rewarding endings seem to be a trend for me and Matt Haig novels). I was almost taken aback at how much action happens in such a short number of pages vs the rest of the novel that spent so much time setting the characters and pieces into place. As other reviews that covered, the vampire elements and lore take a back seat to the drama and relationships between the Radley family members and suspicious neighbors in the quiet village of Bisthopthorpe, though they do have key moments that are integral to the plot. Would’ve rated the first 2/3 of the book 2 stars and the last 1/3 4 stars so we’ll go with…

Note: The following review for this book is old and does not meet current review standards. A fully rewritten review is planned. I feel like there’s two common themes left by many negative reviews for this one, so before I say anything else: 1) This book is a work of fiction and despite it involving themes of depression and suicide, this is by no means a self-help guide for people feeling depressed. Neither should one assume the protag’s feelings or thoughts on the matter are representative for everyone who has ever felt depressed as depression is such a personal and varied thing for people. 2) It’s called The Midnight Library and the library serves as a plot element as well as a metaphor for one’s internal state of mind. Majority of the story does NOT take place in a library and the books are also a metaphor for “what if” scenarios in her life. This is a novel more akin to a drama-based, non-thriller take on the Butterfly Effect, NOT a novel about reading or literature (did they even read the synposis?). Points aside, I found the concept interesting and the progression of the plot and internal thoughts of the protag…